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RUIZ SANCHEZ MORALES Manuel Bernardino (1857-1922) Gitane jouant de la guitare Aquarelle sur papier Signée en haut à droite (rousseurs) 70 x 48 cm (à vue)

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RUIZ SANCHEZ MORALES Manuel Bernardino (1857-1922) Gitane jouant de la guitare Aquarelle sur papier Signée en haut à droite (rousseurs) 70 x 48 cm (à vue)

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Estimate 80 - 100 EUR
Starting price  50 EUR

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bordeaux, France
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Manuel Domínguez Sánchez (1840 - 1906) Portrait of a horse Oil on canvas. (Madrid, 1840-Cuenca, 1906). Spanish painter and illustrator. A student at the San Fernando Academy of Fine Arts in Madrid, he later continued his studies in Rome. From there he sent works to the National Fine Arts Exhibitions, being awarded in 1871 for the great historical canvas The Death of Seneca, his best-known painting. His work evolved, from the late-romantic Nazarene-inspired purism, to the decorativeism of its final stage, passing through Velazquez's realism under the influence of Rosales. Painter of historical canvases, he also developed decorative cycles, among which the one carried out in the Basilica of San Francisco el Grande in Madrid, together with Alejandro Ferrant, stands out. From this experience, the Prado Museum keeps An episode from the life of Saint Francis of Assisi, whose authors are Ferrant and Domínguez, and another work, with the same title, painted entirely by Domínguez. The Museum also guards a canvas inspired by a poem by Goethe, Margarita in front of the mirror. Reference bibliography: The history painting of the 19th century in Spain, cat. exp., Madrid, Consortium for the Madrid European Capital of Culture Organization, 1992, pp. 292-297; Ossorio and Bernard, Manuel, Biographical Gallery of Spanish Artists of the 19th Century [1883-1884], Madrid, Giner, 1975, pp. 187-188; The literary world in the painting of the XIX century of the Prado Museum, cat. exp., Madrid, Ministry of Culture, 1994, No. 29. Measurements: 40 x 68 cm Reference bibliography: The history painting of the 19th century in Spain, cat. exp., Madrid, Consortium for the Madrid European Capital of Culture Organization, 1992, pp. 292-297; Ossorio and Bernard, Manuel, Biographical Gallery of Spanish Artists of the 19th Century [1883-1884], Madrid, Giner, 1975, pp. 187-188; The literary world in the painting of the XIX century of the Prado Museum, cat. exp., Madrid, Ministry of Culture, 1994, ...

Important Great Saint Francis of Assisi in Meditation, Pedro de Orrente (Murcia, 1580-Valencia, 1645), Valencian Caravaggist school of the 17th century, Spanish school of the 17th century Oil on canvas. Canvas measurements: 144 x 95 cm, framed measurements: 160 x 112 cm. (Murcia, 1580-Valencia, 1645). Spanish painter. Known as "the Spanish Bassano", he was a very successful artist in his time, admired as a follower of the formulas of the famous family of artists from Veneto, especially in the creation of series of Old Testament themes set in lush landscapes. He lived in several Spanish cities, moving very young from his native Murcia to Toledo, where he was already in 1600. If the fame of the Bassano's works was enormous throughout Spain, the climate in the Castilian city must have been especially receptive. to his painting. The best masters who worked there left clear evidence of this: Juan Sánchez Cotán copied his works, while El Greco left in writing his admiration for Jacopo Bassano. It is not surprising that Orrente, who would travel to Italy shortly after, headed to Venice. He left for the transalpine country at the end of 1602 and in 1605 he was already in the lake city. It is quite reasonable to think about his time in the workshop of Leandro Bassano, who Jusepe Martínez classified as his teacher. Back in Spain he was in Murcia in 1607. He will once again combine stays in various cities, such as Toledo (where he will form a close friendship with El Greco's son, Jorge Manuel Theotocópuli) and Valencia. Reference bibliography: Valdivieso González, Enrique, «Three paintings by Pedro de Orrente», Spanish Art Archive, Madrid, 1974, pp. 333-334. It is quite reasonable to think about his time in the workshop of Leandro Bassano, who Jusepe Martínez classified as his teacher. Back in Spain he was in Murcia in 1607. He will once again combine stays in various cities, such as Toledo (where he will form a close friendship with El Greco's son, Jorge Manuel ...