ROBERT SLEZAK for Slezak Factories. Czech Republic, ca.1930's. 

Writing desk.

…
Description

ROBERT SLEZAK for Slezak Factories. Czech Republic, ca.1930's. Writing desk. White painted metal. Black glass. Shows signs of use and wear. Needs restoration. Measurements: 80 x 115 x 60 cm. Desk designed by the Czech artist Robert Slezak in the thirties, following the precepts of the German Bauhaus. The tubular structure and the small spherical feet give lightness and boldness to a design in accordance with the aesthetic and conceptual interests of the modern movement. The cabinet has three drawers with ball handles, and the top is covered with black glass. Robert Slezak founded Slezak Factories in 1908, a Czech furniture brand specializing in chrome-plated and bent metal furniture, which initially operated as a locksmith's shop and building fittings. The workshop developed rapidly, production was first extended to the popular brass fittings and new galvanic plating technology was introduced in the new facility. In 1911, it was one of the first manufacturers to offer galvanic plating of copper, nickel and chromium on the surface of products. From 1913, it began production of metal chairs and brass furniture, including beds, tables and chairs with its own designs in a combination of metal and wood. The original Slezák factories became part of the Kovona company after 1948, and since 1992 it has been called Kovonax. It presents marks of use and wear. Needs restoration.

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ROBERT SLEZAK for Slezak Factories. Czech Republic, ca.1930'

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SHUGETSU I: A POWERFUL AND AMUSING WOOD NETSUKE OF AN ONI SHUGETSU I: A POWERFUL AND AMUSING WOOD NETSUKE OF AN ONI By Hara/Higuchi Shugetsu, signed Shugetsu 舟月 Japan, Edo (Tokyo), late 18th century, Edo period (1615-1868) The large oni wearing a broad, coy grin on his face, standing with legs shoulder width apart and his knees slightly bent, holding Daikoku’s mallet (kozuchi) and a straw hat before him. Rather amusingly, he appears to have stolen the two takaramono (lucky objects). The expressively carved face with wide eyes inlaid with dark horn pupils. Very large and generously excavated himotoshi to the back. Signed to one leg SHUGETSU. HEIGHT 6.4 cm Condition: Very good condition with minor wear. One inlaid pupil is replaced. Provenance: Galerie Mochon, Brussels, 31 January 1945. Collection of Robert and Isabelle de Strycker, acquired from the above, and thence by descent within the same family. Robert de Strycker (1903-1968) was a French engineer who specialized in metallurgy. He was a Stanford graduate, a professor at the University of Leuven, a director of the Institute of Metallurgy at the Université Catholique de Louvain, and one of the most influential members of the faculty of applied sciences. After World War II, he made large contributions to France’s post-war recovery. Robert and his wife Isabelle (1915-2010) first encountered Asian art at the British Museum during a stay in London in the 1930s. Enamored with the style and beauty, they both decided to study and collect Japanese and Chinese works of art. In 1938, they eventually began to build their collection, buying from Belgian, Parisian, and English dealers. They kept close contact with the famous English collector Sir Harry Garner (1891-1977) and noted Czech collector and expert Fritz Low-Beer (1906-1976). Auction comparison: Compare a related wood netsuke of a seated oni with similar facial features, signed Shugetsu, dated to the 18 th century, at Sotheby’s, The Carlo Monzino Colllection of Netsuke, Inro, and Lacquer, 21 June 1995, London, lot 156 (sold for GBP 2,990).