After CLAUDE LORRAIN "Shepherds in a landscape", black engraving. By P. PARBONI …

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After CLAUDE LORRAIN "Shepherds in a landscape", black engraving. By P. PARBONI (Rome, 1816). 49x61cm. (at sight) foxing, stains. Framed under glass, pitchpin frame. 63x77cm.

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After CLAUDE LORRAIN "Shepherds in a landscape", black engra

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Estim. 150 - 250 EUR

Flemish school in the 17th century style Portrait of Claude de Lorraine Oil on canvas (lined). 32 x 24.5 cm

[LOT OF 7 ENGRAVINGS] - COLIN (Paul-Émile) - Prière à la nuit, woodcut on China paper, no. 16/20, signed by the artist (270/220 mm). La maison d'Angwiller, steel engraving on wove paper, no. 10/50, signed by the artist (220/320 mm). L'église de Galenis, steel engraving on wove paper, no. 10/50, signed by the artist (220/320 mm). Lisbeth et Sepel, woodcut, no. 3/50, signed by the artist (530/360 mm). Le vieux puits, woodcut, no. 8/35, (380/510 mm). Maison de Claude Lorrain, woodcut, no. 28/60, (340/500 mm). August asparagus, woodcut, (240/340 mm). Levée des paysans, woodcut, no. 13/30, (280/400 mm). 7 pp. in protective folders. Paul-Émile Colin was born in 1867 in Lunéville, Lorraine, and died in 1949 in bourg-La-Reine. He studied medicine while pursuing his passion for drawing. A friend of Filiger, he joined Gauguin at Pont-Aven in 1890, and his works from 1890 to 1900 are marked by this influence. From 1893, he studied wood engraving. He illustrated numerous works, including Les Philippe by Jules Renard, La terre et l'homme by Anatole France, La colline inspirée by Maurice Barrès, etc. Lorraine and its inhabitants remained one of his favorite subjects. He founded the Société de la Gravure sur Bois Originale in 1911. Clément Janin compiled a repertory of his engravings in 1912. After the First World War, he devoted most of his time to painting and book illustration, traveling to countries bordering the Mediterranean.

PROST, LARCHEY, THEURIET, JOUVE, AUGIN - La Lorraine illustrée. Nancy, Berger-Levrault, 1886; large in-folio, 2ff, XXXVII, 740 pp, bound in black half-chagrin, spines decorated with 5 nerves, edges mottled. All 2 volumes. Beautiful work on Lorraine bound in 2 volumes. Each department has its own author. A Lorraine classic. Good condition. Ex-libris Claude Hirtzmann.

Estim. 240 - 720 EUR

Lorrain, Claude (i.e. Claude Gellée 1600 Champagne - Rome 1683, after) - "Der Morgen" and "Der Mittag", two copper engravings from the series "Die vier Tageszeiten mit Szenen aus dem Alten und Neuen Testament", engraved by Christian Haldenwang (1770 Durlach - 1831 Rippoldsau), published by Amsler&Ruthardt, Berlin, dated 1822/1824 in the plate, re-browned, dimensions approx. 40.5 x 57.5 cm, individually framed under glass, overall dimensions approx. 52 x 67.5 cm each

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