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Régnier, Henri deLe miracle du fil. Seize sonnets de Henri de Régnier et seize planches en couleurs de Yan B. Dyl. Mit 16 Farbtafeln in Pochoirkolorit, meist gold- u. silbergehöht, von Daniel Jacomet nach Yan Bernard Dyl. Paris, Simon Kra, (1927). Folio. 19 nn. lose Bll. (die Textseiten mit kol. Vignetten u. Initialen) in illustr. OU in OHLwd.-Mappe (Mappe teils berieben u. etw. angeschmutzt). Art Déco Régnier, Henri de Le miracle du fil. Seize sonnets de Henri de Régnier et seize planches en couleurs de Yan B. Dyl. Mit 16 Farbtafeln in Pochoirkolorit, meist gold- u. silbergehöht, von Daniel Jacomet nach Yan Bernard Dyl. Paris, Simon Kra, (1927). Folio. 19 nn. lose Bll. (die Textseiten mit kol. Vignetten u. Initialen) in illustr. OU in OHLwd.-Mappe (Mappe teils berieben u. etw. angeschmutzt). Eins von 334 nummer. Exemplaren auf Canson Montgolfier Papier. - Carteret V, 166 - Monod 9557 - Text u. Vignetten in schwarz u. blau gedruckt. - Die Tafeln zeigen im eleganten Art Déco-Stil Spitzen aus Venedig, Brügge, Mecheln, Chantilly, Teneriffa u.a., getragen von schönen Frauen. Dyl stellte seine Gemälde 1937 und 1938 auf dem Salon des Tuileries aus. 1943 wegen Beteiligung am Widerstand verhaftet und starb er am 4. Dezember 1944 im KZ Buchenwald. - Textseiten teils mit Abklatsch, sonst sehr guter Zustand. Dabei: Zwei Original-Zeichnungen bzw. Collagen von Dyl, davon 1 handsigniert. One of 334 numbered copies on papier Canson Montgolfier. With 16 colour lithogr. plates with added pochoir colouring. - 19 loose leaves (the text pages with coloured vignettes and initials) in illustr. wrappers in illustr. orig. half cloth folder with mounted title on front board (folder partly rubbed and somewhat shop-soiled). - Plates with Art Déco illustrations of laces from various parts of Europe. Dyl exhibited his paintings in 1937 and 1938 at the Salon des Tuileries. He was arrested in 1943 for participation in the resistance and died on 4 December 1944 in Buchenwald concentration camp. - Added: Two original drawings or collages by Dyl, including 1 signed by hand. - Text and vignettes printed in blue and black. Some text pages with offset, otherwise in very good condition.

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Régnier, Henri deLe miracle du fil. Seize sonnets de Henri de Régnier et seize planches en couleurs de Yan B. Dyl. Mit 16 Farbtafeln in Pochoirkolorit, meist gold- u. silbergehöht, von Daniel Jacomet nach Yan Bernard Dyl. Paris, Simon Kra, (1927). Folio. 19 nn. lose Bll. (die Textseiten mit kol. Vignetten u. Initialen) in illustr. OU in OHLwd.-Mappe (Mappe teils berieben u. etw. angeschmutzt). Art Déco Régnier, Henri de Le miracle du fil. Seize sonnets de Henri de Régnier et seize planches en couleurs de Yan B. Dyl. Mit 16 Farbtafeln in Pochoirkolorit, meist gold- u. silbergehöht, von Daniel Jacomet nach Yan Bernard Dyl. Paris, Simon Kra, (1927). Folio. 19 nn. lose Bll. (die Textseiten mit kol. Vignetten u. Initialen) in illustr. OU in OHLwd.-Mappe (Mappe teils berieben u. etw. angeschmutzt). Eins von 334 nummer. Exemplaren auf Canson Montgolfier Papier. - Carteret V, 166 - Monod 9557 - Text u. Vignetten in schwarz u. blau gedruckt. - Die Tafeln zeigen im eleganten Art Déco-Stil Spitzen aus Venedig, Brügge, Mecheln, Chantilly, Teneriffa u.a., getragen von schönen Frauen. Dyl stellte seine Gemälde 1937 und 1938 auf dem Salon des Tuileries aus. 1943 wegen Beteiligung am Widerstand verhaftet und starb er am 4. Dezember 1944 im KZ Buchenwald. - Textseiten teils mit Abklatsch, sonst sehr guter Zustand. Dabei: Zwei Original-Zeichnungen bzw. Collagen von Dyl, davon 1 handsigniert. One of 334 numbered copies on papier Canson Montgolfier. With 16 colour lithogr. plates with added pochoir colouring. - 19 loose leaves (the text pages with coloured vignettes and initials) in illustr. wrappers in illustr. orig. half cloth folder with mounted title on front board (folder partly rubbed and somewhat shop-soiled). - Plates with Art Déco illustrations of laces from various parts of Europe. Dyl exhibited his paintings in 1937 and 1938 at the Salon des Tuileries. He was arrested in 1943 for participation in the resistance and died on 4 December 1944 in Buchenwald concentration camp. - Added: Two original drawings or collages by Dyl, including 1 signed by hand. - Text and vignettes printed in blue and black. Some text pages with offset, otherwise in very good condition.

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Collection of 5 18th and early 19th century works on scurvy: 1. MILMAN (Francis): Recherches sur l'origine et le siège du scorbut et des fièvres putrides, translated from English by M. Vigarous de Montagut. Paris, P. Fr. Didot Jeune ; Montpellier, Rigaud, 1786, in-8 of XXXII-192-(4) pp. ; contemporary half-basane, hinges very slightly split but solid. First edition in French (E.O. in English: 1782). Wellcome IV-p. 139. 2. FACIEU (Henri): Dissertation sommaire sur le scorbut; présentée et publiquement soutenue à la Faculté de médecine de Montpellier, le 27 juin 1820, pour obtenir le grade de docteur en médecine. Montpellier, Jean Martel Aîné, 1820, in-4, 24 pages. Modern bradel boards. -Small ink stain in upper margin of title page. First edition. B.I.U.M. : MP 1820, t. 74 n° 44. 3. RAYNAUD (Jean-Marie): Précis sur le scorbut. Dissertation presented and defended at the École de Médecine de Montpellier, 25 floréal an X [15 mai 1802]. Montpellier, Coucourdan, An X [1802], in-4, 27-(1) pages. Modern bradel boards. -Minor wetness in upper margin of all pages. First edition. 4. ROUXEL (M.): Essay on scurvy. Presented and defended at the Montpellier Medical School, 10 Messidor An X [29 June 1802]. Montpellier, Jean Martel Aîné, An X [1802], in-4 of 37-(1) pages. Modern bradel boards. First edition. 5. TEXTORIS (Joseph-Boniface): Dissertation on scurvy, presented at the Montpellier Medical School on 28 Floréal year XI [18 May 1803]. Montpellier, Tournel Père et Fils, s.d. [1803], in-4, 21-(1) pages. First edition.

1) [ROBBÉ DE BEAUVESET (Pierre-Honoré)]: Mon odyssée ou le journal de mon retour de Saintonge. Poëme à Chloé. The Hague, 1760, 125 pages + 4 t.p. figures. Bound with 2) [WATELET (Claude-Henri)]. Silvie. London [Paris, Prault], 1743, 1 title frontispiece-78 pages + 8 figures h.t. 9.5 by 16 cm. Full streaked black morocco, 5-rib spine, rich inner lace, double fillet on edges, all edges gilt (binding signed POUILLET). Slight scratches on the boards, a bump on one cut. Otherwise very good condition for this sober but stylish binding. Reunion of two charming volumes with engraved figures by Cochin. 1) First edition. C. Michel, Cochin et le livre illustré au XVIIIe s., n° 191. "Robbé asked his uncle Despille for four illustrations and had them engraved by their friend Cochin. The four drawings attributed without convincing reason to Cochin are in the Louvre." (C. Michel). In satirical verse, the author recounts his picaresque adventures on the road from Jonzac to Orléans, via Saintes, Chinon, Tours, Amboise and Blois. The third song features an apparition of Rabelais, who invites the author to pay him a visit. 2) First edition. C. Michel, Cochin et le livre illustré au XVIIIe s., no. 195. "Four vignettes of children's games, drawn by Pierre, engraved by Cochin fils. Nine in-8 size prints, 1 frontispiece and 8 plates drawn by M. Pierre, eight of which etched by M. Watelet, to which M. Cochin fils gave a few touches in different places on the varnish, before making them bite, & then made a few repeats with the burin in the places missed by the etching. The ninth print, La timidité d'Aminte, is engraved entirely by Cochin fils." (C. Michel). Roman à clef by an author who was a collaborator of the Encyclopédie.

H. AUBRY-LECOMTE (*1787) after HERSENT (*1777), The children of the Duke of Berry, 1822, Lithograph Hyacinthe-Louis-Victor-Jean-Baptiste Aubry-Lecomte (1787 Nice - 1858 Paris) after Louis Hersent (1777 Paris - 1860 ibid.): The children of the Duke of Berry, 1822, Lithography Technique: Lithography on China paper, rolled-on on Paper Inscription: At the lower part signed in the printing plate: "Hersent pinx. - Bonnemaison direxit - Aubry-Lecomte delineavit 1822". At the lower part further inscription: "S. A. R. Mgr le Duc de Bordeaux - S. A. R. Mademoiselle - Imp. lith. de Villain". Date: 1822 Description: Louise Marie Thérèse stands on a small chair and holds the hand of her brother Henri d'Artois, Duke of Bordeaux. The painting's political significance as a portrait of a ruler is due to the absence of the actual regent. The father of the two children, Charles-Ferdinand d'Artois, Duke of Berry, was murdered seven months before Henri's birth by Pierre Louis Louvel, a saddler in the royal stables, on 13 February 1820 in front of the Paris Opera. Louvel wanted to end Bourbon rule in France with this assassination, but created a martyr who now symbolised the Restoration in France. His posthumous successor Henri d'Artois, the enfant du miracle, became Charles X's successor after his abdication following the July Revolution, although he was unable to remain in France. After the death of Charles X, Henri was again proclaimed the rightful king of France by the Bourbon loyalists and after both 1848 and 1870 he was to ascend the throne again as Henry V, but this failed. The masterly graphic depiction of the Infante shown here is therefore particularly interesting because it celebrates the continuation of the reign after the assassination of the Duke of Berry. The comparison with the Christ child in the stable suggests itself and the fixated gaze prefigures a claim to power that is to be honoured. The painter Louise Hersent (1777 Paris - 1860 ibid.) studied under Jean-Baptiste Regnault and became a celebrated portrait and history painter. He was a member of the Institut de France and was appointed professor at the École des Beaux-Arts. Keywords: Children, Genre, Bourdeaux, Bourbon, France, Interior, Family, Revolution, 19th century, Biedermeier, Portraits, France, Size: Paper: 43,1 cm x 31,7 cm (17 x 12,5 in), Plate: 32,8 cm x 26,7 cm (12,9 x 10,5 in)