Ludolf, Christian Juncker et al, HiobAllgemeine Schau-Bühne der Welt, oder: Besc…
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Ludolf, Christian Juncker et al, HiobAllgemeine Schau-Bühne der Welt, oder: Beschreibung der vornehmsten Welt-Geschichte ... des siebzezehenden Jahr-Hunderts. Parts 2-5 (of 5) in 4 vols. With 3 engraved. With 3 engraved titles, copper plates and numerous text engravings. Frankfurt, Zunner / Jung, 1701-1731. fol. Pgt. d. (rubbed, scuffed, bumped, stained, partly. Joints torn and cracked and covers loosened, front cover of vol. 5 detached from block, cover partially with flaws and partially detached from covers). Ludolf, Christian Juncker et al, Hiob Allgemeine Schau-Bühne der Welt, oder: Beschreibung der vornehmsten Welt-Geschichte ... des siebzezehenden Jahr-Hunderts. Parts 2-5 (of 5) in 4 vols. With 3 engraved. With 3 engraved titles, copper plates and numerous text engravings. Frankfurt, Zunner / Jung, 1701-1731. fol. Pgt. d. (rubbed, scuffed, bumped, stained, partly. Joints torn and cracked and covers loosened, front cover of vol. 5 detached from block, cover partially with missing parts and partially detached from covers). First edition of the richly illustrated world chronicle. - Graesse IV, 291 - Holzmann-Boh. IV, 880 - Sabin 42659 - Landwehr, de Hooghe 91 - Not in VD 18 - Tl. 2: With engraved title (creased, marginal defects). With engraved title (creased, marginal wear, stained, backed in inner margin), 1 engraved portrait plate, 4 half-title plates. Portrait plate, 4 half-sided. Copper plates and 63 text engravings by J. and C. Luyken, R. de Hooghe and others. 2 pp., 1744 sp., 15 pp. - Part 3 (1713): With 1 engraved portrait plate, 2 (of 4?) half copper plates and 62 text engravings. 9 pp., 1462 sp., 22 pp. - vol. 4 (1718): With gest. Title, engraved portrait plates and 47 text engravings. 3 p., 1692 sp., 29 p. - Tl. 5 (1731): With 1 copperplate and 48 text engravings. - 3 pp., 988 (recte 972), 476 sp., 21 pp. - The copper plates show portraits, histor. Scenes, battles, natural disasters etc. - Copper partly colored. - All volumes without fl. All volumes without flyleaves, browned due to paper, some brown spotting, occasional tears and marginal tears, some wormholes, some leaves and quires loose or loosened (in vol. 5 the first approx. 50 leaves loose, with creases and marginal tears), 1 leaf of vol. Half of vol. 3 with tear (loss of text), printed title of vol. 4 slightly trimmed in lower margin (loss of text). First edition of the richly illustrated world chronicle. - Parts 2-5 (of 5) in 4 vols. With 3 engraved titles, copper engraving plates and numerous text engravings. Contemp. vellum (rubbed, chafed, bumped, stained, joints torn and cracked and covers loosened, front cover of vol. 5 detached from the block, cover partially with missing parts and partially detached from boards). - The engravings show portraits, historical scenes, battles, natural disasters etc. - Coppers partly colored. - All volumes without free endpapers, browned due to paper, some brown spotting, occ. marginal tears, some wormholes, some leaves and quires loose or loosened (in vol. 5 the first 50 leaves loose, with creases and marginal tears), 1 leaf of part 3 half torn off (loss of text), printed title of vol. 4 slightly trimmed in lower margin (loss of text).

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Ludolf, Christian Juncker et al, HiobAllgemeine Schau-Bühne der Welt, oder: Beschreibung der vornehmsten Welt-Geschichte ... des siebzezehenden Jahr-Hunderts. Parts 2-5 (of 5) in 4 vols. With 3 engraved. With 3 engraved titles, copper plates and numerous text engravings. Frankfurt, Zunner / Jung, 1701-1731. fol. Pgt. d. (rubbed, scuffed, bumped, stained, partly. Joints torn and cracked and covers loosened, front cover of vol. 5 detached from block, cover partially with flaws and partially detached from covers). Ludolf, Christian Juncker et al, Hiob Allgemeine Schau-Bühne der Welt, oder: Beschreibung der vornehmsten Welt-Geschichte ... des siebzezehenden Jahr-Hunderts. Parts 2-5 (of 5) in 4 vols. With 3 engraved. With 3 engraved titles, copper plates and numerous text engravings. Frankfurt, Zunner / Jung, 1701-1731. fol. Pgt. d. (rubbed, scuffed, bumped, stained, partly. Joints torn and cracked and covers loosened, front cover of vol. 5 detached from block, cover partially with missing parts and partially detached from covers). First edition of the richly illustrated world chronicle. - Graesse IV, 291 - Holzmann-Boh. IV, 880 - Sabin 42659 - Landwehr, de Hooghe 91 - Not in VD 18 - Tl. 2: With engraved title (creased, marginal defects). With engraved title (creased, marginal wear, stained, backed in inner margin), 1 engraved portrait plate, 4 half-title plates. Portrait plate, 4 half-sided. Copper plates and 63 text engravings by J. and C. Luyken, R. de Hooghe and others. 2 pp., 1744 sp., 15 pp. - Part 3 (1713): With 1 engraved portrait plate, 2 (of 4?) half copper plates and 62 text engravings. 9 pp., 1462 sp., 22 pp. - vol. 4 (1718): With gest. Title, engraved portrait plates and 47 text engravings. 3 p., 1692 sp., 29 p. - Tl. 5 (1731): With 1 copperplate and 48 text engravings. - 3 pp., 988 (recte 972), 476 sp., 21 pp. - The copper plates show portraits, histor. Scenes, battles, natural disasters etc. - Copper partly colored. - All volumes without fl. All volumes without flyleaves, browned due to paper, some brown spotting, occasional tears and marginal tears, some wormholes, some leaves and quires loose or loosened (in vol. 5 the first approx. 50 leaves loose, with creases and marginal tears), 1 leaf of vol. Half of vol. 3 with tear (loss of text), printed title of vol. 4 slightly trimmed in lower margin (loss of text). First edition of the richly illustrated world chronicle. - Parts 2-5 (of 5) in 4 vols. With 3 engraved titles, copper engraving plates and numerous text engravings. Contemp. vellum (rubbed, chafed, bumped, stained, joints torn and cracked and covers loosened, front cover of vol. 5 detached from the block, cover partially with missing parts and partially detached from boards). - The engravings show portraits, historical scenes, battles, natural disasters etc. - Coppers partly colored. - All volumes without free endpapers, browned due to paper, some brown spotting, occ. marginal tears, some wormholes, some leaves and quires loose or loosened (in vol. 5 the first 50 leaves loose, with creases and marginal tears), 1 leaf of part 3 half torn off (loss of text), printed title of vol. 4 slightly trimmed in lower margin (loss of text).

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Christian Peschke, foundry worker Two men with bare upper bodies next to a sculpture, pouring red-hot liquid metal into a mould embedded in the floor, probably a scene from the ARA Kunstgießerei Altrandsberg, where the artist also had his own sculptures cast, Dr Helmut Bachmaier comments "... Christian Peschke is an artist in whose work life itself is brought into form and colour in a unique way. Vitality and joie de vivre play an eminent role as the driving force and message of his art. Added to this is the colour language of emotions: Feelings take on a special value through colour. He translates emotionality directly into a play of colours, so that the colour surfaces have the effect of vibrating sensations. ... His artistic consciousness is focussed on the figurative or on the essential things that happen to him in life. He does not lapse into a detailed or even photographic realism, but rather artistically seeks a re-creation, a re-creation of things and the body. An enemy of any aesthetic of representation, his aesthetic is committed to the idea of re-creation and the revitalisation of original forms and things. ... In his sense, the artist is someone who reinvents the world, who puts things in a new light ...", expressive painting in powerful colours, oil on plywood panel, c. 2000, indistinctly signed "C. Peschke" lower left, framed in a gilt stucco frame, folded dimensions approx. 120 x 90 cm. Artist info: German sculptor, painter and graphic artist. Sculptor, painter and graphic artist (1946 Bad Säckingen to 2017 Flintsbach), grew up in Spain, France and Stuttgart, attended the Akademie der Bildenden Künste in Stuttgart under Gerhard Gollwitzer from 1958 with special permission, from 1962 apprenticeship as a painter and varnisher, from 1967 first sculptures and occupation with painting, 1976-80 training at the Blocherer School of Fine and Applied Arts Munich, settled in Spain as a freelance artist in 1982, lived in Italy for a time, worked temporarily in Aying-Großhelfendorf in the district of Munich, maintained artist friendships with Ernst Fuchs, Salvador Dali and Arno Breker, 2000-2002 lecturer at the Vulkaneifel Academy in Steffeln, 2015 opening of the "Peschke House" Flintsbach am Inn, source: Bütow "Europäisches Künstlerlexikon - Deutschland", homepage of the artist and Wikipedia.