'David with the Head of Goliath' - bronze sculpture according to Andrea del Verr…

Description

'David with the Head of Goliath' - bronze sculpture according to Andrea del Verrocchio, 'David and the severed head of Goliath' - French bronze sculpture from the 19th century, based on the famous statue of the Italian sculptor Andrea del Verrocchio, who created it between 1473-1475, by order of the Medici family, Brown patina, bearing seal of the Parisian foundry: 'bronze garanti', width: 22 cm, height: 58 cm. Period: 19th century (1800-1900)

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'David with the Head of Goliath' - bronze sculpture according to Andrea del Verrocchio, 'David and the severed head of Goliath' - French bronze sculpture from the 19th century, based on the famous statue of the Italian sculptor Andrea del Verrocchio, who created it between 1473-1475, by order of the Medici family, Brown patina, bearing seal of the Parisian foundry: 'bronze garanti', width: 22 cm, height: 58 cm. Period: 19th century (1800-1900)

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Antonin MERCIÉ (1845-1916) David and Goliath. Bronze proof with light brown shaded patina, signed and marked F. BARBEDIENNE FONDEUR on the terrace. H. 61 cm.

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Following models of DONATELLO (Florence, 1386-1466). "David". Patinated bronze. On marble base. Measurements: 170 x 62 x 30 cm (figure); 28 x 62 x 62 x 62 cm (stand). Donatello's David is one of the most famous sculptures of the Italian Renaissance. Made around 1440, it has had a significant impact on the history of art. Donatello used the lost wax casting technique to create the statue, which allowed for fine details and a smooth surface. The copy we show, also in bronze and close in size to the original, makes him slightly taller than an average teenager. The statue depicts David, the young biblical shepherd boy who defeated the giant Goliath. He is portrayed nude except for a garlanded hat and boots, which was unusual for depictions of David. He appears in a relaxed, naturalistic pose, with one leg slightly bent and one hand on his hip. He holds Goliath's sword in one hand, while his foot rests on Goliath's decapitated head. David's expression is calm and confident, in contrast to the ferocity of the battle he has just fought. The sculpture symbolizes the victory of wit and faith over brute force, a common theme in the Renaissance. David was an important symbol for the city of Florence, which saw itself as a brave little David against the Goliaths of more powerful states.

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Jef FRIBOULET (1919-2003) "David and Goliath 1880 "Oil on canvas signed lower left 46x38 Collec. Jef Friboulet

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Henri Honoré Plé (1853-1922), David with the head of Goliath, imposing standing figure of David as a handsome youth with a sword at whose feet lies the severed head of the giant, brown patinated bronze, signed on the round plinth, title plaque ''David Vainqueur'', overall h. 63 cm

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