Lionello Spada (attr.)
Bologna 1576 - Parma 1622
Salome with the head of the Bap…

Description

Lionello Spada (attr.) Bologna 1576 - Parma 1622 Salome with the head of the Baptist oil on canvas, 73x98 cm.

211

Lionello Spada (attr.) Bologna 1576 - Parma 1622 Salome with the head of the Baptist oil on canvas, 73x98 cm.

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Estim. 80 - 120 EUR

Alessandro of Scorzoni, attr, Küchenstillleben Anrichte mit op opulently filled fruit basket, next to a shot jay, partridge and pheasant, slightly impasto painting with broad brushstrokes in finely tuned colours, oil on canvas in two colours, inscribed and dated lower left "A. v. Scorzoni [19]08", framing label Munich on the reverse, minor craquelure, old backing to the canvas, somewhat in need of restoration, framed (def.), rebate dimensions approx. 78 x 73 cm. Artist info: also called Sandro Scorzoni, Italian painter, restorer, fresco painter, decorative painter, applied artist and illustrator (1858 Calcara di Crespellano to 1933 Bologna), studied 1872-79 at the Bologna Academy under Antonio Puccinelli and Salvatore Muzzi, painted villas in Cento and Modena, 1884 honoured with the Bevilacqua Prize, 1895-1906 he participated in the exhibitions of the artists' association "Francesco Francia" Bologna, 1898 appointed honorary academician and 1905 honorary member of the Bologna Academy, member of the Lyra Academy Bologna and the Bologna Artists' Circle, active in Bologna, source: Saur "Bio-Bibliographisches Künstlerlexikon", Comanducci, Wikipedia and website of the city of Bologna.

Starting price 200 EUR

DINO GAVINA (Attr.). Pair of table lamps for SIRRAH (Attr.). DINO GAVINA (Attr.) (San Giovanni in Persiceto, 1922 - Bologna, 2007). Pair of metal table lamps with lampshade composed of two blue and cream cloth cards. SIRRAH production (Attr.). 61.5x30 cm ca.

Estim. 4 000 - 5 000 EUR

BENZI, Hugh. Expositio Ugonis Senensis super libros Tegni Galeni. Venice, Eredi di Ottaviano Scoto, 1518 Folio; 310x220 mm. Modern binding in full vellum. 93 cc. Colophon on paper 93v: "Venetijs, impensa heredum quondam domini Octauiani Scoti Modoetiensis; ac sociorum, 19 Ianuarij 1518" .Under typographic mark with initials O.S.M. Text in two columns, Gothic typeface. Numerous woodcut initials, many on criblé ground. Some marginalia in old hand. Fine copy. Bound with: BENZI, Hugh. Expositio Vgonis Senensis super Aforismos Hippocratis: & super commentum Galeni eius interpretis. Venice, Eredi di Ottaviano Scoto, 1517 Papers 159, 1 blank. Colophon on paper 159v: "Venetijs: sumptibus heredum quondam domini Octauiani Scoti Modoetiensis ac sociorum, 18 Iulij 1517." Typographic mark with initials O.S.M. in the recto of the last blank paper. Text in two columns, Gothic font. Numerous woodcut initials, many on criblé background. Some marginalia in old hand. Fine copy. Very rare edition. Collected in one volume are Benzi's two fundamental commentaries on the texts of Hippocrates and Galen. The commentary on the first work refers to Galen's "De Arte Medica," known as Tegni (a deformation of the Greek word τέχνη, "art"). During the Middle Ages, in fact, the Greek τέχνη ἰατρική was used to refer to Galen's Ars medica; the second work contains commentaries on the Aphorisms of Hippocrates. These commentaries on Hippocrates and Galen were born, according to the customs of the time, for the teaching in universities of classical texts: the doubts, problems, and discussions that arose from the teachers' explanations and the disciples' questions formed the basis of the quaestiones, through which the study of the ancient masters was attempted, and which were an integral part of the commentaries. Ugo Benzi, c. 1360 - 1439, born in Siena, initially studied at the Sienese Studio, then taught in Siena, Parma, Bologna, Pavia, Perugia and possibly at the Sorbonne; he was physician to the king of France, who called him to Paris. In 1437 he took part in the Council of Ferrara, at the call of Nicolò III d'Este, who had been cured of a serious skin disease by Benzi. First work: Durling; p. 221 n. 1845. Index Aureliensis, III, 116976. Second work: Wellcome, no. 3350. Cf. Dean Putnam Lockwood, Ugo Benzi, medieval philosopher and physician, 1376-1439, University of Chicago Press, 1951. Folio; 310x220 mm. Later full vellum binding. Leaves 93. Colophon on l. 93v: "Venetijs, impensa heredum quondam domini Octauiani Scoti Modoetiensis; ac sociorum, 19 Ianuarij 1518" and printer's device with the initials O.S.M. Text on two columns, gothic type. Several woodcut initials letters, a lot on criblè background. Some ancient handwritten marginalia. Nice copy. Bound with: BENZI, Hugh. Expositio Vgonis Senensis super Aforismos Hippocratis: & super commentum Galeni eius interpretis. Venice, Eredi di Ottaviano Scoto, 1517 Leaves 159, 1 blank. Colophon on l. 159v: Papers 159, 1 blank. Colophon on paper 159v: "Venetijs: sumptibus heredum quondam domini Octauiani Scoti Modoetiensis ac sociorum, 18 Iulij 1517" and printer's device with the initials O.S.M. Text on two columns, gothic type. Several woodcut initials letters, a lot on criblè background. Some ancient handwritten marginalia. Nice copy. Very rare editions. In one volume are bound two fundamental Benzi's comments on the Hippocrates and Galenus' texts. The commentary on the first work refers to Galen's "De Arte Medica," known by the name of Tegni (deformation of the Greek word τέχνη, "art"). During the Middle Ages, in fact, the Ars medica of Galen was indicated by the Greek term τέχνη ἰατρική; the second work contains the commentary on the Aphorisms of Hippocrates. These comments on Hippocrates and Galen were born, according to the customs of the time, for the teaching of classical texts in universities: the doubts, problems, discussions from the explanations of the masters and the questions of the disciples constituted the basis of the quaestiones, through which attempts were made to deepen the study of the ancient masters, and which were an integral part of the commentaries. Ugo Benzi, ca 1360 - 1439, born in Siena, initially studied at the Studio Senese, then taught in Siena, Parma, Bologna, Pavia, Perugia and perhaps also at the Sorbonne, was doctor to the King of France who called him to Paris. In 1437 he took part in the Council of Ferrara, at the request of Nicolò III d'Este, who had been cured of a serious skin disease by Benzi.

Estim. 1 500 - 2 000 EUR

ROGISSART, Alexandre; de. Les Délices de l'Italie, contenant une description exacte du Pais, des principales villes, de toutes les Antiquitez, et de toutes les raretez qui s'y trouvent. Paris, Compagnie des Libraires, 1707 4 Volumes in small 8vo; 155x95 mm. Coeval binding in marbled brown bazzana, sinewy spine with gold friezes. Tome I: Antiporta, pages (16), 334, (2), 39 plates. Tome II: Antiporta, pages (4), 359, 20 plates. Tome III: Antiporta, pages (2), 302, 49 plates. Tome IV: Antiporta, pages (4), 266, 45 plates.Total of 4 Antiparts and 153 plates outside text, 69 of which are folded, all copper-engraved. Defects to bindings, internally good condition. Beautifully illustrated edition of this important guide to Italy. The work, accompanied by an impressive iconographic apparatus, is one of the best travel books published in the 18th century. The plates, most of them folded, depict city plans, perspective views, monuments, church interiors, and party scenes. Prominent among the monuments are those of ancient Rome; among the descriptions of festivals, those depicting naval games are particularly scenic. The two folded maps, placed at the beginning of the first volume, cover ancient and modern Italy. Presence of maps of Trent, Venice (in 2 plates), Padua (in two plates), Ferrara, Bologna, Siena, Ancona, Rome, Frascati, Naples, Pisa, Lucca, Genoa, Pavia, Parma, Piacenza, Mantua, Verona, Milan. See Fiammetta Olschki (575), D'Ancona p. 123, Cremonini 65. 4 Volumes in smallo 8vo; 155x95 mm. Contemporary marbled sheepskin binding, gilt ribs spine. Volume I: Frontispiece, pages (16), 334, (2), 39 plates. Volume II: Frontispiece, pages (2), 359, 20 plates. Volume III: Frontispiece, pages (4), 302, 49 plates. Volume IV: Frontispiece, pages (4), 266, 28, 45 plates. In total 4 Frontispieces and 153 plates, of which 69 folded, all engraved in copper. Defects on the bindings, internally in good condition. Beautiful, enlarged and corrected illustrated edition of this important guide to Italy. The work, accompanied by an impressive iconographic apparatus, is one of the best travel books published in the eighteenth century. The plates, most of which folded, depict city plans, perspective views, monuments, church interiors, party scenes. Among the monuments those of ancient Rome stand out; among the descriptions of feasts, those depicting naval games are particularly spectacular. The two folded geographical maps, placed at the beginning of the first volume, concern ancient Italy and modern Italy. Presence of maps of Trento, Venice (in 2 copies), Padua (in two copies), Ferrara, Bologna, Siena, Ancona, Rome, Frascati, Naples, Pisa, Lucca, Genoa, Pavia, Parma, Piacenza, Mantua, Verona, Milan.

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