John Orlandi
1590 - 1640
Speculum Romanae Magnificientiae. The Theater of Marcel…

Description

John Orlandi 1590 - 1640 Speculum Romanae Magnificientiae. The Theater of Marcellus, 1602 Engraving, light: 39x53.5 cm.

204

John Orlandi 1590 - 1640 Speculum Romanae Magnificientiae. The Theater of Marcellus, 1602 Engraving, light: 39x53.5 cm.

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Estim. 4 000 - 5 000 EUR

SALVADOR DALÍ I DOMÈNECH (Figueres, Girona, 1904 - 1989). "Christ in perspective". 1972. Ink on offset paper. Signed, dated and dedicated. Measurements: 32 x 40 cm; 55 x 82 cm (frame). Original drawing on paper that Dalí made in 1972, twenty years later than his painting "Christ of St. John of the Cross", where the crucified is also seen foreshortened, from a zenithal point of view. Dalí explores in these versions ways of suggesting the celestial contemplation of Jesus' suffering, assuming the point of view of angels or a divine entity. In the 1951 painting, the title referred to the 16th century Spanish mystic and poet known for his writings on the union of the soul with God through spiritual love. The choice of this title suggests a connection between Dalí's vision of crucifixion and deep spirituality. In the 1970s, Dalí, who was always moved by a deep spirituality, resumed his plastic reflections on themes of faith, redemption, the afterlife and the divine nature. Painter and sculptor, Salvador Dalí was one of the leading exponents of the surrealist movement. His work greatly influenced the course of surrealism during the twenties and thirties, being acclaimed as the creator of the paranoiac-critical method, an essential combination of the real with the imaginary. Most of his production is gathered in the Dalí Theater-Museum in Figueras, followed by the collection of the Salvador Dalí Museum in St. Petersburg (Florida), the Reina Sofía in Madrid, the Salvador Dalí Gallery in Pacific Palisades (California), the Espace Dalí in Montmartre (Paris) or the Dalí Universe in London.

Starting price 600 EUR

Album d'un amateur; from 1921 to 1937 Journey to Sicily, France - Saint Jean de Luz, Dalmatia and Greece This album was conceived by its author in such a way that each voyage is a chapter, and within each voyage, he has integrated earlier shots dating from 1892 to 1896, as a return to the past, or a simple comparison of times gone by... Sites, views and animated scenes : Sicily, Pestum, view of the Marine Gate, the Temple of Neptune and the Basilica, Temple of Ceres, Taormina, "Taormina Castle from the Castle of Mola", "Descent from Mola to the West", ancient ruins of Taormina: The Theater, Randazzo; "Tower of Etna", city view, Syracuse; the bay, ancient ruins: Roman Theater, Greek Theater, "Latomie del Paradiso", Church of San Giovanni, the port, laundry hanging in the window, Girgenti (Agrigento), view of the enclosure, Temple of Juno, "Farm of Saint Nicholas", the beach, Palermo; Saint Rosalia, Selinunte; Temple of Apollo, the forts, "North-South street of the Acropolis", San Gimignano; city view Lively scenes: "Marine de Capri" (seen from a tiny harbor and a few boats), Palm Sunday in Taormina, busy streets in Syracuse, Sicilian shepherd and his goats in the ruins of the Temple of Juno in Girgenti, fishermen in Cefalu... March 8 - April 12, 1921 - 103 vintage silver prints France, vacation in Saint de Luz By the beach, the raging sea, port of Saint Jean de Luz, Ciboure ... April 1923 - 21 vintage silver prints "Journey to Dalmatia and Greece". Innsbruck, Salzburg, Monte Cristallo; mountain landscape, Lake Misurina, Gmunden, Aquileia; the Church outside and inside ... Croatia, city of Pola; ancient ruins: arenas, "Golden Gate", Temple, Pirano; general view of the city, Sebenico; view of the city, port, Spalato; view of the bay, streets and ancient ruins Bosnia-Herzegovina; Mostar, bustle in the streets, view of the city and its bridge, Sarajevo; the mosque, the cemetery... Montenegro; Kotor, view of the city, the Kotor Mouths ... Greece; Corfu, Olympia, Mycenae, Mistras, Delphi "treasure of the Athenians" ... Lively scenes: on the boat between Linz and Vienna, portraits of children on the pontoon with their feet in the water in Gmunden, on the sailboat, Croatian types in the busy streets of Sebenico, portrait of a man and woman from Spalaton, men in traditional dress in the streets of Mostar, the market in Serajevo, veiled women, men in traditional dress, portraits of Montenegrins .... July 28 to September 11, 1923 220 vintage silver prints. Return to France, Loire, Brittany and Jura Trèves, Château la Vallières, Champtocé, Château du Verger, Dolem de Connerré, Menhirs de Pierre, Montigny le Gannelon ... August 29, 1936 - July 15, 1937 - 41 vintage silver prints Approx. 380 vintage silver prints, mounted on album pages, handwritten captions in French, dated and located for each image. Approx.: 8.5 x 11.5 cm Album : 28 x 38 cm

Starting price 1500 EUR

Flemish school of the 17th century, entourage of Pierre-Paul Rubens (Siegen 1577-1640 Antwerp) Salome receiving the head of Saint John the Baptist Oil on canvas, mounted on panel 66 x 75 cm. Slight accidents.

Starting price 190 EUR

J. GRIGNON (1640) after KLÖCKER (1628), Portrait of Palatinate-Zweibrücken-Kleeburg, around 1680, Jacques Grignon (1640 - 1698 ) after David Klöcker (1628 Hamburg - 1698 Stockholm): Portrait of Adolf Johann I of Pfalz-Zweibrücken-Kleeburg (1629 Stegeborg Castle - 1689 Stegeborg Castle), c. 1680, Copper engraving Technique: Copper engraving on Paper Inscription: At the lower part signed in the printing plate: "D. Klööker pinxit. / Grignon sculp.". At the lower part inscribed in the printing plate: "Serenissimus Princeps ac DNS: DN: Adolphus Ioannes Comes Palatinus ad Rhenu Bavariae, Iuliaci, Cliuiae ac Montium Dux, Comes Veldentzij, Spanhemij Marcoe et Ra= *Vensburgi, Dominus Rauensteinij et Mörsi &e.". Date: c. 1680 Description: The portrait of Adolf John I (1629-1689) is full of special compositional features. The landscape in the background is characterised by battle scenes. In the foreground, the bust of the sitter is enthroned on an antique column base, surrounded by 17th century weapons. The heavy brocade drapery with the tassel is a reference to his high lineage. However, the sitter's head is not chiselled from marble as might be expected, but is enthroned on the column in flesh and blood surrounded by Roman military attributes. Person: Adolf Johann I. von Pfalz-Zweibrücken-Kleeburg (1629 Stegeborg Castle - 1689 Stegeborg Castle) Duke of Stegeboprg and Pfalz-Kleeburg; Swedish Imperial Marshal Keywords: 17th century, Baroque, Portraits, Germany, Size: Paper: 33,9 cm x 20,3 cm (13,3 x 8 in), Plate: 30,2 cm x 19,0 cm (11,9 x 7,5 in), Depiction: 28,0 cm x 18,0 cm (11 x 7,1 in) Condition: Good condition. Minimally browned, a small wormhole in the lower white margin.

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