GALICIAN SCHOOL
Almoner's chapel or portable altar popularly called "peto" made …

Description

GALICIAN SCHOOL Almoner's chapel or portable altar popularly called "peto" made of carved, polychrome and gilded wood. Restorations and repainting from a later period. Galician popular work. 17th century. 103x48cm

796

GALICIAN SCHOOL Almoner's chapel or portable altar popularly called "peto" made of carved, polychrome and gilded wood. Restorations and repainting from a later period. Galician popular work. 17th century. 103x48cm

Auction is over for this lot. See the results

You may also like

Estim. 60 - 80 EUR

1) R. THEVENIN, 20th century French school. Sunset in the Côte d'Or. Oil on canvas signed lower right. 240 x 33 cm. 2) ROSSINI, 20th century French school. Sunset. Oil on canvas signed lower right. 50 x 60 cm.

Estim. 3 000 - 3 500 EUR

JOSE MARÍA BARREIRO (Forcarei, Pontevedra, 1940). "Galician musicians". Oil on táblex. Signed in the lower margin. Measurements: 68 x 55 cm; 86,5 x 74 cm (frame). José María Barreiro turns the glove to the folkloric subject in this oil painting with a couple of Galician musicians (a piper, a drummer) resolved with a post-fauve palette. Barreiro held his first solo exhibition in 1961, and two years later he undertook a study trip through Europe that took him to Paris. There he studied the French school and exhibited his work, which he also did in Belgium and Germany. Between 1965 and 1966 he painted a series of murals in commercial houses in Vigo, where he exhibited his work in 1967 at the Velázquez Gallery. In the following years he held exhibitions in different Spanish cities, and in 1969 he made a trip to Argentina, where he held a new exhibition. Settled in Buenos Aires, he combines painting with various decoration projects for Harrods. In 1971 he made a trip to Chile, Brazil and Uruguay, and on his return in 1972 he held an important exhibition in the Perla Marino Gallery in the Argentine capital. He returned to Spain and exhibited in Pontevedra, where he took part in the Biennial that same year. In the following years he held exhibitions in Galicia, Murcia, Valladolid, Madrid, Barcelona and Tenerife, and in 1986 a retrospective exhibition was held in Terra de Montes. Three years later he made his debut at the Durán art gallery in Madrid, where he exhibited biannually with great success. In 1991 he shows his work in the United States, at the Arte Chicago fair, and before the end of the year he also shows his work in Lisbon. During the nineties he will also show his work in Miami, without leaving aside his usual exhibitions in Spain.

Estim. 3 500 - 4 000 EUR

MANUEL COLMEIRO GUIMARÁS (Pontevedra, 1901 - Salvaterra do Minho, Pontevedra, 1999). "Spanish woman". 1949. Ink on paper. Signed and dated. Catalogued in "Drawings by Colmeiro". "Cuadernos de arte. Contemporary Masters of Drawing and Painting Collection", nº 8. By Rodríguez Sahagún Measurements: 55 x 43 cm; 80 x 69 cm (frame). In this drawing of costumbrista theme, Colmeiro extracts with firm stroke the essential of the Andalusian attire, like the comb and the mantilla. Large melancholy eyes illuminate the sharp oval face. A Galician painter who emigrated to Buenos Aires, Manuel Colmeiro combined his artistic studies there at night with work in a shoe factory. For a year he studied at the Academy of Fine Arts, but he left to form a working group with other painters and sculptors. After this stage, where he developed an expressionist work, he returned to Galicia in 1926. Two years later he held his first exhibition in the salons of Faro de Vigo, and soon obtained a scholarship from the Diputación de Pontevedra to travel to Madrid and further his training at the Academia de Bellas Artes de San Fernando. In the capital, Manuel Colmeiro showed, however, a greater interest in studying first-hand the great masters at the Prado Museum. He continued to make himself known, and in 1932 he took part in an exhibition of new Galician painters at Federico García Lorca's Barraca. However, when the civil war broke out, he went back to Buenos Aires, where he remained until 1948. During this second period in Argentina he will be in contact with Luis Seoane, Rafael Dieste and Rafael Alberti, among others. In 1949 he moved to Paris, where he remained for decades, until 1989, when he returned definitively to Galicia. In fact, Colmeiro is considered part of the Spanish School of Paris. In the 1960s he achieved massive international recognition, with solo exhibitions in London, Paris and Madrid. During these years his work is already focused on popular Galician themes, its culture and its people. He was part of the group known as "Os Novos" or "Os Renovadores", together with Seoane, Laxeiro, Arturo Souto and Maside. All of them, born at the beginning of the 20th century, were considered continuators of the "Nós Generation", and had in common a work with Galician themes combined with avant-garde aesthetics, mainly expressionism, cubism and abstraction. Among them, Colmeiro stood out for the intimate air of his images, accompanied by a lyrical concept of atmospheres, and in fact he was considered the most attached to the tradition of the group. Throughout his career, this artist was awarded several prizes, including the Prêmio das Artes de la Junta de Galicia in 1987 and the Prêmio Celanova, Casa dos Poetas in 1996. He is currently represented in the Afundación Collection, the María José Jove Foundation, the Abanca Collection and the Museum of Pontevedra, among other collections.

Estim. 4 000 - 5 000 EUR

ALFONSO SUCASAS (Goiás, 1940-Ferreira,2012). "Veciños de Bailás. Lalín, 1999-2000. Oil on canvas. Signed in the lower right corner. Measurements: 50 x 60 cm; 68 x 78 cm (frame). Alfonso Sucasas went beyond the classic folkloric typism in his representation of characters from Galician villages, which is demonstrated in this painting in which he represents three neighbors of Lalín, resolved with emphatic brushstrokes and an expressionist language of thick stroke and contrasted palette. One of the leading figures of Galician painting and considered one of the last classics of this discipline in Galicia, he has received numerous posthumous tributes, such as the retrospective at the Novacaixagalicia cultural center in Vigo. An unmistakable style and personal world that revolves around Galician roots but away from folklorisms determined his work. He studied at the School of Arts and Crafts. Later he continued his training in Madrid and traveled to Venezuela and Brazil, where he lived for several years. In 1968 he returned definitively to Galicia and developed his career as a painter, first with a socio-political painting to later focus on the interpretation of rural Galicia through a gestural and expressionist painting.

Online payments are secured by Ingenico and encrypted transactions.

Each lot has been authenticated and appraised by an Auction House.

Consult our FAQ or contact us

Composed of several subsidiaries, the Drouot Group is a major player in the art market. Hôtel Drouot, located in the heart of Paris, has been the world's largest public auction center since 1852. 15 salerooms are available to more than 70 auction houses. The emulation generated by an annual offer of 230,000 artworks from 21 major specialities - from Antiquity to street art - attracts some 3,000 visitors every day. The Group's digital platform, Drouot.com, offers digital sales - Live auctions (live broadcasting and participation in auctions), Online-only auctions (dematerialised auctions) and Buy Now sales (sales of lots at fixed prices). Nearly 2 million items are offered annually by 600 auction houses. Auction news is reported every week in La Gazette Drouot, the leading weekly magazine for the art market and culture published by Auctionspress.

More about Drouot

Drouot certified auction houses

Contacts

HÔTEL DROUOT

9, rue Drouot 75009 Paris, France

+33 (0)1 48 00 20 00

[email protected]

DROUOT.com

[email protected]