GONZÁLEZ-RUANO, CÉSAR (1903 - 1965) GONZÁLEZ-RUANO, César.- "GUIDE OF CUENCA and main itineraries of its province" B.: Ed. Planeta, 1956. 4º, cover. Autograph dedications with drawings by César González Ruano, and Federico Muelas; full-page drawing with dedication, signed and dated by Lorenzo Goñi. Attached is a letter from César González Ruano, on the author's stamped paper.

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Raffaele de Cesare, Miserie e spledori di Balzac nel giugno / novembre / dicembre 1836. Vita e pensiero, 1965-1975-1977. 3 volumes in-8. First volume sent by the author to C Cordié, second to P-G Castex. Two volumes in paperback, the last in percaline boards. Also by the same author, Un mese delle vita di Balzac - Gennaio 1836 (protocopies, Vita e pensiero, 1875) & Alfred de Vigny e Honoré de Balzac (photocopies, Studi Urbinati, 1956). The latter two works are photocopied on Professor Jean Pommier's copies.

Lot 530

Estim. 20 - 40 EUR

Henri Gauthier, L'image de l'homme intérieur chez Balzac. Paris-Genève, Droz, 1984. In-8, 330p. Foreword by P-G Castex. Paperback, good condition. [Collective] Edited by: Susan Mendus & Jane Rendall, Sexuality and Subordination Interdisciplinary Studies of Gender in the Nineteenth Century. London and New York, Rutledge, 1989. In-8, 260p. Includes: Nicole Ward Jouve, Balzac's A Daughter of Eve and the Apple of knowledge (p.25-59). Paperback. Beatrice Martina Guenther, The Poetics of Death. The Short Prose of Kleist and Balzac. State University of New York Press, 1996. In-8, 216p, paperback. [Collective] Edited by Claude Duchet and Isabelle Tournier, Balzac, OEuvres complètes - Le "Moment" de La Comédie humaine. Presses Universitaires de Vincennes, 1993. In-8, 332p. Paperback, mint condition. Also includes Franc Schuerewegen, Balzac suite et fin. ENS éditions, 2004. In-8, 152p, mint condition. Raffaele de Cesare, Balzac e Manzoni e altre studi su Balzac e l'Italie. Milano, Vita e Pensiero, 1993. In-8, 332p, paperback. Set of 5 volumes: M Descotes, L'image de Louis XVIII dans la Comédie humaine. Paris, Archives des lettres modernes, 1994. In-12, 114, mint condition. David Bellos, La Cousine Bette. London, Grand & Cutler, 1980. 94p, mint condition. Georg Lukacs, Balzac and French Realism. La découvert-poche, 1999. In-12, 109p. Mint condition. Armin Renker, Der Anfand eines großen Sieges. Balzac über das Papier. Berlin, 1937. 41p, bradel boards, uncommon. Nicole Cazauran, "Sur Catherine de Médicis" by Honoré de Balzac. Essai d'étude critique. Paris, École Normale Supérieuire de Jeunes Filles, 1976. In-8, 270p. Paperback. [Collective] Edited by Claudie Bernard and Franc Schuerewegen, Balzac, pater familias. C.R.I.N., 2001. In-8, 106p. Paperback, mint condition. 3 volumes enclosed: Gamil Farag, Le costume et le caractère dans la Comédie humaine de Balzac. Cairo, le livre de France, 1974. In-8, 159p, paperback, uncommon. Léon Emery, Balzac en sa création. Audun, Touzot, 1952. In-8, 190p, uncut. [Collective] Under the direction of Philippe Chardin, La tentation théâtrale des romanciers. Paris, SEDES, 2002. In-8, 167p. Mint condition. Véronique Bui, La femme, la faute et l'écrivain. La mort féminine dans l'œuvre de Balzac. Paris, Honoré Champion, 2003. In-8, 323p. Publisher's binding, mint condition.

Lot 541

Estim. 20 - 40 EUR

Lot of 12 volumes: Serval, Autour d'un roman de Balzac: les Chouans. Paris, conard, 1921. Congrès de Nantes 1969 - Stendhal et Balzac - la province dans le roman. Nantes, 1972. Conference proceedings. Congrès de Nantes 1971 - Stendhal et Balzac - la province dans le roman. Nantes, 1978. Conference proceedings. Catalog des ouvrages de H de Balzac conservés au département des imprimés. 1901. La femme et l'amour. Paris, Plon, 1947. Baron, Balzac cinéaste. Klincksieck, 1990. Takayama, Les oeuvres romanesques avortées de Balzac. Tokyo, Keoi Institute, 1966. Genealogie des personnages de la Comédie humaine. Paris Musées. Very interesting set reproducing the characters' coats of arms. Balzac, les nouvelles en BD. Ed. Petit à petit 2008. Revue d'histoire littéraire de la France. Armand Collin, 1961, no. 1. Article "Balzac et la caricature". Guichardet, Balzac archéologue de Paris. Sedes, 1986. Tours dans l'oeuvre de Balzac. Published by the city of Tours, 1999. Sophie de Korwin-Piotrowska, Balzac in Poland. Photocopy of the 1933 edition. Set of 3 Génesis magazines with articles on Balzac. Editions Jean-Michel Place. Numbers 4 of 1994, 11 of 1997 and 13 of 1999. Very good condition. Batch of 16 studies on Balzac's work, photocopied, A4 format, hardback (the dates given are obviously those of the originals): Lucette Finas, La toise et le vertige (on Balzac's Fausse maîtresse). 1986 edition. Alphonse Boulé, Une préface de la comédie humaine. Hennuyer, 1973. Marcel Bouteron, Balzac et les frères de la Consolation. Firmin Didot, 1940. Marcel Bouteron, Balzac et le Faiseur. Booklet. Fréquence des mots dans le chef d'oeuvre inconnu de Balzac. Cedric-CNAM. Albert de Bersaucourt, Balzac et sa revue parisienne. Mercure de France, 1913. M-Bénédicte Diethelm, de l'Héritière de Birague à un début dans la vie: esquisse de la route. Typescript of an article. Georges Ascoli, Balzac romancier. 1939. Lovenjoul, Les avatars d'une oeuvre de Balzac. Revue retrospective, 1892. Raffaelel de Cesare, Balzac ed Eugénie Grandet - ricerche sulla genesi dell'opera. Milano, Giovani di Silvestri, 1953. Jules Janin, un grand homme de province à Paris par M de Balzac. Revue de Paris, article published in 1839. Charles Gould, The present state of Balzac studies. French studies, article from October 1958. WH Helm, Aspects of Balzac. London, Eveleigh Nash, 1905. Bernanrd Guyon, Balzac et le feuilleton des journaux politiques. Gambier, 1935. Henri Prior, Balzac à Turin. Offprint from the Revue de Paris, 1924. Marthe Spitzer, Les juifs de Balzac. French Institute of the University of Budapest, 1939. Interesting set of documents. Set of 8 volumes: Bertaut, Le père Goriot de Balzac. Amiens, Malfère, 1928 (2 copies). Büchsenschütz, Balzac im Spiegel seines Briefwechsels. Marburg 1934. Mornet, Balzac - Eugénie Grandet. Paris, Larousse [extract from Histoire des Grandes oeuvres du XIXe]. Ulrike Lange, Der Selbstmord in Honoré de Balzacs Comédie Humaiune. Bonn, 1995. Revue des sciences humaines, numéro Balzac, fascicule 57-58, 1950. M Serval, Autour de Balzac - César Birotteau. Paris, Colin, 1931. Paris Romantique - Panorama des grands boulevards. Paris, Hervas, 1989.

Lot 160

Estim. 1 200 - 1 500 EUR

JOE COLOMBO (Milan, 1930-1971) for ZANOTTA. Pair of "Birillo" stools, 1970s. Chromed metal and plastic. White vinyl seat. Designer's and manufacturer's stamp on base. In good condition. Measurements: 105 x 43 x 44 cm. The Birillo stool was designed by Joe Colombo and chosen by the acclaimed film director Ridley Scott as a space-age inspired stool on the set of Blade Runner. The combination of modern materials for the time (plastic and steel derivatives) made it a completely new model. Architect and designer Cesare Colombo, nicknamed "Joe" Colombo, was an artist, architect, furniture, product and interior designer who was central to Italian design in the 1960s. Trained at the Academy of Fine Arts and Architecture of the Polytechnic University of Milan, where he devoted himself, among other things, to painting, sculpture and drawing, skills that would serve him to develop his career as a designer by setting up his own studio in 1962. Throughout the 1960s he collaborated with major publishers such as Kartell, O-Luce and Zanotta. Many of his works are still exhibited in museums around the world and the artist is the subject of regular retrospectives, studies and exhibitions. During the 1960s, the designer worked mainly on the creation of furniture that stood out for being easily modular, flexible and practical, as is the case with these chairs, which can be transported and adapted to the needs of their user. He focused on a global design, where the elements of the furniture transcend space and architecture. In this way, Colombo moves towards a form of design that helps the user to save space and time. Some of the Italian designer's most famous works are the "Elda" armchair (1963), the "Continental Library" (1965), the "Universal" (1967) and "Tube" chairs (1969) and the "Chariot Boby" (1969). His career and achievements led him to take part in the 14th Milan Triennale, exhibiting some of his interior design proposals. In 1964 he won the gold medal at the Milan Triennale with the acrylic table lamp, which is now part of the permanent collection of the Museum of Modern Art in Philadelphia. In 1972, shortly after his death, his overall furniture project was shown in the exhibition "Italia: The New Domestic Landscape" held at MOMA in New York, realised by ELCO - FIARM, Boffi, Ideal - Standard, with the help of Sormani. In 1984, a retrospective of his work was held at the Villeneuve Museum of Modern Art. Subsequently, in 2005, the Milan Triennale hosted the retrospective Joe Colombo Inventing the Future.

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