HERNÁNDEZ VALLEJO, INDALECIO (1922 - 2000)
Oil on cardboard. Signed in the lower…

Description

HERNÁNDEZ VALLEJO, INDALECIO (1922 - 2000) Oil on cardboard. Signed in the lower left corner. 35x26cm

279

HERNÁNDEZ VALLEJO, INDALECIO (1922 - 2000) Oil on cardboard. Signed in the lower left corner. 35x26cm

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Estim. 200 - 300 EUR

Albert Hennig, Altschedewitz Suburban houses with a person in the warm light of the fading day, pastel and felt-tip pen on wove paper, signed and dated "AHennig (19)93" lower left, mounted on cardboard, sheet dimensions approx. 19.5 x 23.3 cm. Artist info: German painter, photographer and graphic artist. Painter, photographer and graphic artist (1907 Leipzig - 1998 Zwickau), studied 1932-33 with a scholarship at the Bauhaus Dessau/Berlin under Joost Schmidt, Mies van der Rohe, Wassily Kandinsky, Paul Klee and Josef Albers, subsequently unemployed, 1935-45 conscripted as a construction worker, after 1945 founding member of the group "Bildender Künstler" at the Kulturbund Zwickau, from 1952 member of the Verband Bildender Künstler (VBK) of the GDR, worked as a concrete worker from 1952-72 due to disputes with dogmatic cultural functionaries, in his free time he created an important work in the tradition of the Bauhaus, freelance from 1972 and his work was increasingly recognised in the GDR, received numerous awards, including the Max Pechstein Prize and the Federal Cross of Merit, worked in Zwickau, source: Vollmer, Eisold "Painters in the GDR" and Internet.

Estim. 5 000 - 6 000 EUR

JOAN HERNÁNDEZ PIJUAN (Barcelona, 1931 - 2005). Untitled, 1956. Oil on paper adhered to board. Signed, dated and dedicated in the upper left corner. Measurements: 50 x 64 cm; 81 x 97 cm (frame). This oil on paper belongs to an early stage of the artist in which he was interested in formal simplification, influenced by both avant-garde expressionism and Romanesque art. Joan Hernández Pijuan began his training in Barcelona, attending the La Lonja and Sant Jordi Schools of Fine Arts, before completing his studies at the School of Fine Arts in Paris. Appointed professor at the Faculty of Fine Arts in Barcelona in 1981, Hernández Pijuan occupies a unique position among Spanish artists of recent decades. The strength of his creative individuality places him on the fringes of the successive dominant trends and fashions, but does not prevent us from recognising in his work a profound identification with the aesthetic concerns of his time. Hernández Pijuan began his career practising a tragic expressionism with a strong social charge, and at this time he formed, together with the other members of the Sílex Group, the so-called Barcelona School. In the seventies he simplified his expression to the point of adopting geometric figuration, a style he left behind in the following decade to focus on informalism. In fact, interest in and fascination with this painter's career continues to be as strong as ever, and he is the subject of new exhibitions and public displays of his work. During his lifetime he had solo exhibitions in several Spanish cities as well as in Zurich, Milan, Johannesburg, Cologne, Geneva, New York, Paris and Osaka, among other cities around the world, and in 2003 he was the subject of a major retrospective exhibition at the MACBA in Barcelona, which was subsequently shown at the Musée d'Art et Histoire de Neuchatel (France), the Konsthalle de Malmö (Sweden) and the Galleria Comunale d'Arte Moderna in Bologna (Italy). Even after his death his work has continued to be shown internationally, as evidenced by the exhibitions dedicated to his work held at the Flowers Gallery in London (2006), the Cervantes Institutes in New York, Chicago and Lisbon (2007), the Museo de Arte Abstracto Español in Cuenca (2008), the Andres Thalmann Gallery in Zurich (2009), the Baukunst in Cologne (2010), the Altana Kulturstiftung in Bad Homburg (Germany, 2011) and the Museum of Modern Art in Moscow (2012), among many others. Hernández Pijuan was dean of the Faculty of Fine Arts at the University of Barcelona, and in 2000 he was appointed a member of the Real Academia de San Fernando in Madrid. In 1981 he received the Premio Nacional de Artes Plásticas, in 1985 the Cruz de Sant Jordi and, in 2004, the City of Barcelona Prize. He was also awarded the Prize of the Directorate General of Fine Arts at the National Exhibition in Alicante in 1957, the First Prize for Painting "Peintres Residents" in Paris (1958), the "Malibor" Prize at the Ljubljana Biennial of Engraving (1965), the International Biennial of Engraving in Krakow (1966) and the "Vijesnik u Srijedu" editorial prize in Zagreb (1970). Hernández Pijuán is represented at the MACBA, the Museum of Spanish Abstract Art in Cuenca, the Reina Sofía in Madrid, the Patio Herreriano Museum in Valladolid and the Basque Museum of Contemporary Art, as well as in foreign centres such as the Guggenheim Museum in New York, the Liaunig (Austria), the Helsinki Museum of Contemporary Art in Helsinki, the Helsinki Museum of Fine Arts in Finland, the Helsinki Museum of Contemporary Art in Finland, the Helsinki Museum of Fine Arts in Finland and the Helsinki Museum of Contemporary Art in Finland, those of Contemporary Art in Helsinki and Luxembourg, the Kulturstiftung in Bad Homburg (Austria), the Yamaguchi Gallery in Osaka (Japan), the Palace of Fine Arts in Brussels, the National Gallery in Montreal, the Museum of Modern Art in Buenos Aires and the Sztuki Museum in Lodz (Poland).

Estim. 3 000 - 6 000 EUR

Rolex, "DateJust" model. Year 2000, round wristwatch. Steel case, original tritium cream dial in exceptional condition, Roman numeral hour markers, luminescent hands, fluted bezel, date at 3 o'clock. Signed steel Jubilee bracelet, stainless steel folding clasp. Watch reference: 16220 Movement: automatic Serial no: K224050 Diameter: 36 mm Condition: sur demande/on request

Estim. 3 500 - 4 500 EUR

Patent of Nobility of Don Juan Nicolas de Sotomayor y Vallejo and Dona Josepha de Sotomayor y Vallejo, his sister. Manuscript, Spain, Andalusia, Seville, dated 1788-1790. Folio. 315x208 mm. Coeval red morocco binding with gold decorations, on plates, richly inlaid at small irons, elaborate concentric frames and central fleurs, raised 5-nerved spine with ornate gold compartments, marbled paper guard sheets, brass clasps. 7 blank sheets of paper, 3 illuminated vellum sheets, 225 unnumbered papers with the text of the Sotomayor family's patente di nobiltà, 2 illuminated sheets of paper, 10 unnumbered papers with the Vallejo family's patente di nobiltà, 7 blank sheets of paper. Stamped at the beginning and end of the text is the royal round seal with the inscription " Hispaniar Rex. Carolus IV"; at the end of the documents, signatures of the witnesses and figured engraved label of the " Colegio de escrivanos de Sevilla." The illuminated folios, three on vellum at the beginning of the first part, two on paper at the beginning of the second part, depict coats of arms and family trees and are protected by blue silk veils. Slight defects to binding, internally insignificant traces of use, good condition. Beautiful manuscript Patente di Noblesse, with five large miniatures, in magnificent original binding. The work contains the noble titles of two Galician families, Sotomayor and Vallejo, originally from Montrreal de Baiona, established in Seville in the 18th century. The illuminated compositions, ss are : Blason y armas de la ilustre casa de Sotomayor, Sotomayor family tree, Title inscribed in ornate frame, all on parchment ; Blason y armas de la casa del noble apellido de Vallejo, Arbol genologico de las ilustres casas de Don Juan Ignacio Vallejo.The third illuminated sheet of the first part contains the full title: "Copia a la Letra de la Real Carta Executoria de su mag. y ssres [señores] de la R[rea]l Chancilleria de Valladolid. Que obtubo en contradictorio juicio Gonzalo Raxo, hermano entero y lexitimo de Juan Rodriguez Ixoncoso y de Uxxaca Gomez vecinos naturales de la ville de Montereal de Bayona Reyno de Galicia, sextos Abuelos Paternos de Don Juan Nicolas de Sotomaior y Vallexo y Dona Josepha de Sotomaior y Vallexo su Hermana entera, Muger Legitima de Don Francisco de Obiedo y de la Espada Rendon y Saxmiento naturales y vecinos de esta ... Ciudad de Sevilla" Folio. 315x208. Contemporary binding in red morocco with gilt decorations, on the covers, richly inlaid with small tools, elaborate concentric frames and central fleurons, spine with 5 raised ribs with gilt decorated sections, marbled endpapers, brass clasps.7 blank sheets of paper, 3 illuminated parchment sheets, 225 unnumbered leaves with the text of the Sotomayor family Patent of nobility, 2 illuminated leaves of paper, 10 unnumbered leaves with the Vallejo family Patent of nobility, 7 blank sheets of paper. At the beginning and at the end of the text is stamped the round royal seal with the inscription " Hispaniar Rex. Carolus IV"; at the end of the documents, signatures of the witnesses and figurative engraved label of the "Colegio de escrivanos de Sevilla." The illuminated sheets, three on parchment at the beginning of the first part, two on paper at the beginning of the second part, depict coats of arms and family trees and are protected by blue silk tissue paper.Slight defects on the binding, internally insignificant signs of wear, good specimen. Beautiful handwritten License of Nobility, with five large miniatures, in a magnificent original binding. The work contains the noble titles of two Galician families, Sotomayor and Vallejo, originally from Montrreal de Baiona, who settled in Seville in the 18th century. The illuminated compositions are: Blason y armas de la illustrio casa de Sotomayor, Sotomayor family tree, Title inscribed in an ornate frame, all on parchment; Blason y armas de la casa del noble apellido de Vallejo, Arbol genologico de las illustres casas de Don Juan Ignacio Vallejo.The third illuminated folio of the first part contains the complete title: "Copia a la Letra de la Real Carta Executoria de su mag. y ssres [señores] de la R[rea]l Chancilleria de Valladolid. Que obtubo in contradictorio juicio Gonzalo Raxo, hermano entireo y lexitimo de Juan Rodriguez Ixoncoso y de Uxxaca Gomez natural vecinos de la ville de Montereal de Bayona Reyno de Galicia, sextos Abuelos Paternos de Don Juan Nicolas de Sotomaior y Vallexo y Dona Josepha de Sotomaior y Vallexo su Hermana entera, Muger Legitima de Don Francisco de Obiedo y de la Espada Rendon y Saxmiento naturales y vecinos de esta ... Ciudad de Sevilla."

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