FONTANA, MARGARITA (1911 - 1992)
Oil on canvas. Signed in the lower right corner…

Description

FONTANA, MARGARITA (1911 - 1992) Oil on canvas. Signed in the lower right corner. 24x44cm

269

FONTANA, MARGARITA (1911 - 1992) Oil on canvas. Signed in the lower right corner. 24x44cm

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Estim. 200 - 300 EUR

Albert Hennig, Altschedewitz Suburban houses with a person in the warm light of the fading day, pastel and felt-tip pen on wove paper, signed and dated "AHennig (19)93" lower left, mounted on cardboard, sheet dimensions approx. 19.5 x 23.3 cm. Artist info: German painter, photographer and graphic artist. Painter, photographer and graphic artist (1907 Leipzig - 1998 Zwickau), studied 1932-33 with a scholarship at the Bauhaus Dessau/Berlin under Joost Schmidt, Mies van der Rohe, Wassily Kandinsky, Paul Klee and Josef Albers, subsequently unemployed, 1935-45 conscripted as a construction worker, after 1945 founding member of the group "Bildender Künstler" at the Kulturbund Zwickau, from 1952 member of the Verband Bildender Künstler (VBK) of the GDR, worked as a concrete worker from 1952-72 due to disputes with dogmatic cultural functionaries, in his free time he created an important work in the tradition of the Bauhaus, freelance from 1972 and his work was increasingly recognised in the GDR, received numerous awards, including the Max Pechstein Prize and the Federal Cross of Merit, worked in Zwickau, source: Vollmer, Eisold "Painters in the GDR" and Internet.

Estim. 10 000 - 12 000 EUR

CARMEN LAFFÓN DE LA ESCOSURA (Seville, 1934). "Vase with daisy". Pastel on paper. Signed in the lower right corner. Framed with museum glass, floating effect, with wooden frame. Size: 34 x 24,5 cm; 58 x 48 cm (frame). Still life in which the artist has used a palette of very clear and bright colours that recreate a brilliant atmosphere. A small glass vase contains a delicate vessel of white flowers, which have been arranged as a pictorial nexus by using a subdued treatment of the tones that blend together creating a powdery and lyrical finish. Carmen Laffón is a figurative painter and sculptor who has received numerous awards for her work (National Prize for Plastic Arts in 1982, academician of the Royal Academy of Fine Arts of San Fernando in Madrid...). He began his training in painting with Manuel González Santos, a painter who was a friend of the family, and this was extended when he entered the School of Fine Arts in Seville. In 1954 she made a study trip to Paris, where she discovered and was impressed by the work of Marc Chagall; a year later she went to Rome on a scholarship, also travelling to Vienna and Holland, and on her return to Seville in 1956, her house opposite the Coto de Doñana would become the centre of her artistic production, beginning to exhibit her work two years later (Madrid, Seville). Between 1960 and 1962 he went to Madrid, where he met Juana Mordó (who offered him a contract with the Biosca Gallery and later another when she set up her own gallery). He returned to Seville and set up the El Taller school with Teresa Duclós and José Soto, beginning his career in art teaching. Her work has been shown in numerous exhibitions, most of them of a national nature, including the exhibition held in 1992 at the Reina Sofía Museum and Art Centre in Madrid, which hosted a retrospective of the artist's complete oeuvre, including works in different formats that reflected the concerns of the artist's entire artistic career. Her works are preserved in private collections as well as in prominent institutions such as the Museo Nacional, the Centro de Arte Reina Sofía in Madrid, the Museo de Arte Abstracto in Cuenca, the Meadows Museum in Dallas (USA), the Museo Colecciones ICO in Madrid, the Fundación Casa de la Moneda in Madrid, etc.

Estim. 4 500 - 4 700 EUR

OSVALDO BORSANI (Varedo 1911- Milan 1985) for Tecno. Chaise-longue P40, design 1955. Structure in black metal, original red fabric upholstery. Brass details and handles. With Tecno logo. Measurements: 90 x 70 x 129 cm; 40 cm (seat height). The versatile and comfortable P40 armchair was designed by Osvaldo Borsani in 1955 for Tecno. It features a multitude of conveniences: the chair can be adjusted in more than 400 positions; the backrest can be reclined to different angles, the headrest moves up and down, the flexible rubber armrests can be folded, and the chair has a folding legrest with extendable metal footrest. Trained from a very young age in the family furniture company, Osvaldo Borsani participated in 1933 in the V Milan Triennale, with the "Minimal House" project, which was awarded the silver medal. After graduating from the Milan Polytechnic, he met and collaborated with important artists such as Lucio Fontana, Agenore Fabbri, Aligi Sassu, Roberto Crippa, Fausto Melotti, and Arnaldo Pomodoro. In 1953, together with his brother Fulgencio, he founded Tecno, a project to which he would dedicate his entire life. His first industrial design works were the P40 variable-tilt armchair (1953) and the D70 sofa with invertible seat. In 1968 he created the Graphis office system (together with Eugenio Gerli, which was distributed worldwide in a million copies), thanks to which Tecno became an internationally renowned manufacturer of office design products. At the end of the sixties, Osvaldo Borsani created the Tecno Project Center with Marco Fantoni and Valeria Borsani.

Estim. 1 000 - 1 500 EUR

Norman Ackroyd CBE RA, British b.1938- From Polglass,1991; Wenlock Edge, 1992; Cul Mor, 1991;On Long Mynd, 1993;Loch Broom, Western Ross, 1993;Rudland Rigg,1993; Wiltshire Skyline, 1993; The Stour at Mistley, 1992;St David’s, 1992; each etching with aquatint on wove, each signed, titled, numbered and dated in pencil, each sheet:32.5 x 26 cm, (framed) (ARR) (9)

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