FONTANA, MARGARITA (1911 - 1992)
Oil on canvas adhered to cardboard. Signed in t…
Description

FONTANA, MARGARITA (1911 - 1992) Oil on canvas adhered to cardboard. Signed in the lower right corner. 16.5 x 25.5cm

268 

FONTANA, MARGARITA (1911 - 1992) Oil on canvas adhered to cardboard. Signed in the lower right corner. 16.5 x 25.5cm

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CARMEN LAFFÓN DE LA ESCOSURA (Seville, 1934). "Vase with daisy". Pastel on paper. Signed in the lower right corner. Framed with museum glass, floating effect, with wooden frame. Size: 34 x 24,5 cm; 58 x 48 cm (frame). Still life in which the artist has used a palette of very clear and bright colours that recreate a brilliant atmosphere. A small glass vase contains a delicate vessel of white flowers, which have been arranged as a pictorial nexus by using a subdued treatment of the tones that blend together creating a powdery and lyrical finish. Carmen Laffón is a figurative painter and sculptor who has received numerous awards for her work (National Prize for Plastic Arts in 1982, academician of the Royal Academy of Fine Arts of San Fernando in Madrid...). He began his training in painting with Manuel González Santos, a painter who was a friend of the family, and this was extended when he entered the School of Fine Arts in Seville. In 1954 she made a study trip to Paris, where she discovered and was impressed by the work of Marc Chagall; a year later she went to Rome on a scholarship, also travelling to Vienna and Holland, and on her return to Seville in 1956, her house opposite the Coto de Doñana would become the centre of her artistic production, beginning to exhibit her work two years later (Madrid, Seville). Between 1960 and 1962 he went to Madrid, where he met Juana Mordó (who offered him a contract with the Biosca Gallery and later another when she set up her own gallery). He returned to Seville and set up the El Taller school with Teresa Duclós and José Soto, beginning his career in art teaching. Her work has been shown in numerous exhibitions, most of them of a national nature, including the exhibition held in 1992 at the Reina Sofía Museum and Art Centre in Madrid, which hosted a retrospective of the artist's complete oeuvre, including works in different formats that reflected the concerns of the artist's entire artistic career. Her works are preserved in private collections as well as in prominent institutions such as the Museo Nacional, the Centro de Arte Reina Sofía in Madrid, the Museo de Arte Abstracto in Cuenca, the Meadows Museum in Dallas (USA), the Museo Colecciones ICO in Madrid, the Fundación Casa de la Moneda in Madrid, etc.

OSVALDO BORSANI (Varedo 1911- Milan 1985) for Tecno. Chaise-longue P40, design 1955. Structure in black metal, original red fabric upholstery. Brass details and handles. With Tecno logo. Measurements: 90 x 70 x 129 cm; 40 cm (seat height). The versatile and comfortable P40 armchair was designed by Osvaldo Borsani in 1955 for Tecno. It features a multitude of conveniences: the chair can be adjusted in more than 400 positions; the backrest can be reclined to different angles, the headrest moves up and down, the flexible rubber armrests can be folded, and the chair has a folding legrest with extendable metal footrest. Trained from a very young age in the family furniture company, Osvaldo Borsani participated in 1933 in the V Milan Triennale, with the "Minimal House" project, which was awarded the silver medal. After graduating from the Milan Polytechnic, he met and collaborated with important artists such as Lucio Fontana, Agenore Fabbri, Aligi Sassu, Roberto Crippa, Fausto Melotti, and Arnaldo Pomodoro. In 1953, together with his brother Fulgencio, he founded Tecno, a project to which he would dedicate his entire life. His first industrial design works were the P40 variable-tilt armchair (1953) and the D70 sofa with invertible seat. In 1968 he created the Graphis office system (together with Eugenio Gerli, which was distributed worldwide in a million copies), thanks to which Tecno became an internationally renowned manufacturer of office design products. At the end of the sixties, Osvaldo Borsani created the Tecno Project Center with Marco Fantoni and Valeria Borsani.

LAFRIQUE, Armand. Two autograph letters signed to the painter Maurice Feuillet. Hanoi, 1902-1903 1. Hanoi, November 27, 1902. Bifolium measuring 214x133 mm. On letterhead 'Gouvernement General de l'Indo-Chine ... Tonkin." French text on 2 pages, 2 blank pages follow. Handwriting in cursive, brown ink. Date at head "Hanoi 27 Novbre 1902"; signature on page 2 'Lafrique Administrateur'. With envelope headed "Exposition de Hanoi en 1902," traveled. Good conservation. Concerns the 'Exposition de Hanoi', November 3, 1902-January 31, 1903, of which Lafrique, a French government official in the colony, had been one of the organizers. Feuillet had sent some of his paintings: "...je le plaisir de vous announcer que votre belle exposition est arrive en excellent eta a Hanoi et orne dignement le coquet pavillon de la Presse. Recevez tous nos compliments. "Armand Lafrique, 1858-1911, poet, playwright, composer and singer, was Administrator of the French State, Vice-resident in Annam and Tonkin, Member of the Commercial Geographical Society of Paris. Maurice Alexandre Albert Feuillet, 1873-1968, French painter, designer, illustrator and journalist, founder of Le Figaro Artistique, was also an important art critic. Along with: 2. Hanoi, March 6, 1903. Bifolio measuring 214x133 mm. On letterhead 'Gouvernement General de l'Indo-Chine ... Tonkin." Text in French on 4 pages. Handwriting in cursive, brown ink. Date at head 'Hanoi 6 Mars 1903'; signature on page 4 'Lafrique Administrateur'. With envelope headed "Residence Superieure du Tonkin," traveled. Good preservation. Feuillet's paintings are to be sent back to France: "Un des chefs surveillera lui-meme l'emballage et expedition de vos tableaux ... Les delegues des Societes françaises des Beaux-Arts ont ete tres severes (pour ne pas dire plus) ..." The letter concludes with a news item with a reference to Pasteur: "Le pauvre ami et sa femme suivent depuis 3 jours le tratitemente antirabique. Ils on tete mordus par un chien enrage. En ce moment 29 personnes don't 16 Europeens suivent le traitement Pasteur a Hannoi. C'est effrayant!"Armand Lafrique, 1858-1911, poet, playwright, composer and singer, was Administrator of the French State, Vice-Resident in Annam and Tonkin, Member of the Commercial Geographical Society of Paris. - Maurice Alexandre Albert Feuillet, 1873-1968, French painter, designer, illustrator and journalist, founder of Le Figaro Artistique, was also an important art critic. LAFRIQUE, Armand. Two signed autograph letters to the painter Maurice Feuillet. Hanoi, 1902-1903. 1. Hanoi, November 27, 1902. Bifolio, 214x133 mm. On headed paper 'Gouvernement General de l'Indo-Chine ... Tonkin'. French text on 2 pages, follows two blanks. Cursive writing in brown ink. Date on head 'Hanoi 27 Novbre 1902'; signature at the end 'Lafrique Administrateur'. Addressed on letter envelope "Residence Superieure du Tonkin," traveled. Good specimen. It concerns the Exposition de Hanoi, November 3, 1902-January 31, 1903, of which Lafrique, an official of the French government in the colony, had been one of the organizers. Feuillet had sent some of his paintings: "... I am pleased to announce that your beautiful exhibition is arriving in Hanoi in excellent condition and adorned with the coquet pavillon de la Presse. Receive all our compliments. "Armand Lafrique, 1858-1911, poet, playwright, composer and singer, was Administrator of the French State, Vice-resident in Annam and Tonkin, Member of the Commercial Geographical Society of Paris.Maurice Alexandre Albert Feuillet, 1873-1968, French painter, designer, illustrator and journalist, founder of Le Figaro Artistique, was also an important art critic. With: 2. Hanoi, March 6, 1903. Bifolio, 214x133 mm. On headed paper 'Gouvernement General de l'Indo-Chine ... Tonkin'. French text on 4 pages. Cursive writing in brown ink. Date on head "Hanoi 6 Mars 1903"; signature at the end of page 4 'Lafrique Administrateur'. Addressed on letter envelope 'Residence Superieure du Tonkin', traveled. Good specimen. Feuillet's paintings must be sent back to France: "Un des chefs surveillera lui-meme l'emballage et expedition de vos tableaux ... Les delegues des Societes françaises des Beaux-Arts ont ete tres severes (pour ne pas dire plus) ..." The letter ends with a news with a reference to Pasteur: "Le pauvre ami et sa femme suivent depuis 3 jours le tratitemente antirabique. Ils on tete mordus par un chien enrage. At this moment 29 people don't 16 Europeans suivent the Pasteur traitement in Hannoi. C'est effrayant!"Armand Lafrique, 1858-1911, poet, playwright, composer and singer, was Administrator of the French State, Vice-resident in Annam and Tonkin, Member of the Commercial Geographical Society of Paris. -Maurice Alexandre Albert Feuillet, 187