Hand-knotted wool rug, Miguel Stuyck, Spain, 20th century
Carlos IV style with r…

Description

Hand-knotted wool rug, Miguel Stuyck, Spain, 20th century Carlos IV style with red field and geometric and flower decoration in blue, pink and gold tones. Signed "Miguel Stuyck". Wear and tear. Measurements: 298 x 244 cm

806

Hand-knotted wool rug, Miguel Stuyck, Spain, 20th century Carlos IV style with red field and geometric and flower decoration in blue, pink and gold tones. Signed "Miguel Stuyck". Wear and tear. Measurements: 298 x 244 cm

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Estim. 80 - 120 EUR

Paul Weber, Landschaft mit Gehöft Flat landscape with meadows and forests and a lonely farmstead situated between trees, under a dramatically cloudy sky, watercolour on paper, around 1900, signed "P. Weber" lower left, slightly yellowed, matted and framed behind glass, mat cut-out approx. 16 x 21 cm. Artist information: actually Gottlieb Daniel Paul Weber, German landscape and animal painter. Landscape and animal painter (1823 Darmstadt - 1916 Munich), pupil of Hofmann, Friedrich Jakob Hill and August Lucas in Darmstadt, 1842-44 studied at the Städelsches Kunstinstitut Frankfurt am Main under Jacob Becker, 1844-48 study visit to Munich, influenced by the painting of Ludwig Richter, Eduard Schleich and Carl Rottmann, 1846-47 travelled to the Orient with Prince Luitpold of Bavaria, 1848 further training with Josephus Laurentius Dyckmans in Antwerp, 1849 moved to Hamilton (Cincinnati) in the USA, from 1854 in Philadelphia, 1858 returned to Europe and spent time studying in Switzerland, in Scotland, England and France, from 1861 court painter in Darmstadt, 1864 study trip to Paris, here influenced by the painting of the Barbizon school and acquaintance with Jean Francois Millet and Charles Émile Jacque, subsequently turned to Impressionist painting and the Paysage intime, 1865 and 1879 stays in Willingshausen, 1872 moved to Munich, exhibited at the Great Berlin Art Exhibition and the Munich Glass Palace as well as exhibitions in Vienna, Dresden and Berlin, member of the Munich Art Association, source: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", Boetticher, Bruckmann "Münchner Maler im 19./20th century", Bantzer "Hessen in der Deutschen Malerei", Müller-Singer, Seubert, Müller-Klunzinger, Dressler, Schmaling "Künstlerlexikon Hessen-Kassel 1777-2000", Wollmann "Die Willingshäuser Malerkolonie und die Malerkolonie Kleinsassen" and Wikipedia.

Estim. 190 - 285 EUR

Julius Lange, Kirche am See idyllic late summer lakeside scene by a silting pond and a view of the church in a mountainous landscape, Hyacinth Holland noted in "Allgemeine Deutsche Biographie (1883)" "... His ease in creating artistically appealing pictures from mere vedute, in rewriting all impressions with poetic feeling, seemed to grow rather than tire with the years. Lange especially loved to depict nature in solemn tranquillity and sunny clarity, ... whereby the combination of water and forest offered new attractions. ..." and Seubert (1878) adds "... Lange ... but always spoke to the mind; he worked more through light and colour than through form, more charming than powerful. ...", atmospheric, slightly impasto landscape painting, oil on card, mounted on further card slightly protruding at the sides, signed and dated "Julius Lange 1864" lower left, old label on the reverse "A. Pütterich - k. k. Hof-Vergolder München Löwengrube Nr. 17" on the reverse, the painting ground slightly bulging, marginal defects, in need of cleaning and some restoration, beautifully framed in a gilt stucco frame c. 1900, rebate dimensions c. 41 x 50.5 cm. Artist information: actually Julius Ludwig Christian Lange, German painter and draughtsman (1817 Darmstadt to 1878 Munich), initially collaborated on the book project "Ansichten der schönsten Gegenden Deutschlands in Stahl- und Kupferstichen" (Views of the most beautiful regions of Germany in steel and copper engravings) completed in 1832 by his older brothers Gustav Georg Lange (1812-1873?) and Ludwig Lange (1808-1868), initially a pupil of Franz Hubert Müller in Darmstadt, studied from the end of 1833 at the Munich Academy and from 1836-39 at the Düsseldorf Academy under Johann Wilhelm Schirmer, undertook a study trip through Switzerland with Schirmer in 1837, settled in Munich in 1840 with Schirmer's support and became a pupil of Carl Rottmann, undertook study trips through southern Bavaria, Tyrol and to Italy, the Düsseldorf Academy already attested to his "great talent" and Lange quickly succeeded, He worked for the academies in Venice and Milan, of which he became an honorary member; from 1854 he lived in northern Italy and had contacts with the Milanese court, where he worked until 1857 as art tutor to Archduchess Charlotte of Belgium - later Empress of Mexico; in 1858 he returned to Munich, where he gained access to the Bavarian royal family and was promoted and appointed court painter by King Maximilian II of Bavaria. of Bavaria, worked as court painter for King Ludwig II from 1867, produced designs for the royal palaces of Linderhof and Herrenchiemsee, among others, attended the major art exhibitions in Berlin, Dresden, Cologne, Hanover, Vienna, Paris and Munich, fell ill in 1877 and stayed at Lake Chiemsee, worked in Munich, source: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon" and "Lexikon der Düsseldorfer Malerschule", Boetticher, Allgemeine Deutsche Biographie, Matrikel der Münchner Akademie, Müller-Singer, Seubert, Müller-Klunzinger, Bruckmann "Münchner Maler des 19./20th century" and Wikipedia.

Estim. 280 - 420 EUR

Carl Seiler, Historicist Interior View of a stately baroque parlour with floor-to-ceiling panelling with a pewter shelf, grandfather clock and table in the centre of the room, glazed, partially somewhat impasto painting with a brushstroke full of character, oil on canvas, c. 1880, signed "C. Seiler" lower left, mounted on hardboard, framed, rebated dimensions approx. 47 x 32 cm. View of a stately baroque parlour with floor-to-ceiling panelling with a pewter shelf, grandfather clock and table in the centre of the room, glazed, partially somewhat impasto painting with a brushstroke full of character, oil on canvas, c. 1880, signed "C. Seiler" lower left, mounted on hardboard, framed, rebated dimensions approx. 47 x 32 cm. Artist info: actually Carl Wilhelm Anton Seiler, also Karl, dt. Architect as well as history, genre and portrait painter (1946 Wiesbaden to 1921 Munich), studied architecture at the Berlin and Munich building academies, 1866-70 studied under Karl Raupp at the Munich academy, participated in the Franco-Prussian War of 1870-71 as a reserve officer, then settled in Munich, from 1889 professor and 1890 honorary member of the Munich Academy, 1894-95 professor at the Berlin Academy and member of the Berlin Academy, then worked in Munich again, among other things, organised the exhibitions in the Glaspalast Munich, member of the Munich Artists' Cooperative, received various honours such as the Bavarian Order of St. Michael, source: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", Boetticher, Dressler, Matrikel der Akademie München, Müller-Singer, Bruckmann "Münchner Maler des 19./20th century", Bénézit, Goldstein, Busse, Jansa and Wikipedia.

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