LUIS SAEZ DIAZ Mazuelo de Muño (Bur (1925) / Burgos (2010) "Untitled", 1992
Oil …

Description

LUIS SAEZ DIAZ Mazuelo de Muño (Bur (1925) / Burgos (2010) "Untitled", 1992 Oil on canvas Signed and dated on the back Measurements: 146 x 130 cm

722

LUIS SAEZ DIAZ Mazuelo de Muño (Bur (1925) / Burgos (2010) "

Auction is over for this lot. See the results

You may also like

Estim. 20 - 40 EUR

Set of 4 studies on Balzac: Jean Paris, Balzac. Paris, Balland, 1986, 356p, paperback. Léon Levrault, Le Roman (évolution du genre). Paris; Delaplane, sd, 118p, paperback. Ferdinand Brunetière, Honoré de Balzac. Nelson, 1907, 283p, half-basane with corners, spines rubbed. Joelle Gleize, Honoré de Balzac - bilan critique. Paris, Nathan, 1994, 128p, paperback. Set of 5 studies on Balzac, published by GIRB (Groupe International de Recherches Balzaciennes): Balzac et la crise des identités. Edited by Emmanuelle Cullmann, José-Louis Diaz, Boris Lyon-Caen. 2005, 197p. Balzac avant Balzac. Edited by Claire Barel-Moisan and José-Luis Diaz. 2006, 197p. Balzac et le politique. Edited by Boris Lyon-Caen and Marie-Ève Thérenty. 2007, 235p. Balzac, l'aventure analytique. Edited by Claire Barel-Moisan and Christèle Couleau. 2009, 272p. Thinking with Balzac. Edited by José-Luis Diza and Isabelle Tournier. 2003, 350p. Paperback set, soft covers. New condition. Set of 8 studies on Balzac: Olli Vâlikangas, Les termes d'appellation et d'interpellation dans la Comédie humaine d'Honoré de Balzac. Helsinki, Société néophilologique, 1965. Lucien Maury, Opinions sociales et politiques de Balzac. Paris, Stock, 1941. F Vial & L Denise, Idées et doctrines littéraires du XIXe. Paris, Delagrave, 1918. Comte de Gobineau, Etudes critiques (1841-1848). Paris, Kra, 1927. Exemplaire HC sur rives. Georges Grappe, Dans le jardin de Sainte-Beuve. Paris, Jonquière, 1929. N°115 on riverbanks. Ramon Fernandez, Balzac. Paris, Stock, 1943. Hélène Altszyler, La Genèse et le plan des caractères dans l'oeuvre de Balzac. Paris, Alcan, 1928. Andrew Oliver & Stéphane Vachon, Réflexions sur l'autoréflexivité balzacienne. Center d'études du XIXe siècle, 2002.

Estim. 120 - 180 EUR

Eduard von Gebhardt, Bärtiger Mann im Profil characterful study of a bearded man in half-length profile with a lowered gaze, a briskly captured impasto study in muted colours that recreates the facial features with an energetic brushstroke, Oil on card, incised signature "E v Gebhardt" and dated "1914" upper left, annotation on provenance with reference to the Rhenish industrialist family Henkel on the reverse, minor retouches, minor early shrinkage cracks in places, modern frame, dimensions approx. 24 x 17.5 cm. Artist's note: actually Eduard Karl Franz von Gebhardt, German portrait and history painter (1838 Järva-Jaani/Estonia [Eng.: Sankt Johannis] to 1925 Düsseldorf), 1855-57 studied at the St. Petersburg Academy, 1857-58 studied at the University of St. Petersburg. Petersburg, 1857-58 on study trips through Belgium and Holland, 1858-59 studied at the Karlsruhe Academy under Ludwig Des Coudres, followed by study trips to Vienna, Munich and Tyrol, settled in Düsseldorf from 1860, master pupil and friend of Wilhelm Sohn (1829-1899), member from 1866, later an honorary member of the Düsseldorf artists' association "Malkasten", 1873-75 teacher and 1875-94 professor of history painting at the Düsseldorf Academy, maintained a student studio from 1874, study trip to Italy in the 1880s, exhibited at the world exhibitions in Vienna (1873), Paris (1878 and 1900), St. Louis (1904) and Brussels (1904). Louis (1904) and Brussels (1910) as well as the Great Berlin Art Exhibition, received a gold medal here in 1918, 1885-1911 representative of the Düsseldorf Academy in the Prussian State Art Commission, honorary citizen of the city of Düsseldorf, honoured with the Order Pour le mérite for Sciences and Arts, appointed Real Privy Councillor and Excellency, 1905 honorary doctorate from Strasbourg University and 1918 honorary doctorate from Bonn University, honorary member of the academies of Berlin, Munich, Dresden, Antwerp, Brussels and Vienna, source: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", Mülfarth, Müller-Singer, Boetticher, Dressler, Seubert, Bénézit, Müller-Klunzinger, Ries, Bruckmann "Lexikon der Düsseldorfer Malerschule" and Wikipedia.

Estim. 20 - 30 EUR

[Treaty of the Pyrenees]. "There are no more Pyrenees". Party given in aid of the French and Spanish Red Cross for the wounded in Morocco. Paris, Chalcographie du Louvre, 1925. Broadside, leaves, plum-colored publisher's cardboard, gilded metal medallion at center of upper cover depicting royal arms. Album of 8 plates reproduced from original 17th-century engravings by Perelle, Cochin, Le Brun, etc. They illustrate the marriage of Louis XIV and the Treaty of Peace of the Pyrenees. Edition of 299 copies on Van Gelder paper. Good condition.

Estim. 3 500 - 4 000 EUR

MARIANO BARBASÁN LAGUERUELA (Zaragoza, 1864 - 1924). "Venice". Oil on panel. Presents label on the back. Signed in the lower right corner. Measurements: 48 x 31 cm; 58 x 41 cm (frame). In this composition of vertical format, the author collects a view of the mythical city of Venice. The image welcomes the infinite chromatic shades that are conjugated in the vibrant surface of the buildings and in the water. Where the reflections of the old manor houses and the shadows coincide, while dialoguing with a clear sky. Venetian views were one of the most beloved themes of 19th century painting. It shows a clear influence of approaches that emerged thanks to outstanding pictorial avant-gardes such as Impressionism, and a certain reminiscence of Spanish Luminism. Mariano Barbasán began his training at the Academy of Fine Arts of San Carlos in Valencia, where he entered in 1880. During his student period, he maintained a close relationship with his fellow students Joaquín Sorolla and Salvador Abril. In 1887 he moved to Madrid to see the collections of the Prado Museum, and that same year he participated in the National Exhibition of Fine Arts. During this period he travels assiduously to Toledo, studying its landscapes and architectures. In 1889 he obtained a pension from the Diputación de Zaragoza to complete his studies in Rome. Finally he decided to stay in Italy permanently. He opened a studio in Rome, but for long periods he worked in Subiaco, in the Roman countryside. At the age of fifty-seven he returned to Spain to take up a position at the Academy of Fine Arts of San Luis in Zaragoza. Thanks to his contacts with English and German dealers, his work spread rapidly throughout Europe. He exhibited repeatedly in Berlin, Munich, Vienna and Montevideo. In his native city an anthological exhibition was held in 1923, at the Centro Mercantil, and another posthumous one took place at the Museo de Arte Moderno in Madrid, in 1925. Although he initially painted some historical works, Barbasán mainly cultivated landscape painting and scenes of rural life. His style, colorful and of great luminosity, is above all realistic, with a certain influence of impressionism (mainly Italian pre-impressionism) and the work of Fortuny. Works by Mariano Barbasán can be found in the Prado Museum, the Museum of Contemporary Art in Madrid, the Provincial Museum of Zaragoza, the Museum of Modern Art in Rome, and the Fine Arts Museums of St. Petersburg, Munich, Warsaw, Montevideo and Rio de Janeiro, among others.

Online payments are secured by Ingenico and encrypted transactions.

Each lot has been authenticated and appraised by an Auction House.

Consult our FAQ or contact us

Composed of several subsidiaries, the Drouot Group is a major player in the art market. Hôtel Drouot, located in the heart of Paris, has been the world's largest public auction center since 1852. 15 salerooms are available to more than 70 auction houses. The emulation generated by an annual offer of 230,000 artworks from 21 major specialities - from Antiquity to street art - attracts some 3,000 visitors every day. The Group's digital platform, Drouot.com, offers digital sales - Live auctions (live broadcasting and participation in auctions), Online-only auctions (dematerialised auctions) and Buy Now sales (sales of lots at fixed prices). Nearly 2 million items are offered annually by 600 auction houses. Auction news is reported every week in La Gazette Drouot, the leading weekly magazine for the art market and culture published by Auctionspress.

More about Drouot

Drouot certified auction houses

Contacts

HÔTEL DROUOT

9, rue Drouot 75009 Paris, France

+33 (0)1 48 00 20 00

[email protected]

DROUOT.com

[email protected]