FELICIDAD MORENO Lagartera, Toledo (1959) "Untitled", 1997
Mixed technique on pa…

Description

FELICIDAD MORENO Lagartera, Toledo (1959) "Untitled", 1997 Mixed technique on paper Signed and dated in the lower right corner Measurements: Frame: 68 x 48 cm

661

FELICIDAD MORENO Lagartera, Toledo (1959) "Untitled", 1997 Mixed technique on paper Signed and dated in the lower right corner Measurements: Frame: 68 x 48 cm

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Estim. 100 - 150 EUR

Helmut Leherb, Dali und Muse young woman, enthroned above the head of Dali behind bars, colour etching on light cardboard, signed in pencil below the image on the right "Leherb". Numbered "31/80" on the left and dedicated "Kurt Kouba von surrealen Herzen zugewidmet" in the centre, inscribed and dated "Paris (19)73" in the plate, paper browned, mounted behind passepartout, image dimensions approx. 49.5 x 39 cm, sheet size approx. 76 x 56 cm. Artist information: also Maître Leherb, actually Helmut Leherbauer, Austrian artist and representative of the Viennese School of the Phantasy. Artist and representative of the Vienna School of Fantastic Realism, 1933 Vienna - 1997 Vienna), 1948-54 studied at the Academy of Applied Arts in Vienna and at the Academy of Fine Arts in Vienna, from 1955 studied at the Academy of Fine Arts in Vienna under Albert Paris Gütersloh, is one of the co-founders of the Vienna School of Fantastic Realism, 1959-63 Creation of several works of art for public spaces, 1971-72 Design of four posters for the current Österreich Werbung, the edition sold out very quickly, 1976 Design of a poster for the Winter Olympics in Innsbruck, early 1980s Creation of the largest faience painting to date with an area of 380 square metres, 1993-94 Design of the University Fountain in Vienna, source: Wikipedia.

Estim. 50 - 100 EUR

[bibliophily] [bibliophily] Important documentation on bookbinding - Reliures royales de la Renaissance, la librairie de Fontainebleau, 1544-1570, BNF, 1999. - Le livre, objet d'art, Collection Calouste Gulbenkian, France, Musée Gulbenkian, 1997. - A. Duncan and G. De Bartha, La reliure en France art nouveau art déco, 1880-1940, Editions de l'amateur, 1989. - Y. Devaux, 10 siècles de reliure, Paris, Pygmalion, 1981. - La marqueterie de paille, Editions de l'amateur, 1993. - Y. Revaux, Dorure et décoration des reliures, précis technique, SEMA, 1980. - A. Liénardy and P. Van Damme, Manuel de conservation et de restauration du papier, Institut royal du patrimoine artistique, Brussels, 1989 (wet). - C. Adam, Restauration des manuscrits et des livres anciens, EREC, (wetness) - S. Ipert, M. Rome-Hyacinthe, Restauration des livres, Payot Weber 1987. - Bookbinding by Monique Mathieu, Editions Technorama, 1993. - Un demi-siècle de reliures d'art contemporain en France et dans le monde, Exposition international bibliothèque Forney, 1984. - Impressions d'Italie, Books published in Italian from 1468 to 1893, Thomas Scheler PAris, 2003. - Henri Creuzevault, naissance d'une reliure, Hôtel de Lalande, Bordeaux, 1984 - Various catalogs. - Bibliothèque Henri Béraldi, Paris, catalog, Ader et Carteret, 1934, seven volumes. Bound in half parchment. - Bibliothèque de M. Lucien Gougy, Hotel Drouot, March 5, 6, 7 and 8, 1934. Two volumes, bound identically to the previous ones 1 VOLUME MISSING Bibliothèque Raphaël Esmerian, second and fifth parts, 1972 and 1974, Palais Galliera. Two blue clothbound volumes

Starting price 60 EUR

Philippe LABARTHE (Bordeaux 1936 - 1959) Composition Original oil on canvas 35.5 x 45.5 cm Signed lower left Labarthe Provenance : Guy Loudmer sale, Paris, October 31, 1997, no. 341

Estim. 220 - 440 EUR

ARTUR BUAL (1926-1999), SERIGRAFIA ARTUR BUAL (1926-1999), SERIGRAFIA Serigrafia sobre papel da obra de Artur Bual, assinada e numerada: 91/150 Dim. Mancha: 57x38 cm; Dim. Suporte: 70x50 cm. # Artur Mendes de Sousa Bual (1926-1999), conhecido como Artur Bual, nasceu em Lisboa e morreu na cidade da Amadora. Desenvolveu atividade como pintor, escultor e ceramista. Começou a pintar aos 14 anos, quando ingressou no curso de pintura da Escola de Arte António Arroio. Na década de 50, fixou-se na Amadora onde montou o seu estúdio, numa cave da Rua de Santo António. Bual assume-se como a principal referência do gestualismo na pintura portuguesa, género inicia produção em 1958 e onde alcança a sua expressão estética mais elevada. Foi bolseiro da fundação Calouste Gulbenkian, em Paris, durante 1959/60. Criou arte de forma incessante e instintiva, sendo descrito como um pintor abstracionista ou gestualista. Em paralelo foi diretor plástico de obras de teatro, diretor gráfico da Revista “Catavento” e ilustrador. Em vida, participou em mais de 60 exposições nacionais e internacionais, nomeadamente, em França, EUA, Holanda, Bélgica, Espanha, Checoslováquia, Macau, Brasil e Hong-Kong. Recebeu o 3.º Prémio da Exposição “Um Americano em Paris” (1952), Prémio Nacional Amadeo de Souza Cardoso (1959), 3º Prémio do Sindicato dos Críticos de Arte na Bienal de Paris (1959), 1º Prémio do II Salão de Arte Moderna da Junta de Turismo da Costa do Sol (1964), 2º Prémio do Concurso de Pintura da BP (1966), Prémio Artes Plásticas de revistas portuguesas (1983 e 1984) e o Prémio Movimento Arte Contemporânea (1997). Desde 1999 que a Galeria Municipal da Amadora adotou o seu nome.

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