JOSE BEULAS RECASENS Santa Coloma de Farn (1921) / Huesca (2017) "Pair of landsc…
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JOSE BEULAS RECASENS Santa Coloma de Farn (1921) / Huesca (2017) "Pair of landscapes". Two watercolors on paper One of them signed in the lower right part Measurements: Frame: 25 x 36 cm each

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JOSE BEULAS RECASENS Santa Coloma de Farn (1921) / Huesca (2017) "Pair of landscapes". Two watercolors on paper One of them signed in the lower right part Measurements: Frame: 25 x 36 cm each

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Album d'un amateur; from 1921 to 1937 Journey to Sicily, France - Saint Jean de Luz, Dalmatia and Greece This album was conceived by its author in such a way that each voyage is a chapter, and within each voyage, he has integrated earlier shots dating from 1892 to 1896, as a return to the past, or a simple comparison of times gone by... Sites, views and animated scenes : Sicily, Pestum, view of the Marine Gate, the Temple of Neptune and the Basilica, Temple of Ceres, Taormina, "Taormina Castle from the Castle of Mola", "Descent from Mola to the West", ancient ruins of Taormina: The Theater, Randazzo; "Tower of Etna", city view, Syracuse; the bay, ancient ruins: Roman Theater, Greek Theater, "Latomie del Paradiso", Church of San Giovanni, the port, laundry hanging in the window, Girgenti (Agrigento), view of the enclosure, Temple of Juno, "Farm of Saint Nicholas", the beach, Palermo; Saint Rosalia, Selinunte; Temple of Apollo, the forts, "North-South street of the Acropolis", San Gimignano; city view Lively scenes: "Marine de Capri" (seen from a tiny harbor and a few boats), Palm Sunday in Taormina, busy streets in Syracuse, Sicilian shepherd and his goats in the ruins of the Temple of Juno in Girgenti, fishermen in Cefalu... March 8 - April 12, 1921 - 103 vintage silver prints France, vacation in Saint de Luz By the beach, the raging sea, port of Saint Jean de Luz, Ciboure ... April 1923 - 21 vintage silver prints "Journey to Dalmatia and Greece". Innsbruck, Salzburg, Monte Cristallo; mountain landscape, Lake Misurina, Gmunden, Aquileia; the Church outside and inside ... Croatia, city of Pola; ancient ruins: arenas, "Golden Gate", Temple, Pirano; general view of the city, Sebenico; view of the city, port, Spalato; view of the bay, streets and ancient ruins Bosnia-Herzegovina; Mostar, bustle in the streets, view of the city and its bridge, Sarajevo; the mosque, the cemetery... Montenegro; Kotor, view of the city, the Kotor Mouths ... Greece; Corfu, Olympia, Mycenae, Mistras, Delphi "treasure of the Athenians" ... Lively scenes: on the boat between Linz and Vienna, portraits of children on the pontoon with their feet in the water in Gmunden, on the sailboat, Croatian types in the busy streets of Sebenico, portrait of a man and woman from Spalaton, men in traditional dress in the streets of Mostar, the market in Serajevo, veiled women, men in traditional dress, portraits of Montenegrins .... July 28 to September 11, 1923 220 vintage silver prints. Return to France, Loire, Brittany and Jura Trèves, Château la Vallières, Champtocé, Château du Verger, Dolem de Connerré, Menhirs de Pierre, Montigny le Gannelon ... August 29, 1936 - July 15, 1937 - 41 vintage silver prints Approx. 380 vintage silver prints, mounted on album pages, handwritten captions in French, dated and located for each image. Approx.: 8.5 x 11.5 cm Album : 28 x 38 cm

JOSE MONTENEGRO CAPELL (Cadiz, 1865 - Jerez de la Frontera, Cadiz, 1929). "View of the Giralda from the courtyard of the orange trees", 1890. Oil on canvas. It has a frame of the nineteenth century with faults. Signed and dated in the lower right corner. Measurements: 72.5 x 51 cm; 98.5 x 77 cm (frame). Jose Montenegro was born in Cadiz, being a mystery his formation, the contacts maintained with other artists or the exact year in which he arrived to Jerez. His life is surrounded by a halo of legend, and in fact the people have invented a thousand stories around his figure, considering him a new Velázquez. He focused his production on the Andalusian costumbrista landscape, with special attention to the Hispano-Muslim architectures, taking his models mainly from Cadiz, Jerez and Seville. His style shows a certain influence of the so-called School of Rome, although with a marked regionalist accent. Montenegro arrived in Jerez attracted by the work possibilities that were open to him in a prosperous place full of bourgeoisie enriched by the wine trade. However, he would soon become a true exponent of local bohemia at the beginning of the 20th century. Eternally drunk and dressed in black, he sold paintings at very low prices in order to buy alcohol and some food. He finally died in the Santa Isabel Hospital in Cadiz in 1929, due to a liver problem. Montenegro is currently represented in numerous private collections, mainly in Jerez de la Frontera, where he is still highly appreciated today. It has a 19th century frame with faults.