Unknown (19th), View of the Madeleine, Paris, around 1880, albumen paper print
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Unknown (19th), View of the Madeleine, Paris, around 1880, albumen paper print Unknown (19th century): View of La Madeleine Parish Church, Paris, France, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Date: c. 1880 Description: Inscribed at the bottom centre of the box. Original photograph with high sharpness of detail. An early testimony of travel photography. Around the middle of the 19th century, more and more tourists from middle-class circles travelled in Europe. At that time, photographs could only be taken with a great deal of time and expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site to bring back a souvenir from afar for those who stayed at home or to collect as souvenirs. The photographers photographed the most famous sights of their hometowns and went on trips themselves to photograph the most popular destinations of their clients and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting art treasures and making them accessible to scholars from all over Europe, who previously had to rely on tracings or engravings if they could not view the original for themselves. Keywords: 19th century, Historicism, Architecture, France, Size: Cardboard: 30,7 cm x 36,7 cm (12,1 x 14,4 in), Depiction: 19,3 cm x 25,5 cm (7,6 x 10 in)

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Unknown (19th), View of the Madeleine, Paris, around 1880, albumen paper print Unknown (19th century): View of La Madeleine Parish Church, Paris, France, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Date: c. 1880 Description: Inscribed at the bottom centre of the box. Original photograph with high sharpness of detail. An early testimony of travel photography. Around the middle of the 19th century, more and more tourists from middle-class circles travelled in Europe. At that time, photographs could only be taken with a great deal of time and expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site to bring back a souvenir from afar for those who stayed at home or to collect as souvenirs. The photographers photographed the most famous sights of their hometowns and went on trips themselves to photograph the most popular destinations of their clients and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting art treasures and making them accessible to scholars from all over Europe, who previously had to rely on tracings or engravings if they could not view the original for themselves. Keywords: 19th century, Historicism, Architecture, France, Size: Cardboard: 30,7 cm x 36,7 cm (12,1 x 14,4 in), Depiction: 19,3 cm x 25,5 cm (7,6 x 10 in)

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FRATELLI ALINARI (19th) Circle, La Madeleine in Paris, around 1880, albumen paper print Fratelli Alinari (19th century) Circle: France: "Eglise de la Madeleine", Paris, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Date: c. 1880 Description: La Madeleine, or St Mary Magdalene, is one of the most important sights in Paris. The Madeleine church is located between the Place de la Concorde and the Opéra Garnier in Haussmann's Paris. Its construction began in 1764 and was completed in 1842. It is surprisingly shaped like a Greek temple without a cross or bell tower, which is unusual for a religious building. A second photograph showing the painting "Les Enfants d'Édouard" by Paul Delaroche from 1830 has been mounted on the reverse - also on a support. It is in the Louvre in Paris. The inscription "Eglise de la Madeleine" imprinted at the lower edge of the image. Original photograph with high sharpness of detail. An early example of travel photography. Around the middle of the 19th century, more and more tourists from bourgeois circles travelled around Europe. At that time, photographs could only be taken at great expense in terms of time and with expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site, so that they could bring back a souvenir from their holiday home or collect them as mementos. The photographers photographed the most famous sights of their home towns and travelled themselves to photograph their customers' favourite destinations and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting the art treasures and making them accessible to scholars from all over Europe, who previously had to rely on copies or engravings if they were unable to view the original themselves. Keywords: 19th century, Historicism, Architecture, France, Size: Cardboard: 27,3 cm x 34,9 cm (10,7 x 13,7 in), Depiction: 12,2 cm x 18,5 cm (4,8 x 7,3 in) Condition: Good condition. The presentation makes a very good impression. Left in the image with tiny pressure mark. Backing slightly discoloured due to age.

FRATELLI ALINARI (19th) Circle, Interior view. Madeleine, Paris, around 1880, albumen paper print Fratelli Alinari (19th century) Circle: Frankreich: "Intérieur de l'Église de la Madeleine", Innenansicht von La Madeleine in Paris, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Date: c. 1880 Description: The Madeleine Church, which the photograph shows from the inside, is located between the Place de la Concorde and the Opéra Garnier in Haussmann's Paris. Its construction began in 1764 and ended in 1842, and it is surprisingly shaped like a Greek temple without a cross or bell tower, which is unusual for a religious building. At the bottom of the image, the inscription "Intérieur de l'Église de la Madeleine. X. Phot.". Original photograph with high sharpness of detail. An early example of travel photography. Around the middle of the 19th century, more and more tourists from bourgeois circles travelled around Europe. At that time, photographs could only be taken at great expense in terms of time and with expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site, so that they could bring back a souvenir from their holiday home or collect them as mementos. The photographers photographed the most famous sights of their home towns and cities and travelled themselves to photograph their customers' favourite destinations and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting the art treasures and making them accessible to scholars from all over Europe, who previously had to rely on copies or engravings if they were unable to view the original themselves. Keywords: 19th century, Historicism, Architecture, France, Size: Cardboard: 28,2 cm x 23,3 cm (11,1 x 9,2 in), Depiction: 18,0 cm x 12,0 cm (7,1 x 4,7 in) Condition: Good condition. The image makes a very good impression. Upper left corner slightly foxed; tiny rubbing of the paper below the centre. Backing with 2 marginal tears upper right, verso with traces of an earlier mounting.