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Giorgio Sommer (1834 Frankfurt on the Main - 1914 Naples): View of the magnificent Palazzo Borromeo on Isola Bella, Lake Maggiore, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Inscription: At the lower part signed in the printing plate: "7078. Lago Maggiore. Isola Bella | G. Sommer - Napoli". Date: c. 1880 Description: Historical impression from Italy. The photograph shows the stepped garden terrace of the Renaissance palace Palazzo Borromeo on the Isola Bella. Original photograph with high detail sharpness. An early example of travel photography. Around the middle of the 19th century, more and more tourists from bourgeois circles travelled to Italy. At that time, photographs could only be taken at great expense in terms of time and with expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site, so that they could bring back a souvenir from their holiday home or collect them as mementos. Famous photographers such as Carlo Naya, Giorgio Sommer and the Alinari brothers photographed the most famous sights in their home cities and travelled themselves to photograph their customers' favourite destinations and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting the art treasures and making them accessible to scholars from all over Europe, who previously had to rely on copies or engravings if they were unable to view the original themselves. Keywords: Italy View; Documentary photography; Architectural photography; Travel photography; Lake Maggiore; Isola Bella; Island; Palace; Borromero family, 19th century, Baroque, Landscape, Italy, Isola Bella (Lake Maggiore), Size: Cardboard: 19,8 cm x 25,0 cm (7,8 x 9,8 in)

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Giorgio Sommer (1834 Frankfurt on the Main - 1914 Naples): View of the magnificent Palazzo Borromeo on Isola Bella, Lake Maggiore, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Inscription: At the lower part signed in the printing plate: "7078. Lago Maggiore. Isola Bella | G. Sommer - Napoli". Date: c. 1880 Description: Historical impression from Italy. The photograph shows the stepped garden terrace of the Renaissance palace Palazzo Borromeo on the Isola Bella. Original photograph with high detail sharpness. An early example of travel photography. Around the middle of the 19th century, more and more tourists from bourgeois circles travelled to Italy. At that time, photographs could only be taken at great expense in terms of time and with expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site, so that they could bring back a souvenir from their holiday home or collect them as mementos. Famous photographers such as Carlo Naya, Giorgio Sommer and the Alinari brothers photographed the most famous sights in their home cities and travelled themselves to photograph their customers' favourite destinations and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting the art treasures and making them accessible to scholars from all over Europe, who previously had to rely on copies or engravings if they were unable to view the original themselves. Keywords: Italy View; Documentary photography; Architectural photography; Travel photography; Lake Maggiore; Isola Bella; Island; Palace; Borromero family, 19th century, Baroque, Landscape, Italy, Isola Bella (Lake Maggiore), Size: Cardboard: 19,8 cm x 25,0 cm (7,8 x 9,8 in)

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Estimate 600 - 800 EUR
Starting price  320 EUR

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Giorgio Sommer (1834 Frankfurt on the Main - 1914 Naples) Circle: Historical Italy, View of Milan, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Inscription: At the lower part inscribed on the support: "Italien: Ansicht von Mailand". Date: c. 1880 Description: Original photograph with high detail sharpness. An early example of travel photography. Around the middle of the 19th century, more and more tourists from bourgeois circles travelled to Italy. At that time, photographs could only be taken at great expense in terms of time and with expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site, so that they could bring back a souvenir from their holiday home or collect them as mementos. Famous photographers such as Carlo Naya, Giorgio Sommer and the Alinari brothers photographed the most famous sights in their home cities and travelled themselves to photograph their customers' favourite destinations and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting the art treasures and making them accessible to scholars from all over Europe, who previously had to rely on copies or engravings if they were unable to view the original themselves. Keywords: Italy view, documentary photography, architectural photography, travel photography, Porta Ticinese, Milan, vedute, 19th century, Historicism, Architecture, Italy, Size: Cardboard: 30,9 cm x 37,0 cm (12,2 x 14,6 in), Depiction: 18,3 cm x 24,3 cm (7,2 x 9,6 in)

Giorgio Sommer (1834 Frankfurt on the Main - 1914 Naples): Italy, The Arena in Verona Elevated view of the amphitheatre and the city, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Inscription: At the lower part inscribed on the support: "Italien: Die Arena in Verona". Date: c. 1880 Description: The Arena in Verona is a well-preserved Roman amphitheatre and is considered the third largest of the surviving ancient amphitheatres. Particularly attractive: the photograph captures the freshly planted vegetation in the foreground of the arena. Original photograph with high detail sharpness. An early example of travel photography. Around the middle of the 19th century, more and more tourists from bourgeois circles travelled to Italy. At that time, photographs could only be taken at great expense in terms of time and with expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site, so that they could bring back a souvenir from their holiday home or collect them as mementos. Famous photographers such as Carlo Naya, Giorgio Sommer and the Alinari brothers photographed the most famous sights in their home cities and travelled themselves to photograph their customers' favourite destinations and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting the art treasures and making them accessible to scholars from all over Europe, who previously had to rely on copies or engravings if they were unable to view the original themselves. Keywords: Italy view, travel photography, documentary photography, architectural photography, Roman amphitheatre, Arena di Verona, 19th century, Historicism, Architecture, Italy, Size: Cardboard: 30,8 cm x 37,0 cm (12,1 x 14,6 in), Depiction: 18,8 cm x 24,5 cm (7,4 x 9,6 in)

Giorgio Sommer (1834 Frankfurt on the Main - 1914 Naples): Italien: 'Die Isola Bella im Lago Maggiore von der Gartenterrasse', c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Inscription: At the lower part signed in the printing plate: "7077 Lago Maggiore. Isola Bella. G. Sommer - Napoli". Date: c. 1880 Description: Original photograph with high detail sharpness. An early example of travel photography. Around the middle of the 19th century, more and more tourists from bourgeois circles travelled to Italy. At that time, photographs could only be taken at great expense in terms of time and with expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site, so that they could bring back a souvenir from their holiday home or collect them as mementos. Famous photographers such as Carlo Naya, Giorgio Sommer and the Alinari brothers photographed the most famous sights in their home cities and travelled themselves to photograph their customers' favourite destinations and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting the art treasures and making them accessible to scholars from all over Europe, who previously had to rely on copies or engravings if they were unable to view the original themselves. Keywords: Italy view, documentary photography, architectural photography, travel photography, Lake Maggiore, Borromean Island, lake island, garden terrace, park, sculpture, 19th century, Historicism, Landscape, Italy, Isola Bella (Lake Maggiore), Size: Cardboard: 19,8 cm x 24,7 cm (7,8 x 9,7 in)

Giorgio Sommer (1834 Frankfurt on the Main - 1914 Naples) Circle: Sorrento da Capo di Monte, Naples Elevated view from the rocky coast to the sea, bay and Sorrento, c. 1880, albumen paper print Technique: albumen paper print Inscription: Lower middle inscribed in the printing plate: "(Sorrento) Panorama da Capodimonte ". lower left numbered in the printing plate: "104". Date: c. 1880 Description: Original photograph with high detail sharpness. An early example of travel photography. Around the middle of the 19th century, more and more tourists from bourgeois circles travelled to Italy. At that time, photographs could only be taken at great expense in terms of time and with expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site, so that they could bring back a souvenir from their holiday home or collect them as mementos. Famous photographers such as Carlo Naya, Giorgio Sommer and the Alinari brothers photographed the most famous sights in their home cities and travelled themselves to photograph their customers' favourite destinations and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting the art treasures and making them accessible to scholars from all over Europe, who previously had to rely on copies or engravings if they were unable to view the original themselves. Keywords: Italy view, documentary photography, architectural photography, travel photography, seaside resort, bay, landscape panorama, holiday destination, place of longing, Mediterranean landscape, Mediterranean Sea, 19th century, Historicism, Landscape, Italy, Size: Albumen paper: 19,3 cm x 24,5 cm (7,6 x 9,6 in)