FRATELLI ALINARI (19th) Circle, Campo Santo von Neapel, around 1880, albumen pap…
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FRATELLI ALINARI (19th) Circle, Campo Santo von Neapel, around 1880, albumen paper print Fratelli Alinari (19th century) Circle: The Campo Santo of Naples, Cemetery, Italy, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Date: c. 1880 Description: With monk in dark cloak standing in front of the walls of the tombs. Inscribed in the centre at the bottom of the box. Original photograph with high sharpness of detail. An early testimony of travel photography. Around the middle of the 19th century more and more tourists from bourgeois circles travelled to Italy. At that time, photographs could only be taken with a great deal of time and expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site to bring back a souvenir from afar for those who stayed at home or to collect as souvenirs. Famous photographers such as Carlo Naya, Giorgio Sommer or the Alinari brothers photographed the most famous sights of their home towns and went on journeys themselves to photograph the most popular destinations of their clients and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting art treasures and making them accessible to scholars from all over Europe, who previously had to rely on tracings or engravings if they could not view the original for themselves. "Fratelli Alinari" in Florence are the oldest photographic company still in existence in the world: founded in 1852, a good two decades after the French inventor Joseph Nicéphore Niépce succeeded in capturing an image on a tin plate. The Alinari brothers were Romualdo (1830-1891), Leopoldo (1832-1865) and Guiseppe (1836-1892). Leopoldo began taking photographs in the daguerreotype era and worked for the lithographer Guiseppe Bardi, with whom he set up a joint photographic studio in 1850. In 1854, Leopoldo bought Bardi's shares and, together with his brothers, founded the Fratelli Alinari studio. It became one of the most important Italian studios of the 19th century and later one of the largest photo archives in the world, which still exists today. Keywords: 19th century, Historicism, Architecture, Italy, Size: Cardboard: 31,0 cm x 36,5 cm (12,2 x 14,4 in), Depiction: 19,7 cm x 25,0 cm (7,8 x 9,8 in)

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FRATELLI ALINARI (19th) Circle, Campo Santo von Neapel, around 1880, albumen paper print Fratelli Alinari (19th century) Circle: The Campo Santo of Naples, Cemetery, Italy, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Date: c. 1880 Description: With monk in dark cloak standing in front of the walls of the tombs. Inscribed in the centre at the bottom of the box. Original photograph with high sharpness of detail. An early testimony of travel photography. Around the middle of the 19th century more and more tourists from bourgeois circles travelled to Italy. At that time, photographs could only be taken with a great deal of time and expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site to bring back a souvenir from afar for those who stayed at home or to collect as souvenirs. Famous photographers such as Carlo Naya, Giorgio Sommer or the Alinari brothers photographed the most famous sights of their home towns and went on journeys themselves to photograph the most popular destinations of their clients and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting art treasures and making them accessible to scholars from all over Europe, who previously had to rely on tracings or engravings if they could not view the original for themselves. "Fratelli Alinari" in Florence are the oldest photographic company still in existence in the world: founded in 1852, a good two decades after the French inventor Joseph Nicéphore Niépce succeeded in capturing an image on a tin plate. The Alinari brothers were Romualdo (1830-1891), Leopoldo (1832-1865) and Guiseppe (1836-1892). Leopoldo began taking photographs in the daguerreotype era and worked for the lithographer Guiseppe Bardi, with whom he set up a joint photographic studio in 1850. In 1854, Leopoldo bought Bardi's shares and, together with his brothers, founded the Fratelli Alinari studio. It became one of the most important Italian studios of the 19th century and later one of the largest photo archives in the world, which still exists today. Keywords: 19th century, Historicism, Architecture, Italy, Size: Cardboard: 31,0 cm x 36,5 cm (12,2 x 14,4 in), Depiction: 19,7 cm x 25,0 cm (7,8 x 9,8 in)

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FRATELLI ALINARI (19th) Circle, Interior view. Madeleine, Paris, around 1880, albumen paper print Fratelli Alinari (19th century) Circle: Frankreich: "Intérieur de l'Église de la Madeleine", Innenansicht von La Madeleine in Paris, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Date: c. 1880 Description: The Madeleine Church, which the photograph shows from the inside, is located between the Place de la Concorde and the Opéra Garnier in Haussmann's Paris. Its construction began in 1764 and ended in 1842, and it is surprisingly shaped like a Greek temple without a cross or bell tower, which is unusual for a religious building. At the bottom of the image, the inscription "Intérieur de l'Église de la Madeleine. X. Phot.". Original photograph with high sharpness of detail. An early example of travel photography. Around the middle of the 19th century, more and more tourists from bourgeois circles travelled around Europe. At that time, photographs could only be taken at great expense in terms of time and with expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site, so that they could bring back a souvenir from their holiday home or collect them as mementos. The photographers photographed the most famous sights of their home towns and cities and travelled themselves to photograph their customers' favourite destinations and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting the art treasures and making them accessible to scholars from all over Europe, who previously had to rely on copies or engravings if they were unable to view the original themselves. Keywords: 19th century, Historicism, Architecture, France, Size: Cardboard: 28,2 cm x 23,3 cm (11,1 x 9,2 in), Depiction: 18,0 cm x 12,0 cm (7,1 x 4,7 in) Condition: Good condition. The image makes a very good impression. Upper left corner slightly foxed; tiny rubbing of the paper below the centre. Backing with 2 marginal tears upper right, verso with traces of an earlier mounting.

FRATELLI ALINARI (19th) Circle, Napoleon's Tomb, Invalid Dome, Paris, around 1880, albumen paper pri Fratelli Alinari (19th century) Circle: Frankreich: "Le tombeau de Napoléon 1er, Hotel des Invalides", Napoléons Grab im Invalidendom in Paris, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Date: c. 1880 Description: Inscribed at the lower edge of the image "Le tombeau de Napoléon 1er, Hotel des Invalides. X. Phot.". Original photograph with high sharpness of detail. An early testimony of travel photography. Around the middle of the 19th century, more and more tourists from bourgeois circles travelled in Europe. At that time, photographs could only be taken with a great deal of time and expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site to bring back a souvenir from afar for those who stayed at home or to collect as souvenirs. The photographers photographed the most famous sights of their hometowns and went on trips themselves to photograph the most popular destinations of their clients and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting art treasures and making them accessible to scholars from all over Europe, who previously had to rely on tracings or engravings if they could not view the original for themselves. Keywords: 19th century, Historicism, Architecture, France, Size: Cardboard: 35,2 cm x 27,2 cm (13,9 x 10,7 in), Depiction: 18,9 cm x 12,0 cm (7,4 x 4,7 in) Condition: Good condition. The image makes a very good impression. Upper left corner with small inclusion in the paper. Backing with slight marginal tears, verso with glue traces of an earlier mounting.

FRATELLI ALINARI (19th) Circle, Panthéon, Paris, around 1880, albumen paper print Fratelli Alinari (19th century) Circle: Paris: "The Pantheon", photographed from Rue Soufflot, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Date: c. 1880 Description: Nice detail: the horse-drawn carriages waiting in front of the Pantheon. The domed church with a Greco-Roman temple façade and a large dome above a columned portal is reminiscent of the Panthéon in Rome. Original photograph with high sharpness of detail. An early testimony of travel photography. Around the middle of the 19th century, more and more tourists from bourgeois circles travelled in Europe. At that time, photographs could only be taken with a great deal of time and expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site to bring back a souvenir from afar for those who stayed at home or to collect as souvenirs. The photographers photographed the most famous sights of their hometowns and went on trips themselves to photograph the most popular destinations of their clients and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting art treasures and making them accessible to scholars from all over Europe, who previously had to rely on tracings or engravings if they could not view the original for themselves. Keywords: 19th century, Historicism, Architecture, France, Size: Cardboard: 36,8 cm x 31,0 cm (14,5 x 12,2 in), Depiction: 25,6 cm x 19,3 cm (10,1 x 7,6 in) Condition: Good condition. The image makes a very good impression. At the lower margin and in the area of the sky isolated small inclusions in the paper. The backing is slightly wavy.