FRATELLI ALINARI (19th), City view of Florence, around 1880, albumen paper print…
Description

FRATELLI ALINARI (19th), City view of Florence, around 1880, albumen paper print Fratelli Alinari (19th century): City view of Florence Panoramic view over the city, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Stamp: Lower right Blank stamp, Fratelli Alinari. Florence. 19th century Inscription: At the lower part inscribed in the printing plate: "No 1862 Firenze_Panorama della Città visto da S. Miniato al Monte". Date: c. 1880 Description: The photograph shows the view of Florence's medieval historic centre with the Duomo, Palazzo delle Signoria, Basilica of Santa Croce and the banks of the River Arno. Original photograph with high detail sharpness. An early example of travel photography. Around the middle of the 19th century, more and more tourists from bourgeois circles travelled to Italy. At that time, photographs could only be taken at great expense in terms of time and with expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site, so that they could bring back a souvenir from their holiday home or collect them as mementos. Famous photographers such as Carlo Naya, Giorgio Sommer and the Alinari brothers photographed the most famous sights in their home cities and travelled themselves to photograph their customers' favourite destinations and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting the art treasures and making them accessible to scholars from all over Europe, who previously had to rely on copies or engravings if they were unable to view the original themselves. "Fratelli Alinari" in Florence are the oldest surviving photographic company in the world: founded in 1852, a good two decades after the French inventor Joseph Nicéphore Niépce succeeded in capturing an image on a tin plate. The Alinari brothers were Romualdo (1830-1891), Leopoldo (1832-1865) and Guiseppe (1836-1892). Leopoldo began taking photographs during the daguerreotype period and worked for the lithographer Guiseppe Bardi, with whom he founded a joint photographic studio in 1850. In 1854, Leopoldo bought Bardi's shares and, together with his brothers, founded the Fratelli Alinari studio. It became one of the most important Italian studios of the 19th century and later one of the largest photographic archives in the world, which still exists today. Keywords: Italy view, documentary photography, architectural photography, travel photography, city view, 19th century, Historicism, Architecture, Italy, Size: Cardboard: 18,4 cm x 24,4 cm (7,2 x 9,6 in)

410 
Online

FRATELLI ALINARI (19th), City view of Florence, around 1880, albumen paper print Fratelli Alinari (19th century): City view of Florence Panoramic view over the city, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Stamp: Lower right Blank stamp, Fratelli Alinari. Florence. 19th century Inscription: At the lower part inscribed in the printing plate: "No 1862 Firenze_Panorama della Città visto da S. Miniato al Monte". Date: c. 1880 Description: The photograph shows the view of Florence's medieval historic centre with the Duomo, Palazzo delle Signoria, Basilica of Santa Croce and the banks of the River Arno. Original photograph with high detail sharpness. An early example of travel photography. Around the middle of the 19th century, more and more tourists from bourgeois circles travelled to Italy. At that time, photographs could only be taken at great expense in terms of time and with expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site, so that they could bring back a souvenir from their holiday home or collect them as mementos. Famous photographers such as Carlo Naya, Giorgio Sommer and the Alinari brothers photographed the most famous sights in their home cities and travelled themselves to photograph their customers' favourite destinations and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting the art treasures and making them accessible to scholars from all over Europe, who previously had to rely on copies or engravings if they were unable to view the original themselves. "Fratelli Alinari" in Florence are the oldest surviving photographic company in the world: founded in 1852, a good two decades after the French inventor Joseph Nicéphore Niépce succeeded in capturing an image on a tin plate. The Alinari brothers were Romualdo (1830-1891), Leopoldo (1832-1865) and Guiseppe (1836-1892). Leopoldo began taking photographs during the daguerreotype period and worked for the lithographer Guiseppe Bardi, with whom he founded a joint photographic studio in 1850. In 1854, Leopoldo bought Bardi's shares and, together with his brothers, founded the Fratelli Alinari studio. It became one of the most important Italian studios of the 19th century and later one of the largest photographic archives in the world, which still exists today. Keywords: Italy view, documentary photography, architectural photography, travel photography, city view, 19th century, Historicism, Architecture, Italy, Size: Cardboard: 18,4 cm x 24,4 cm (7,2 x 9,6 in)

Auction is over for this lot. See the results

You may also like

FRATELLI ALINARI (19th) Circle, Interior view. Madeleine, Paris, around 1880, albumen paper print Fratelli Alinari (19th century) Circle: Frankreich: "Intérieur de l'Église de la Madeleine", Innenansicht von La Madeleine in Paris, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Date: c. 1880 Description: The Madeleine Church, which the photograph shows from the inside, is located between the Place de la Concorde and the Opéra Garnier in Haussmann's Paris. Its construction began in 1764 and ended in 1842, and it is surprisingly shaped like a Greek temple without a cross or bell tower, which is unusual for a religious building. At the bottom of the image, the inscription "Intérieur de l'Église de la Madeleine. X. Phot.". Original photograph with high sharpness of detail. An early example of travel photography. Around the middle of the 19th century, more and more tourists from bourgeois circles travelled around Europe. At that time, photographs could only be taken at great expense in terms of time and with expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site, so that they could bring back a souvenir from their holiday home or collect them as mementos. The photographers photographed the most famous sights of their home towns and cities and travelled themselves to photograph their customers' favourite destinations and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting the art treasures and making them accessible to scholars from all over Europe, who previously had to rely on copies or engravings if they were unable to view the original themselves. Keywords: 19th century, Historicism, Architecture, France, Size: Cardboard: 28,2 cm x 23,3 cm (11,1 x 9,2 in), Depiction: 18,0 cm x 12,0 cm (7,1 x 4,7 in) Condition: Good condition. The image makes a very good impression. Upper left corner slightly foxed; tiny rubbing of the paper below the centre. Backing with 2 marginal tears upper right, verso with traces of an earlier mounting.