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C. STRAUB (*1805) after RHOMBERG (*1819), Vacancy joys of young students, around 1840, Lithography Carl Straub (1805 Meßkirch - after 1851 ) after Hanno Rhomberg (1819 Munich - 1864 Walchsee): "Vacant pleasures of young students" Probably the first official cigarette Interior with 2 young students at the grocer's, c. 1840, Lithography Technique: Lithography on Paper, rolled-on on Paper Stamp: Blind stamp, publisher's stamp, Piloty & Loehle München. Munich. 19th century Inscription: Lower middle signed in the printing plate: "Gemalt von Hanno Rhomberg | Nach d. Originale auf Stein gez. v. C. Straub". Lower middle inscribed in the printing plate: "Vakanzfreuden Junger Studenten. | Ecoliers en Vacances.". Date: c. 1840 Keywords: Retailer, tobacco, tobacco sales, customer, seller, smoking, youth, 19th century, Realism, Professions, Germany, Size: Paper: 67,8 cm x 49,0 cm (26,7 x 19,3 in), Depiction: 52,5 cm x 40,0 cm (20,7 x 15,7 in)

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C. STRAUB (*1805) after RHOMBERG (*1819), Vacancy joys of young students, around 1840, Lithography Carl Straub (1805 Meßkirch - after 1851 ) after Hanno Rhomberg (1819 Munich - 1864 Walchsee): "Vacant pleasures of young students" Probably the first official cigarette Interior with 2 young students at the grocer's, c. 1840, Lithography Technique: Lithography on Paper, rolled-on on Paper Stamp: Blind stamp, publisher's stamp, Piloty & Loehle München. Munich. 19th century Inscription: Lower middle signed in the printing plate: "Gemalt von Hanno Rhomberg | Nach d. Originale auf Stein gez. v. C. Straub". Lower middle inscribed in the printing plate: "Vakanzfreuden Junger Studenten. | Ecoliers en Vacances.". Date: c. 1840 Keywords: Retailer, tobacco, tobacco sales, customer, seller, smoking, youth, 19th century, Realism, Professions, Germany, Size: Paper: 67,8 cm x 49,0 cm (26,7 x 19,3 in), Depiction: 52,5 cm x 40,0 cm (20,7 x 15,7 in)

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Estimate 450 - 600 EUR
Starting price  300 EUR

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Graphik - Konvolut - 23 sheets, consisting of: 2x bird depictions, col. Lithographs by the Art Anst. v. Emil Hochdanz, Stuttgart 1867, among them no. 14 and 20, each browned / stained, corners creased, remains of old binding, ca. 20,5 x 15cm / 20 x 15,5cm, 3x color and gold heightened lithograph, publisher, print and coloring by Hermann Oeser, Neusalza, ca. 1855. Colorit by Hermann Oeser, Neusalza c. 1855, including "Napoleons Niederlage bei Sedan" / "Am Brunnen" / "Am Königsee", creased / torn, c. 23 x 17cm, 3x "Beilage zur Bunten Welt III.", chromolithographs (inscr. "Oelfarbendruck v. Adoph Wolf"), Dresden c. 1880, including "Die Heimkehr vom Felde", no. 1 (in Pl. sign. u. dat. "J. B. Schmelzer sc. 1877) / "Ungarisches Zigeunerlager", no. 3 / "Auf der Weide", no. 7, each browned / foxing / creased / partially torn, approx. 15.5 x 21cm, 4x etchings by Luigi Aloysio Cunego (1757 Verona - 1823 Rome, once inscribed "Aloy Cunego inc." in pl.), portraits of ecclesiastical dignitaries, early 19th cent, including portraits of "Fr. Hieronymus Pistorien [...]" / "Fr. Paulus a Cesena [...]" / "Fr. Hyacinthus a Casali [...]" / "Fr. Erasmus a S. Gallo [...]", each min. creased / browned, pl. ca. 13 x 9cm - 14 x 9,5cm, 1x "Amerikaner", no. 10, lithograph by Engelhorn and Hochdanz, Stuttgart 1846, somewhat browned / stained / creased, sheet ca. 20.5 x 14cm, 1x "Jakob und Rachel", anonymous steel engraving after François Lemoyne (1688-1737), Kunst-Verlag Karlsruhe 19th cent, somewhat foxed, approx. 12.5 x 10cm, 1x double sheet with two copper plates, including "Portrait of Maria Antonia of Austria" (1669-1692) by Carl Gustav Amling (1665-1703) / "Bavarian Lion" (as atlas with globe), from "Ch. Weltkugel), from "Churbayr. Atlas" by Krauss u. Ertl, stained / browned, lesions (backed), remains of old binding, sheet size approx. 16 x 18,5cm, 1x print after a pen and ink drawing by A. Burghart, dat. June 19, 1942, somewhat browned / stained, min. lesion, approx. 13.5 x 10.5cm, 7x etchings / reproduction prints, various sacred motifs / images of grace (e.g. "B. V. M. Soßauiensis" / "Wahre abbildung des H. Anastasy Martyr Carm. [...]" / "Wahrhaffte abbildung der wunderthätigen Gnaden Mutter Mariae zu Nessen bey denen P.P. Carmeliter zu Straubing" / "Miracul Bildes U. L. Frauen von der Nessel zu Straubing" / a.o., various engravers (once by von Weissen). Engraver (once by Weissenhahn), pl. ca. 8 x 5cm - 16 x 9,5cm, each mounted on passep. (ca. 21 x 29,5cm - 36 x 27cm), partly inscribed in pencil by another hand (margins), unframed

J. KRAUS (*1655) after UFFENBACH (*1687), Emblematic collage, Etching Johann Ulrich Kraus (1655 Augsburg - 1719 ) after Johann Friedrich Armand von Uffenbach (1687 Frankfurt on the Main - 1769 ibid.): Emblematic collage for joy and satisfaction, 17th century, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "J. F. ab Uffenbach Frater Germanus delineavit. / J. U. Krauss sculpsit.". Inscribed in the printing plate: "SOCIETATE GAUDENT / NON SIBI SOLUM / ABSINT PROCUL FUCI / DULCIS AMICORUM RECORDATIO / Z. C. ab Uffenbach hanc Amicis Bibliothecam suam invisentibus Tesseram esse voluit, ipseg invenit.". Date: 17th century Description: The artwork presents four finely crafted vignettes within lavish, ornamental frames that form a closed, circular structure and appear to depict thematically allegorical illustrations. At the centre is a Baroque-inspired emblem with decorative scrollwork and Latin inscriptions, possibly suggesting intellectual and moral motifs. The engraved style and detailed elaboration emphasise the mastery and meaning inherent in the scenes depicted. The centre emblem is printed on its own paper and mounted on the base sheet. Keywords: Emblem; Vignettes; Ornamentation; Allegory; Engraving; Latin; Inscriptions; Morality; Intellectuality; Artistry; Frame; Baroque; Illustration; Mastery; Decoration; Theme; Circular structure; Scenery; Academic; Historical, 17th century, Rococo, Allegorical, Germany, Size: Paper: 21,5 cm x 25,8 cm (8,5 x 10,2 in)