Null After Manolo Valdés (Valencia, 1942)
Dancing notes on Las Meninas.
Lot of t…

Description

After Manolo Valdés (Valencia, 1942) Dancing notes on Las Meninas. Lot of three double prints on tracing paper and velin paper. Edited by Art of this Century, Italy, 2000. Enclosed are copies issued by the essayist Josep Palau i Fabre of the justification of the print, numbered 206/350 two. 33 x 27 cm. each.

1203

After Manolo Valdés (Valencia, 1942) Dancing notes on Las Meninas. Lot of three double prints on tracing paper and velin paper. Edited by Art of this Century, Italy, 2000. Enclosed are copies issued by the essayist Josep Palau i Fabre of the justification of the print, numbered 206/350 two. 33 x 27 cm. each.

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Honoré de Balzac, Traité de la prière. Paris, Boivin et Cie, 1942. In-8, 128p. First edition. Unpublished text with introduction and notes by Philippe Bertault. Paperback, cover printed in red and black, spine almost entirely missing, small tears to covers. Honoré de Balzac, 11 volumes published by Garnier. Paris, Garnier, 1950-1972. Critical editions. With notes by Pierre-Georges Castex: La vieille fille; Le père Goriot; Le cabinet des antiques; Eugénie Grandet. With notes by Maurice Allem: La peau de chagrin; Le cousin Pons; César Birotteau; Le colonel Chabert, La cousine Bette; La femme de trente ans. With notes by Moïse Le Yaouanc: Le lys dans la vallée. Publisher's "deluxe binding", decorated half-basin. Very good condition.

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Ernest PIGNON-ERNEST, born 1942 STUDY FOR GIACOMETTI, 2001 Black stone on paper signed lower center 49 x 33 cm Provenance: Artist's studio, then Galerie Lelong & Co. Paris A certificate of authenticity from Galerie Lelong & Co. will be given to the buyer.

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Equipo Crónica (Valencia, 1964 - 1981). "Nude descending the stairs", 1971. Silkscreen on paper, H.C. copy. Signed and justified. Publisher Gustavo Gili, Barcelona. Measurements: 100 x 70 cm. To the mythical "Nude descending the stairs" by Duchamp, Equipo Crónica places a band on the chest where its colors show the Spanish flag. In addition, they dispense with the original background and introduce their own context showing a palatial interior. Equipo Crónica, or Crónicas de la Realidad, was a group of Spanish painters active between 1964 and 1981. It was founded by Manolo Valdés, Juan Antonio Toledo, who soon left the group, and Rafael Solbes, whose death in 1981 put an end to the project. The historian and critic Tomás Llorens was also a member of the group. He explains the theoretical basis of the Equipo in a text entitled "La distanciación de la Distanciación" (The Distancing of Distanciation). Likewise, the three painters signed a manifesto in 1965, where they defined themselves as a working group with collective methods and supra-individual goals. Equipo Crónica moved away from the prevailing informalism to cultivate a figurative painting, closely linked to pop-art. Fed up with introspection, these artists went out into the street and observed the world around them, a society of incipient industrialization and tourists. Their style involved a unique blend of realism, criticism, pop, pictorial quotations, anachronisms and bittersweet pastiches. The group produced paintings, sculptures and engravings, and used to work in series, which allowed them to analyze the same subject with different variations. Equipo Crónica starts from a very simple language, with monochrome and repeated images, very close to contemporary media, especially newspaper photographs. There are works by Equipo Crónica in the IVAM in Valencia, the Reina Sofía Museum in Madrid, the MACBA in Barcelona, the Juan March Foundation and the Patio Herreriano Museum in Valladolid, among others. In 2007 an exhibition dedicated to Equipo Crónica was organized at the Museo de Arte Abstracto in Cuenca.

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