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Joan Miró i Ferrà (Barcelona, 1893-Palma de Mallorca, 1983) Avui newspaper, 1975. Lithograph on Arches vellum. Signed and numbered 1/100 in pencil. Bibliography: Reproduced in the book "Miró Litógrafo V 1972-1975" by Patrick Cramer. P. 112. Nº992. Edited by Maeght Éditeur, Paris, 1992. 80,5 x 61,5 cm. The paper is slightly oxidized.

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Joan Miró i Ferrà (Barcelona, 1893-Palma de Mallorca, 1983) Avui newspaper, 1975. Lithograph on Arches vellum. Signed and numbered 1/100 in pencil. Bibliography: Reproduced in the book "Miró Litógrafo V 1972-1975" by Patrick Cramer. P. 112. Nº992. Edited by Maeght Éditeur, Paris, 1992. 80,5 x 61,5 cm. The paper is slightly oxidized.

Estimate 4 500 - 5 500 EUR

Starting price 2 400 EUR

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Sale fees: 23 %

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For sale on Wednesday 17 Jul : 16:30 (CEST)

barcelona, Spain

Lamas Bolano Subastas
+34934151766

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JOAN MESTRE I BOSCH (Palma de Mallorca, 1826 - 1893). "Santa Cecilia", Barcelona, 1847. Oil on canvas. Cracked. With restoration on the back and inscription. It presents faults in the frame and in the painting. Measurements: 87 x 68 cm; 108 x 91 cm (frame). Joan Mestre i Bosch was formed with Bartolomé Sureda in the School of Fine Arts of Palma de Mallorca. He then traveled to Barcelona to complete his training there, at the city's Academy of Fine Arts, and finally spent some time in Madrid, where he devoted himself to copying works by the great masters at the Prado Museum. On his return to Mallorca, he held the chair of Anatomy and Landscape Drawing at the Sociedad Económica Mallorquina de Amigos del País (Mallorcan Economic Society of Friends of the Country) free of charge. Throughout his life he showed his work in various official exhibitions, being awarded several times, and also painted religious works for several churches in the Balearic Islands. He was also a correspondent of the Academy of San Fernando in Madrid and honorary chamber painter. He was especially known as a portraitist and painter of religious subjects, and developed a style with an academic base, romantic roots and a clear commitment to naturalism, although of an eclectic realism. He was also an important pedagogue, and the mark of his style can be seen in his disciples such as Joan Bauzà, Antoni Ribas and Antoni Fuster. Joan Mestre i Bosch is currently represented in the collection of the Consell de Mallorca, the Sa Nostra, the Yannick and Ben Jakober Foundation and the Museum of Mallorca, among other public and private collections.

Lot 3

Estim. 6 000 - 8 000 EUR

JOAN MIRÓ I FERRÀ (Barcelona, 1893 - Palma de Mallorca, 1983). Barcelona series, 1972. Etching, aquatint and carborundum. Copy 'Bon a tiré', 1972. Signed and inscribed in pencil. Inscribed: "Bat. Miró 6/IV/72 - 28/III/72 (6)." Ref. no. 598, p. 231, "Miró Graveur", Vol. II. Measurements: 70 x 105 cm; 87 x 122 cm (frame). Joan Miró is formed in Barcelona, and debuts individually in 1918, in the Dalmau Galleries. In 1920 he moved to Paris and met Picasso, Raynal, Max Jacob, Tzara and the Dadaists. There, under the influence of surrealist poets and painters, he matures his style; he tries to transpose surrealist poetry to the visual, based on memory, fantasy and the irrational. His third exhibition in Paris, in 1928, was his first great triumph: the Museum of Modern Art in New York acquired two of his works. He returned to Spain in 1941, and that same year the museum dedicated a retrospective to him that would be his definitive international consecration. Throughout his life he received numerous awards, such as the Grand Prizes of the Venice Biennale and the Guggenheim Foundation, the Carnegie Prize for Painting, the Gold Medals of the Generalitat de Catalunya and the Fine Arts, and was named Doctor Honoris Causa by the universities of Harvard and Barcelona. His work can currently be seen at the Joan Miró Foundation in Barcelona, as well as at the Thyssen-Bornemisza Museum, the MoMA in New York, the Reina Sofía Museum in Madrid, the National Gallery in Washington, the MNAM in Paris and the Albright-Knox Art Gallery in Buffalo.

Lot 76

Estim. 5 000 - 6 000 EUR

JOAN MIRÓ I FERRÀ (Barcelona, 1893 - Palma de Mallorca, 1983). "Miró, Museum of Modern Art Mexico". 1980. Lithograph on Arches vellum, copy 2/100. Signed, dedicated, dated and numbered in pencil. Publisher: Museo de Arte Moderno de México. Printer: Litografías Artística Damià Caus, Barcelona. Reproduced in Maeght Editeur "Miró Litógrafo VI", p. 148. Measurements: 76 x 56 cm; 97 x 77 x 4 cm (frame). This lithograph by Miró, limited to one hundred copies, was used for the poster announcing Joan Miró's exhibition in the Bosque de Chapultepec in the spring of 1980, at the Museum of Modern Art. Moons, stars, figures reduced to a few strokes in thick black enclosing in their interior primary colors... synthesize some of Joan Miró's soul constellations gathered in this image. Joan Miró was trained in Barcelona, and made his individual debut in 1918, in the Dalmau Galleries. In 1920 he moved to Paris and met Picasso, Raynal, Max Jacob, Tzara and the Dadaists. There, under the influence of surrealist poets and painters, he matures his style; he tries to transpose surrealist poetry to the visual, based on memory, fantasy and the irrational. His third exhibition in Paris, in 1928, was his first great triumph: the Museum of Modern Art in New York acquired two of his works. He returned to Spain in 1941, and that same year the museum dedicated a retrospective to him that would be his definitive international consecration. Throughout his life he received numerous awards, such as the Grand Prizes of the Venice Biennale and the Guggenheim Foundation, the Carnegie Prize for Painting, the Gold Medals of the Generalitat de Catalunya and the Fine Arts, and was named Doctor Honoris Causa by the universities of Harvard and Barcelona. His work can currently be seen at the Joan Miró Foundation in Barcelona, as well as at the Thyssen-Bornemisza Museum, the MoMA in New York, the Reina Sofía Museum in Madrid, the National Gallery in Washington, the MNAM in Paris and the Albright-Knox Art Gallery in Buffalo.

Lot 548

Estim. 3 500 - 4 000 EUR

Joan Miró i Ferrà (Barcelona, 1893-Palma de Mallorca, 1983) Plat. Commemorative plate in glazed ceramic from the wedding of the critic and art professor Rafael Santos Torroella (1914-2002) with María Teresa Bermejo Hernández (1919-2013), in which Joan Miró acted as godfather. Name of the godmother, Anita Solà d'Imbert, and names of the godparents, Sixte Illescas, Victor Mª d'Imbert and Joan Prats, enameled on the seat. Signed and dated February 18, 1950 on the seat. Numbered 16/24 on the back. Bibliography: Reproduced in the book "Col-lecció Riera: anys 40: Centre d'Art Santa Mònica, del 22 de setembre al 31 de desembre de 1994", P. 75. Edited by Generalitat de Catalunya. Department of Culture. Barcelona, 1994, in digital format. Diam.: 22 cm.

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