Null Frederic Lloveras Herrera (Barcelona, 1912-Tossa de Mar, Girona, 1983)
Ribe…

Description

Frederic Lloveras Herrera (Barcelona, 1912-Tossa de Mar, Girona, 1983) Ribera de Cardós. Oil on canvas. Signed. Titled and signed on the back. 73 x 101 cm.

1095

Frederic Lloveras Herrera (Barcelona, 1912-Tossa de Mar, Girona, 1983) Ribera de Cardós. Oil on canvas. Signed. Titled and signed on the back. 73 x 101 cm.

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Starting price 150 EUR

Fred ZELLER (Paris 1912) The couple Oil on canvas 38 x 46 cm Signed lower right Frédéric Zeller Titled and countersigned on the back Le couple Fred Zeller

Estim. 1 000 - 1 500 EUR

FRANCESC SERRA CASTELLET (Barcelona, 1912 - Tossa, Girona, 1976). "Female nude". Oil on tablex. Presents sketch on the back. Signed in the lower right corner. Measurements: 60 x 83 cm; 74 x 97 cm (frame). Painter and draftsman, Francesc Serra spent his youth in Granollers, Barcelona. Although he passed fleetingly through the School of La Lonja in Barcelona, he is basically a self-taught author. He had his first exhibition in 1932, at the Sala Parés in Barcelona, and participated in the Salones de Primavera between 1934 and 1936. In 1936 and 1937 he was a special guest of the Carnegie Institute of Pittsburgh, United States. He continued to hold individual exhibitions in Barcelona, mainly at the Sala Gaspar. A great admirer of Degas, he was especially influenced by his favorite theme, the feminine. Sporadically he also tackled other themes, such as the urban landscape, of which the series of Paris, presented in 1951, is worth mentioning. Likewise, with his portraits of the lead mine he approached the sensitive realism of Ingres. He won several awards, including the Sant Jordi of Barcelona (1953) and the first medals at the National Exhibitions of Madrid (1957) and Barcelona (1960). He collected several unpublished drawings under the title "Dibujos de Serra" (1973), with a prologue by Santos Torroella. Determined defender of realism in art and of traditional figuration against the avant-garde, he published the essay "La aventura del arte contemporáneo" (1953), with a prologue by Rafael Benet. He is represented in the Museums of Modern Art of Madrid and Barcelona and in the Museums of Fine Arts of l'Empordà and Sabadell.

Estim. 1 400 - 1 600 EUR

JOAN BRULL VINYOLES (Barcelona, 1863 - 1912). "Female portrait. Oil on canvas. Signed in the lower corner. Measurements: 41 x 61 cm; 55 x 73 cm (frame). Joan Brull was formed in the School of Fine Arts of Sant Jordi of Barcelona, where he stood out as an outstanding student. Influenced by the realism of his teacher Simón Gómez Polo, he began his career with costumbrist and historical themes such as "La tonsura del rey Wamba", exhibited at the Sala Parés in Barcelona in 1883. During these years he was also related to the modernist movement and symbolist aesthetics, influences that marked much of his production. He then went to Paris, where he completed his training with Rapahel Cöllin for five years. His style evolved in an increasingly personal direction, leaving behind realism in favor of a "fin de siècle" idealism. Nevertheless, he continued to be interested in history painting, genre scenes and portraits, achieving great mastery in the latter. On his return to Spain, he participated in numerous group exhibitions in Madrid and Barcelona, as well as abroad, in London and Paris. He also took part in the National Fine Arts Exhibitions in Madrid, where he was decorated in 1892, 1895, 1897 and 1899. In those held in Barcelona he was also distinguished in the editions of 1894, 1896, 1898, 1907 and 1911. He obtained third medal in the Paris Exhibition of 1900, and was named Commander of the Order of Alfonso XII in 1904. He also participated as an art critic in the magazine "Joventut". On the fringes of academic rigor, Brull Vinyoles soon abandoned himself to the pictorial idealism to which he devoted all his work. A man of great culture, he actively participated in the gatherings of Els Quatre Gats. His technique of blurred contours, grisaille and pearly tones, as well as his subject matter populated by ethereal female figures, allow us to situate his work within romantic symbolism. After his untimely death, the Sala Parés in Barcelona dedicated a tribute exhibition to him (1913). Brull is represented in the Museo del Prado, the Museo Nacional de Arte de Cataluña, the Museo de La Garrotxa in Girona, and the Museo de Art Nouveau y Art Déco Casa Lis in Salamanca.

Estim. 2 500 - 2 600 EUR

RAMÓN CAPMANY MONTANER (Canet de Mar, 1899 - Barcelona, 1992). "Female portrait". Oil on canvas. Signed in the upper left corner. Measurements: 73 x 60 cm; 87,5 x 74,5 cm (frame). Painter, engraver and bibliophile, he was a disciple of Francesc Labarta in the School of the Fish Market of Barcelona. As a painter he was mainly dedicated to landscapes (especially of old Barcelona and Montseny), with a naturalistic style, faithful to nature, detailed and with fine strokes. He had important individual and collective exhibitions in Barcelona, Paris, Madrid, Munich and London, among other European cities. His awards include the Travelling Exhibition in New York (1926), an exhibition that brought him international fame, and the gold medal in the competition "Barcelona seen by its artists" (1931). He exhibited regularly at the Sala Parés, and was a member of the group Los Evolucionistas until 1923. He also collaborated in many of the bibliophile editions of the publishing house Montaner y Simón, a prominent company to which the artist was linked by family ties, always using etching, generally in color. He is represented in the Museum of Contemporary Art of Barcelona.

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