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José Llull Cantó (Valencia, 1933) When the priest is not there. Oil on canvas. Signed. Titled, signed and dated 2006 on the back. 65 x 54 cm.

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José Llull Cantó (Valencia, 1933) When the priest is not there. Oil on canvas. Signed. Titled, signed and dated 2006 on the back. 65 x 54 cm.

Estimate 800 - 900 EUR

Starting price 450 EUR

* Not including buyer’s premium.
Please read the conditions of sale for more information.

Sale fees: 23 %

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For sale on Wednesday 17 Jul : 16:30 (CEST)

barcelona, Spain

Lamas Bolano Subastas
+34934151766

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IGNACIO PINAZO CAMARLENCH (Valencia, 1849 - Godella, Valencia, 1916). "Young man in profile. Oil on canvas. Signed in the lower left corner. Measurements: 66 x 51 cm; 97 x 71 cm (frame). Born into a humble family, Pinazo was forced from a very young age to contribute with different occupations to the support of his home. He had only completed the eighth grade at school when his mother died of cholera, so he soon had to be employed in various trades, including silversmith, tile decorator, baker, gilder and painter of fans. After the death of his father he went to live with his grandfather, and in 1864 he entered the San Carlos Academy of Fine Arts, where he was a disciple of José Fernández Olmos. During this period he earned his living as a milliner. He began his artistic training at the age of twenty-one, achieving his first success three years later, in Barcelona. In 1871 he entered the National Exhibition of Fine Arts for the first time. He was in Rome twice, the first time thanks to the sale of a painting, in 1873, and the second time with a scholarship, between 1876 and 1881. There he began his great productions of history, far from the conventions of the genre. In his first period he developed an academicist style, but from 1874 he began a more intimate and impressionist pictorial line. When he returned to Valencia he abandoned historical themes, and instead began to paint family subjects, nudes and scenes of everyday life. Thus, he is now considered a precursor, both in themes and style, of Joaquín Sorolla and Francisco Domingo. In 1884 Pinazo left Valencia temporarily due to a cholera epidemic, settling in the house that the banker José Jaumandreu owned in Bétera. From his return that same year until 1886, he taught at the School of Fine Arts in Valencia. During these years he received numerous commissions from the Valencian aristocracy, counting among his clients prominent figures such as the Marquise of Benicarló. Pinazo showed his works at the National Exhibitions of Fine Arts in Madrid, winning the silver medal in 1881 and 1885, and the gold medal in 1897 and 1899. In 1896 he was named academician of San Carlos, and in 1906 he will also be named academician of San Fernando, in Madrid. In 1900 he was involved in the decoration of the staircase of the palace of Don José Ayora, together with Antonio Fillol, Peris Brell, Ricardo Verde and Luis Beüt. For these years he received a royal medal and, in 1912, the city of Valencia dedicated a street to him. At his death, in 1916, the commemorative acts of his life and work will follow. Pinazo is currently represented in the Prado Museum, the MACBA in Barcelona, the Museum and Circle of Fine Arts in Valencia, his House-Museum in Godella and the Valencian Provincial Council, as well as in several important private collections.

Lot 290

Estim. 2 000 - 3 000 EUR

Exquisite and decorative portrait of a Valencian Lady, 18th century Spanish school, style of José Camarón y Bonarat (Segorbe 1731 – Valencia 1803) Oil on canvas measures: 82 x 62 cm, good condition, requires cleaning. Son of a family of artists, his father, Nicolás, worked as a sculptor for the Segorbe cathedral and for the Jesuit church in the same city. His mother, Damiana, was the sister of the miniaturist Eliseo Bonanat. Married in 1758 to Juliana Meliá, he had five children, who also dedicated themselves to the arts: José Ventura (Segorbe, 1759), José Juan (Segorbe, 1760 – Madrid, 1819), Manuel (Valencia, 1763 – Segorbe, 1806), Rafael (Valencia, 1772) and Eliseo (Valencia, 1780). José Camarón received his first humanist training from the Jesuits of Segorbe and his artistic training in the workshop of his father and his uncle, Mosén Eliseo Bonanat. F. Benito Domènech, Drawings by José Camarón Boronat on the life of Saint Joseph, Madrid, Instituto Diego Velázquez, 1987; R. Rodríguez Culebras, “Notes on some paintings from the Chapel of the University of Valencia”, in VV. AA., The Chapel of the University of Valencia, Valencia, 1990, pp. 125-136; AJ Gasco Sidro, Painters of Castellón: the Academy and the Camarón, Castellón, 1996; R. Rodríguez Culebras, “José Camarón. Drawings and engravings”, in VV. AA., Shrimp. Drawings and engravings, exhibition catalogue, Valencia, Bancaja Foundation, 1999; M. Hurtado Urrutia, "Our artists of yesterday, (A little explored territory)", in E. Cortijo (ed.), The mysteries of Cáceres, Cáceres, Chamber of Commerce and Industry of Cáceres, 1998, pp. 175-177.

Lot 3041

Estim. 300 - 400 EUR

José Casanova Luján (Valencia, 1933-1989) Character with trench coat. Oil on canvas. Signed. 41 x 29 cm.

Lot 3212

Estim. 350 - 450 EUR