Null Jaume Muxart Domènech (Martorell, Barcelona, 1922-Barcelona, 2019)
Quatre, …

Description

Jaume Muxart Domènech (Martorell, Barcelona, 1922-Barcelona, 2019) Quatre, 1988. Oil on canvas. Signed. Bibliography: Reproduced in the book "Muxart" by Enric Jardí. P. 365. Nº587. Edited by Art Gallery 90, Barcelona. Enclosed in the book. 89 x 116 cm.

1064

Jaume Muxart Domènech (Martorell, Barcelona, 1922-Barcelona, 2019) Quatre, 1988. Oil on canvas. Signed. Bibliography: Reproduced in the book "Muxart" by Enric Jardí. P. 365. Nº587. Edited by Art Gallery 90, Barcelona. Enclosed in the book. 89 x 116 cm.

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Estim. 4 500 - 5 500 EUR

JAUME PITARCH (Barcelona, 1963). "Entropía de Jackson".2009. Mixed media (collage on cardboard". Provenance: Gallery dels Àngels of Barcelona. Measurements: 77 x 107 cm. This piece was part of an exhibition of the same name by Jaume Pitarch at the Àngels Barcelona gallery, in which the theme of time was treated from a new perspective both as a concept and as a plastic development. As the press release read: "Pitarch transforms mundane objects and work rituals into instruments for critical reflection. Frequently, his work consists of obstinate actions that lead to apparently absurd, unproductive, invisible or unimaginable results. This absurdity is not, however, self-indulgent: it questions the identity, socializing, and behavioral relations between man and his material production. For Pitarch, this is simply the consequence of the angst of a man lost in a web of constantly mutating social structures to which he derives all his energy in a failed attempt to belong, "to insert himself into them". The theme of time (time as that which constantly leaves us out of the game) is therefore a constant in his work. A Virilian time that is sometimes alluded to, stopped or converted into an invisible ally called process". Currently based in Barcelona, Jaume Pitarch studied Fine Arts at the Chelsea College of Art and the Royal College of Art in London. His language is based on the decontextualization of man-made elements, which he dismantles and reconstructs in a completely different way, stripping them of their original meaning and value. Throughout his career as an artist, Jaume Pitarch has held numerous exhibitions nationally and internationally, highlighting: Àngels Barcelona (2013, 2009, 2004,1997); Galería Fúcares, Madrid (2013, 2008); Spencer Brownstone Gallery, New York (2013, 2009, 2006) or in Galerija Vartai, Lithuania, 2011. Likewise, his work has been selected for group exhibitions in international galleries and institutions. His work is part of public and private collections such as the MACBA collection, the Vila Casas Foundation, the La Caixa collection, Artium, the Bergé collection, the Patio Herreriano Museum or the collection of the Royal College of Art in London, among others.

Estim. 1 000 - 1 200 EUR

JOAN SERRA MELGOSA (Lérida, 1899 - Barcelona, 1970). "Salardú", 1930. Oil on canvas. Signed in the lower left corner. Signed and located on the back. Published in "Juan Serra painter", plate XXII, by Juan Cortés, Edit. Argos. Barcelona, 1942. Measurements: 50 x 66 cm. Joan Serra Melgosa was formed in the School of the Fish market of Barcelona, where he was a disciple of Francesc Labarta. Member of the group The Evolutionists, he exhibits for the first time in 1918. In 1925 he traveled to Madrid, where he became especially interested in El Greco, and two years later he spent a few months in Paris. He was closely linked to the Sala Parés in Barcelona, where he exhibited regularly since 1927. He exhibited in the main Spanish capitals, in addition to participating in exhibitions in Paris, London, Pittsburgh, Buenos Aires, Montevideo and Caracas. His awards include the Barcelona City Council award in 1931 and the Jaume Morera gold medal in 1950. He is represented in the Museum of Contemporary Art of Barcelona and in the Museum of Fine Arts of Lérida.

Estim. 5 000 - 6 000 EUR

JOSEP MARIA TAMBURINI DALMAU (Barcelona, 1856 - 1932). "Jesus infant", 1907. Oil on canvas. Signed in the upper right corner. Work published in "J.M. Tamburini", Jaume Soler. Caixa de Catalunya Foundation, 1989. Reproduced on page 75. Measurements: 125 x 182 cm; 130 x 187 cm (frame). Painter and art critic, and outstanding figure of the Catalan modernism, Tamburini initiated his formation in the School of La Lonja of Barcelona, to later complete his studies in Paris, with L. Bonnat, and Rome. He collaborated as a cartoonist, art critic and poet with the magazine "L'Avenç", one of the most outstanding artistic publications of Catalonia at the turn of the century. He also wrote for "La Vanguardia". As a painter, he began his career in history painting and anecdotal realism, to later evolve along the lines of symbolism, strongly influenced by English pre-Raphaelism. Recognition came in 1888, when he won a silver medal at the Universal Exposition in Barcelona. He continued to participate in official exhibitions in Barcelona and Madrid, and was again awarded at the Barcelona Exhibition in 1898, where he received the Queen Regent's Extraordinary Prize. In 1911 he received the Prize of the King and Queen of Spain. Already as a mature painter, he worked on placidly fantastic, detailed and precious themes, as well as religious themes and some portraits. He was also a member of the Board of Museums of Barcelona, advisor to the Academy of Fine Arts, professor at the School of La Lonja and co-founder of the Artistic and Literary Society of Catalonia (1911). He is represented in the MACBA, the National Museum of Art and the Library of Catalonia, the Royal Academy of Sant Jordi, the Casa Lis Museum in Salamanca and the Fine Arts Museums of Valencia and Seville, as well as in numerous private collections.

Estim. 5 000 - 6 000 EUR

ACHILLE BATTISTUZZI (Trieste - Barcelona, 1891). "View of Barcelona".1878. Oil on canvas. Signed, dated and located in the lower right corner. Attached to the back a label of Ramoneda & Barrachina. Measurements: 90 x 131 cm; 110 x 151 cm (frame). Achile Battistuzzi was an Italian painter who lived in Barcelona for most of his life, giving the Catalan capital magnificent port and urban views. In the painting shown here, Battistuzzi's mastery of working the space in a scenographic manner is evident, naturally superimposing the mountainous landscape (the Montjuïc area) and the port of Barcelona, which can be glimpsed in the background, criss-crossed with boats. The Reales Atarazanas (Royal Shipyards) divide the seafront and the margins of the city. In this panoramic view, the artist displays his skills as a veduttist and his bold use of light. The rural area with its peasants and the port area with its fishing boats form two parallel realities. Achille Battistuzzi settled in Barcelona around 1866. He specialised in landscape paintings with urban scenes. He was one of those who introduced Venetian Vedutism to Catalonia, following the influences of Canaletto and Guardi. His work "El pla de la Boqueria" is in the collection of the Museu Nacional d'Art de Catalunya. Painted around 1873, the work was exhibited at the Universal Exhibition in Barcelona in 1888. The Barcelona History Museum has nine works by the artist, and the Historical Archive of the City of Barcelona holds two oil paintings, two watercolours, two drawings and two engravings. The Maritime Museum of Barcelona holds the canvas entitled "Vista de las Reales Atarazanas de Barcelona y de la Montaña de Montjuïc" (View of the Royal Shipyards of Barcelona and Montjuïc Mountain).

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