Null Prod. Mim Rome DIS. Ennio Fazzioli - Group of five chairs, 60's H cm79x60x5…

Description

Prod. Mim Rome DIS. Ennio Fazzioli - Group of five chairs, 60's H cm79x60x55 Prod. Mim Rome DIS. Ico Parisi. Die-cast aluminum frame, seat and back in curved plywood veneered rosewood, upholstery to be reconditioned, signs of use.Prod. Mim Roma DIS. Ico Parisi. Die-cast aluminum frame, seat and back in curved plywood veneered rosewood, upholstery to recondition, signs of use.

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Prod. Mim Rome DIS. Ennio Fazzioli - Group of five chairs, 60's H cm79x60x55 Prod. Mim Rome DIS. Ico Parisi. Die-cast aluminum frame, seat and back in curved plywood veneered rosewood, upholstery to be reconditioned, signs of use.Prod. Mim Roma DIS. Ico Parisi. Die-cast aluminum frame, seat and back in curved plywood veneered rosewood, upholstery to recondition, signs of use.

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Estim. 800 - 1 200 EUR

Italian design by Ico & Luisa Parisi for Mim Roma, circa 1970. Furniture: Set consisting of a desk and matching storage unit in rosewood and steel elements. Mim" plaque on the back of the desk. Size: H.: 74.5 W.: 180 D.: 90 and H.: 62 W.: 135 D.: 45 cm.

Estim. 1 500 - 1 800 EUR

LUIS FEITO LÓPEZ (Madrid, 1929-2021). Untitled. Watercolor on paper. With stamp in the lower right corner and signed in the lower left corner. Measurements: 29 x 39 cm; 42,5 x 52,5 cm (frame). Born and formed in Madrid, he was one of the founding members of the group El Paso. In 1954 he had his first individual exhibition, with non-figurative works, at the Buchholz gallery in Madrid. From that moment on Feito exhibited regularly in the most important cities of the world, such as Paris, Milan, New York, Helsinki, Tokyo and Rome. Appointed professor at the San Fernando School of Fine Arts in 1954, two years later he left teaching and went to Paris on a scholarship to study the current avant-garde movements. During this period he was influenced by automatism and matter painting. In 1962 he became a founding member of the El Paso group, with which he had lost contact during his years in Paris. His first works are inscribed within figurative painting, to then go through a phase in which he experiments with cubism, and finally fully enter into abstraction. At the beginning he only used black, ochre and white colors, but when he discovered the potential of light, he began to use more vivid colors and smooth planes. He evolved to use red as a counterpoint in his compositions (since 1962) and, in general, more intense colors. In his abstract phase, which includes the 1970s, Feito shows a clear tendency towards simplification, with the circle predominating in his compositions as a geometric form. Possibly, the influence of Japanese art can be seen in his preference for large bands of black. Most of his works are untitled, so they are usually recognized by a number assigned to them. Among his awards is his appointment as Officer of the Order of Arts and Letters of France in 1985. In 1998 he received the Gold Medal of Fine Arts in Madrid, and was appointed Full Member of the Royal Academy of Fine Arts of San Fernando. In 2000 he was awarded the Prize of the Spanish Association of Art Critics at the Estampa Salon, in 2002 the AECA Grand Prize for the best international artist at ARCO, in 2003 the prize for the most relevant artist at the Osaka Art Fair (Japan), in 2004 the Prize for the Culture of Plastic Arts of the Community of Madrid, in 2005 the Francisco Tomás Prieto Prize of the Fábrica Nacional de Moneda y Timbre, and in 2008 the Jorge Alió Foundation Prize and the Grand Prize for Spanish Contemporary Art CESMAI. Luis Feito is represented in the most important museums around the world, including the Gallery of Modern Art in Rome, the Guggenheim, the MoMA and the Chase Manhattan Bank in New York, the Museums of Modern Art in Tokyo, Paris, Rio de Janeiro and Montreal, the Lissone in Italy and the Albright Art Gallery in Buffalo.

Estim. 300 - 350 EUR

JAVIER PAGOLA (San Sebastian, 1955). Untitled, 2004 and 2007. Inks on paper (x2). Signed and dated in the lower right corner. Measurements: 28 x 40 cm; 42 x 54 cm (frame); 40 x 28 cm; 54 x 42 cm (frame). He studies Architecture at the Escuela Técnica Superior de Arquitectura de Madrid, between 1974 and 1978. Later he settled in Cuenca, where he devoted himself to painting. Throughout his career he has been awarded several scholarships; in 1993 he obtained an Endesa scholarship for Plastic Arts, in 1997 a scholarship from the Academy of Fine Arts in Rome and in 1999 a scholarship for Plastic Arts from the Marcelino Botín Foundation. To his pictorial work must be added his work in the field of illustration of books such as Gargantua by Rabelais and incursions into the world of printmaking. His creative personality keeps him away from specific groups and movements. His work is based on the mastery of drawing, and in it we can observe an evolution from the gestural application of the stroke in line with abstract expressionism to the use, in the nineties, of a playful iconography. These characters, which are somewhere between the surrealist and childish worlds, populate the entire surface of the canvas in an anarchic way and some authors see in them an inspiration coming from the world of comics. He has had numerous solo exhibitions since he first did so in 1980 at the Ikusmira Gallery in San Sebastian. He also participates in important collective exhibitions and is present in the editions of Estampa'95 and 96 and Arco'94, 98, 2000, 2003. He has also been for years main draftsman in national presses, ABC, El PIS, and other publications. He is currently represented in collections such as the MNCA Reina Sofía and the Fine Arts Museums of Rome and Alava, Ars Fundum Gestión, S.L., Pamplona City Hall - Contemporary Art Collection, Centro de Arte Dos de Mayo (CA2M), among others.

Estim. 350 - 400 EUR

UGO ATTARDI (Genoa, 1923 - Rome, 2006). "Soldier", 2000. Bronze sculpture. Signed and dated on the right side of the base. Wooden base. Measurements: 40 x 14 x 50 cm (figure); 3 x 16 x 32 cm (base). Ugo Attardi was a painter, sculptor and writer trained at the Academy of Fine Arts and the Faculty of Architecture in Palermo. In 1945 he moved to Rome, where he joined the Forma 1 movement together with other artists such as Carla Accardi, Pietro Consagra, Piero Dorazio, Mino Guerrini, Concetto Maugeri, Achille Perilli, Antonio Sanfilippo and Giulio Turcato, with an abstract orientation. However, he developed divergent visions as he matured from the rest of the group. In 1948 he participated in the National Exhibition of Fine Arts (V National Art Quadrennial) in Rome. In the early fifties he oriented his art towards expressionism. His sculpture of Ulysses is now permanently installed in Battery Park in New York. In 1952 and 1954 he was invited to the XXVI and XXVII Venice Biennale. In the early 1960s he participated in numerous exhibitions both in Italy and abroad. In 1986 and 1987 he exhibited at the ICAF in London and at the International Exhibition of Contemporary Art in Milan. He has received numerous awards for his artistic merits and for having spread and promoted Italian genius and creativity throughout the world.

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