Null Nasa. A rare and beautiful view of the first seconds of the public arrival …

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Nasa. A rare and beautiful view of the first seconds of the public arrival of the APOLLO 11 astronauts. Descending from the helicopter that has just picked them up in the middle of the ocean, they make their way towards the quarantine module where they will remain confined for 3 weeks to ensure that they do not contaminate the Earth with any extraterrestrial microbes. July 24, 1969. Vintage chromogenic print on "THIS PAPER MANUFACTURED BY KODAK" paper. Typed caption on back. 25.5 x 20.2cm with margins.

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Nasa. A rare and beautiful view of the first seconds of the public arrival of the APOLLO 11 astronauts. Descending from the helicopter that has just picked them up in the middle of the ocean, they make their way towards the quarantine module where they will remain confined for 3 weeks to ensure that they do not contaminate the Earth with any extraterrestrial microbes. July 24, 1969. Vintage chromogenic print on "THIS PAPER MANUFACTURED BY KODAK" paper. Typed caption on back. 25.5 x 20.2cm with margins.

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Journal "La Chanson illustrée", published 1869-1970 and containing a total of 78 issues. Very rare collection of the first 70 issues, each issue running to 4 pages with a color illustration on the first page. The editor-in-chief was Alexandre Flan. The first 40 issues make up the first year, and the last 38 the second. Despite its great success, the journal disappeared after Flan's suicide in September 1870. N°36 incomplete (large tear with missing first leaf). Rare.

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Pierre BRISSAUD Aux Courses, 1906, etching and aquatint, 20.5 x 48.5 cm, margins 28 x 54.5 cm, fine proof printed in colors on japon, signed, dated, numbered 3/60 and dedicated "?à Jeanne Bull?", very slight soiling. Le Départ, 1908 and L'Hiver, 1907, etchings and aquatints by the same artist, fine proofs printed in color, signed and dated, the first annotated "?épreuve d'état?", the second numbered 24/50, soiling. Set of 3 pieces.

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Henri de TOULOUSE-LAUTREC Pauvre Pierreuse, 1893, lithograph, 27 x 17.5 cm, margins 36 x 25.5 cm (Wittrock 13), fine proof printed in olive green on applied vellum, signed and numbered 50, first edition at 100 proofs, publisher's dry stamp E. Kleinmann (Lugt 1573) but half-cut, publisher's dry stamp E. Sagot (L. 2254), light stains in the margins. Also included are Pour toi?! and Sagesse, lithographs (W. 6 and 9), fine proofs from the 1927 Floury print run, the first on japon, the second on vellum. Set of 3 pieces.

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Jean VEBER L'Araignée, 1897, lithograph, 43 x 34 cm, margins 63 x 49 cm (Véber & Lacroix 11), fine proof printed in colors on japon, signed, edition at 60 proofs, yellowed. Also by the same artist, L'Ennui et Le Beau navire, plates for an illustration of Baudelaire's Fleurs du mal, lithographs (V. & L. 8 and 9), fine proofs, the first in black on chine volant, the second in blue on thin vellum, edition of 100 proofs. Set of 3 pieces.

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