Null Olympic Games/ Winter, Summer, 1900-1912-1924-1936/ Velo/Chamonix/Colombes/…
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Olympic Games/ Winter, Summer, 1900-1912-1924-1936/ Velo/Chamonix/Colombes/Beaux-Arts/Geo Charles. Set of 10 items: a) Bernard Maccario's biography of the unfortunate hero of the 1912 Games:" Jean Bouin" (Ed.Chistera, 2018); b) Jean de Pierrefeu's novel-reportage on the 1924 Games seen from the inside:" Paterne ou l'ennemi du sport" (Ed.Ferenczi, 1927), with reprint of the fine portrait of Géo Charles, Olympic literature champion; c) two issues of "L'Eclair", July 10 and 12, 1924 (used condition); d) "Ciné-Miroir", April 1, 1924, with a report on the shooting of the official Winter Games film (double-page spread, 16 photos); e) "Beaux Arts", April 3, 1936, with the headline "L'art français aux Jeux Olympiques" (sculpture by Deluol); f) Expo 1900 : the most curious, rarest item, directly in line with current events: a parking card in an official garage on the Champs for bicycles, motorcycles and cars; 50c. We enclose "Regard" of August 10, 1934: 12,000 anti-fascist athletes in Paris (almost Olympic Games) and sport under the Revolution (page from L'EQuipe, in a national collective) 1989.

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Olympic Games/ Winter, Summer, 1900-1912-1924-1936/ Velo/Chamonix/Colombes/Beaux-Arts/Geo Charles. Set of 10 items: a) Bernard Maccario's biography of the unfortunate hero of the 1912 Games:" Jean Bouin" (Ed.Chistera, 2018); b) Jean de Pierrefeu's novel-reportage on the 1924 Games seen from the inside:" Paterne ou l'ennemi du sport" (Ed.Ferenczi, 1927), with reprint of the fine portrait of Géo Charles, Olympic literature champion; c) two issues of "L'Eclair", July 10 and 12, 1924 (used condition); d) "Ciné-Miroir", April 1, 1924, with a report on the shooting of the official Winter Games film (double-page spread, 16 photos); e) "Beaux Arts", April 3, 1936, with the headline "L'art français aux Jeux Olympiques" (sculpture by Deluol); f) Expo 1900 : the most curious, rarest item, directly in line with current events: a parking card in an official garage on the Champs for bicycles, motorcycles and cars; 50c. We enclose "Regard" of August 10, 1934: 12,000 anti-fascist athletes in Paris (almost Olympic Games) and sport under the Revolution (page from L'EQuipe, in a national collective) 1989.

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Arnold, KarlSilent celebration. Original sketch. Circa 1936. Pen and graphite on wove paper. 34.5 x 26.5 cm. With estate stamp verso. Framed under passepartout and glass. Arnold, Karl Stille Feier. Original sketch drawing. Circa 1936. Pen and graphite on wove paper. 34.5 x 26.5 cm. With estate stamp verso. Framed under passepartout and glass. With the red estate stamp and the autograph number 824 verso. Probably an unpublished caricature for the magazine Simplicissimus on the occasion of the 1936 Olympic Games. With the artist's own handwritten text: "Stille Feier. Now the youth of the world is being called out again - but I was once the world's second-best runner." - Karl Arnold (1883-1953) studied from 1901 at the Academy of Fine Arts in Munich under Karl Raupp, Ludwig von Löfftz and Franz von Stuck. Out of financial necessity, he turned to the editorial offices of the leading Munich illustrated magazines and from 1907 published drawings in Simplicissimus and in the magazine Die Jugend. By 1942, Arnold had published over 1800 drawings in Simplicissimus. - Small holes from previous mounting in the margins, mainly under the passepartout. Beautifully preserved and lively composition. Original sketch. Pen and graphite on wove paper. Framed under mat and glass. With the red estate stamp and the autograph number 824 verso. Probably an unpublished caricature for the magazine Simplicissimus on the occasion of the 1936 Olympic Games. With the artist's own handwritten text. - Small holes from previous mounting in the margins, mainly under the passepartout. Nicely preserved and lively composition.

JEAN BURKHALTER (France, 1895 -1982). "Landscape," 1930. Watercolor on paper. Signed and dated in the lower right corner. Measurements: 31 x 48 cm. Born in Auxerre, Jean Burkhalter came from a well-to-do background, but when he lost his father in 1912 and his mother in 1915, he left for Paris at the age of 18. He enrolled in 1915 at the École nationale supérieure des arts décoratifs, where he continued his studies until 1919. He then worked for several decoration houses, specializing in different fields: fabrics and carpets, creation and edition of printed canvases, and goldsmithing, which allowed him to participate for the first time in the Salon des artistes décorateurs. In 1920, he exhibited paintings at the Galerie des artistes modernes, and at the Salon d'Automne and the Salon de la Société nationale des beaux-arts in 1921.He participated in the fiftieth anniversary of the 1925 Exhibition at the Musée des Arts décoratifs in Paris, October 15, 1976. In one of his manuscripts, entitled "Ligne, surface, volume" (Line, surface, volume), never published but quoted in the work of Laure Guillier et al, Jean Burkhalter wrote "Art, taken in its most general sense, is a more or less cerebral game, but it is a game", and it is indeed on a large number of supports that he played. His works, most of which belong to private collections, are so numerous and varied (watercolors, red chalk, oils, etc.). Le port de Sormiou (Provence) was acquired by the State, 1932, initially registered at the Musée du Luxembourg, 1934, but currently unlocated.