Null Hiroshi Yoshida (Japanese, 1876-1950). Woodblock print on paper titled "Set…
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Hiroshi Yoshida (Japanese, 1876-1950). Woodblock print on paper titled "Seta Bridge" depicting a long bridge crossing a river, 1933. Pencil signed along the lower right; titled in print along the lower left. Jizuri seal along the left margin. Seal in plate along the lower right. Small paper label affixed to the verso reading: H. Takemura & Co., 45 Sanchome Bentendori, Yokohama, Japan. The jizuri "self-printed" seal indicates that the printing process was directly supervised by him and that he played an active role in the creation of this print. These seals were typically reserved for only the highest quality impressions as decided by Yoshida. One of the leading figures in the Japanese Shin-hanga movement, Hiroshi Yoshida was born in Fukuoka in 1876. In 1893, he moved to Kyoto and studied yoga and nihonga styles of painting and watercolors. It came only in middle age he started collaborating with the shin-hanga publisher Watanabe Shozaburo. Despite his late debut as a shin-hanga printmaker, he successfully put himself on the map as the greatest artist of the shin-hanga style and is especially noted for his excellent landscape prints. His prints are highly recognized in both Japan and overseas. Height: 11 1/4 in x width: 16 in.

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Hiroshi Yoshida (Japanese, 1876-1950). Woodblock print on paper titled "Seta Bridge" depicting a long bridge crossing a river, 1933. Pencil signed along the lower right; titled in print along the lower left. Jizuri seal along the left margin. Seal in plate along the lower right. Small paper label affixed to the verso reading: H. Takemura & Co., 45 Sanchome Bentendori, Yokohama, Japan. The jizuri "self-printed" seal indicates that the printing process was directly supervised by him and that he played an active role in the creation of this print. These seals were typically reserved for only the highest quality impressions as decided by Yoshida. One of the leading figures in the Japanese Shin-hanga movement, Hiroshi Yoshida was born in Fukuoka in 1876. In 1893, he moved to Kyoto and studied yoga and nihonga styles of painting and watercolors. It came only in middle age he started collaborating with the shin-hanga publisher Watanabe Shozaburo. Despite his late debut as a shin-hanga printmaker, he successfully put himself on the map as the greatest artist of the shin-hanga style and is especially noted for his excellent landscape prints. His prints are highly recognized in both Japan and overseas. Height: 11 1/4 in x width: 16 in.

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HIROSHI YOSHIDA: HIROSAKI CASTLE HIROSHI YOSHIDA: HIROSAKI CASTLE By Hiroshi Yoshida (1876-1950), signed Yoshida with seal Hiroshi Japan, dated 1935 Color woodblock print on paper. Vertical oban. Signed Yoshida with seal Hiroshi, further signed in pencil in Roman script to the outer-lower margin Hiroshi Yoshida, seal: jizuri (self-printed). Title Hirosaki Jo (Hirosaki Castle), from the series Sakura hachidai (Eight Views of Cherry Blossoms). Illustrating a view of Hirosaki castle, the seat of the Tsugaru clan, partially obstructed by the blooming cherry blossoms. SIZE of the sheet 40.6 x 27.5 cm Condition: Good condition with minor wear. Very good impression with vivid colors. Slight browning of paper and minor foxing. The jizuri seal is the most important mark on a Hiroshi Yoshida print as it helps distinguish an early edition where the printing process was directly supervised by him. Jizuri means "self-printed" and indicates that Hiroshi Yoshida played an active role in the printing process of the respective print. Hiroshi focused heavily on developing prints of the highest quality and normally only the prints with the best impressions received his jizuri seal. Hiroshi Yoshida (1876-1950) began his artistic training with his adoptive father in Kurume, Fukuoka prefecture. Around the age of twenty, he left Kurume to study with Soritsu Tamura in Kyoto, subsequently moving to Tokyo and the tutelage of Shotaro Koyama. Yoshida studied Western-style painting, winning many exhibition prizes, and making several trips to the United States, Europe and North Africa selling his watercolors and oil paintings. While highly successful as an oil painter and watercolor artist, Hiroshi Yoshida turned to woodblock printmaking upon learning of the Western world’s infatuation with ukiyo-e. While widely traveled and knowledgeable of Western aesthetics, he maintained an allegiance to traditional Japanese techniques and traditions. Museum comparison: A closely related print, also bearing the jizuri seal, is in the collection of Museum of Fine Arts, Boston, accession number 50.2501.