Erich ZIMMERMANN (1908-2007) 4x landscape watercolors, Hamme landscapes, all ger…

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Erich ZIMMERMANN (1908-2007) 4x landscape watercolors, Hamme landscapes, all ger/glass, 1x frame defective, RG ca. 30x37 cm

4004

Erich ZIMMERMANN (1908-2007) 4x landscape watercolors, Hamme landscapes, all ger/glass, 1x frame defective, RG ca. 30x37 cm

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Estim. 100 - 150 EUR

Three Indo-Persian miniature paintings 1st half of the 20th century, unsigned, mixed media or gouache on panel, partly gold-bronzed, including two multi-figure courtly scenes and a portrait of a pair of lovers in front of an idealised landscape, all mounted behind glass, one painting ground with break line, otherwise normal traces of age, dimensions max. 26 x 22 cm.

Estim. 180 - 270 EUR

Albin Schlehahn, Gehöft bei Plauen In the wintry Vogtland in the middle of fields a lonely farmstead, occasionally there is still snow, in the background the flat landscape stretches to the horizon, very beautifully set colour accents in subtle blue, mixed media over lead on cardboard, signed lower left "A. Schlehahn" and dated "25.3.[19]26", label of Plauener Kunst- und Rahmenhandlung "Erich Günther" on the reverse, small defect in the centre of the picture surface in the area of the sky, framed behind glass, dimensions approx. 33 x 49 cm. Artist info: German landscape and flower painter. Landscape and flower painter (1870 Eichigt to 1939 Jößnitz), childhood near Jößnitz, pupil at the Plauen art school and a private painting school in Munich, studied under Gabriel von Hackl at the Munich academy from 1899, travelled to Tyrol, wandered, together with Albin Enders, in the Black Forest and Franconian Switzerland, member of the "Malergruppe Vogtland", active in Plauen and Jößnitz, source: Thieme-Becker, Dressler, register of the Munich Academy and Frank Weiß "Malerei im Vogtland".

Starting price 1400 GBP

C. HAMMER (1779-1864), Arcadia is everywhere, 1855, Christian Gottlob Hammer (1779 Dresden - 1864 ibid.): Arcadia is everywhere, 1855, Pen drawing Technique: Pen drawing on Paper, mounted on Paper Date: 1855 Description: Christian Gottlob Hammer remained committed to his hometown of Dresden throughout his life. He had studied at the academy there from 1794, with Johann Philipp Veith in particular teaching him from 1798 and also introducing him to printmaking techniques. In 1816 he became a member of the academy himself and was finally appointed associate professor in 1829. His works were popular in wider circles beyond the narrower field of teaching. Johann Wolfgang Goethe, for example, appreciated him as a "skilful landscape draughtsman", visited him in his studio in 1810 and purchased some of his prints. Hammer's productivity was by no means limited to making drawings. Rather, he also developed an extensive printmaking activity, reproducing not only his own drawings but also designs by other artists. For the "Bilderchronik" of the Sächsischer Kunstverein, he created prints based on works by Johan Christian Dahl, Caspar David Friedrich and Ernst Ferdinand Oehme, among others. The prints, which are based on his own drawings, often show landscapes, particularly from Saxony, Silesia and northern Bohemia. For his 1855 drawing of a river-crossed landscape, which is closed off by mountain ranges in the background, Hammer orientated himself less on the environment he saw and more on ideal landscape concepts, such as those found among the Dresden artists of the late 18th century. In the age of realism and plein air, he has once again created a haunting memorial to the art of drawing of the past. The calm, southern atmosphere of the drawing is conveyed by the architecture in the centre ground as well as by the staffage. The herd of cattle being driven across the bridge by a shepherd, for example, is a common feature of Arcadian ideal landscapes. What is striking and lends the sheet a completely unique charm is the way in which the lines are drawn, which Hammer has modelled very strongly on the medium of graphic art. The present sheet lacks any spontaneous and impulsive strokes or any pentimenti that would suggest the artist's immediate creative power. The shadow and surface effects are also modelled more on the requirements of the burin than those of the pen. It is precisely for this reason that the beautiful drawing reveals the strict clarity of a copperplate engraving and thus expresses Hammer's talent for consciously utilising the effects of the respective medium in an outstanding manner. Keywords: Landscape, Picturesque, Dresden, 19th century, Romanticism, Landscape, Italy, Size: Paper: 32,9 cm x 28,6 cm (13 x 11,3 in) Condition: Rather good condition. Slightly stained in the margin

Estim. 600 - 800 EUR

Stained Glass Panel of an Architect Inspecting the Work of Masons. Low Countries, circa 1640 A.D. Ellipsoid panel with polychrome scene depicting a standing figure in doublet with broad collar, plain hose and wide-brimmed felt hat, holding a surveying staff and pointing towards a stone in preparation; mason to the rear wearing a soft felt cap with turned brim and with an apron on his waist, using a mallet and chisel to finish a stone block on a bench; second mason kneeling working on a fresh dressed stone with a mallet and bolster; chisels, square and other tools in the foreground, all set in a landscape with building under construction; cracked and repaired, in a lead came with loop to the upper edge. 271 grams, 26.7 cm (10 1/2 in.). Collection of Henry L Hotellier (1908-1993), and by descent until 2021. Encheres Cote d'Opal DeBacker Richmond, 22 May 2021, no.263 [Part]. [No Reserve]

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