CRUMB
Portfolio R Crum's Early Weirds Périod 1981-93
Published by Anagraph's, se…

Description

CRUMB Portfolio R Crum's Early Weirds Périod 1981-93 Published by Anagraph's, serigraphs printed in 200 numbered and signed copies Special version of 10 serigraphs collected in folios, 80 copies numbered and signed

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CRUMB Portfolio R Crum's Early Weirds Périod 1981-93 Published by Anagraph's, serigraphs printed in 200 numbered and signed copies Special version of 10 serigraphs collected in folios, 80 copies numbered and signed

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Estim. 400 - 600 EUR

20th century Belgian school. Prints, colored lithographs: "Bonjour Brel" portfolio illustrated with colored lithographs by Carcan, Folon, Landuyt, Mara and Somville, print justification 79/99. Preface by André Delvaux, cover relief by R. Moretti, edited by Paul Ide, Artide Gallery s.a. Brussels. Size: (portfolio) +/- 80x60 cm.

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WULLIAM & FARGE. La Décoration ancienne et moderne. Monthly publication. 96 plates per year. Paris, Librairie de la Construction Moderne, Aulanier & Cie, [1895-1899]. 5 folio years in ff. in 5 publisher's printed portfolios, half cloth with laces. Spines worn. 472 (of 480) monochrome plates of antique and modern (Art Nouveau) decoration (architecture, furniture, objects, sculptures, bindings, stained glass, etc.). Missing plates 40 to 43 and 90 to 93. Good overall condition (very few plates browned).

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Bram VAN VELDE (1895-1981) "Suites" n°1, October 1962 Album published by Galerie Krugier, Incomplete 32 x 24.5 cm (album closed) A portfolio of digigraphies by Rogen Ebihara (incomplete) is included.

Starting price 50 EUR

Pablo PICASSO (1881-1973) (after) The Strongest Man at the Circus, 1954 Heliogravure (Draeger workshop) Unsigned Dated and numbered on the plate On heavy paper 35.5 x 26.5 cm Second illustration on verso (see photos 4, 5, 6) Excellent condition INFORMATION: Published in the Verve portfolio no. 29-30: "La comédie humaine", featuring a series of drawings by Picasso produced between December 1953 and February 1954, during a period of intense creative activity. The subjects of the artist as an old man and the artist with his model are central to Picasso's staging of the "Comédie humaine", and echo his later stylistic preoccupations.

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