Null Renaissance balcony bench, Catalonia or Aragon. Spain, ca. 1600

Walnut and…
Description

Renaissance balcony bench, Catalonia or Aragon. Spain, ca. 1600 Walnut and boxwood. Bone inlay. Brass applications. Renaissance inlay decoration. It shows marks of use and wear. Leather handle with damage. Measurements: 130 x 140 x 60 cm. This Catalan-Aragonese bench-arch, dated around 1600, is decorated with a meticulous work of geometric marquetry, consisting of inlaying small plates of bone and other wood forming geometric motifs. This decoration has its roots in the Granada inlay, a block inlay of geometric motifs with Islamic roots. These inlays combine mainly bone and various woods, since these were the main materials for Hispano-Muslim furniture. Block inlay has its origins in Islamic Spain, and its technique consists of making a block by combining various woods to form a specific design, and then cutting sections that are inlaid into the furniture. In this way, mosaic plates or strips are obtained, like the ones we see here. Formally it is an ark raised on four claw feet, on which a wide skirt rests. Its front and sides are decorated with recessed square panels, alternating with molded surfaces with an architectural appearance. The chest remains closed, so it acts as a seat, and has a back with the same characteristics as the rest of the piece, culminating in a crest with a heraldic motif with the surname "Del Bosque". The chest was the most important container in Catalan houses since the 15th century. It was brought by the bride to the marriage, in fact, it was the patrimony that the bride's family gave to the groom. This was part of an exchange of wealth between the contracting families. Its ornamentation was a testimony of the social and economic level to which the new bride belonged.

99 

Renaissance balcony bench, Catalonia or Aragon. Spain, ca. 1600 Walnut and boxwood. Bone inlay. Brass applications. Renaissance inlay decoration. It shows marks of use and wear. Leather handle with damage. Measurements: 130 x 140 x 60 cm. This Catalan-Aragonese bench-arch, dated around 1600, is decorated with a meticulous work of geometric marquetry, consisting of inlaying small plates of bone and other wood forming geometric motifs. This decoration has its roots in the Granada inlay, a block inlay of geometric motifs with Islamic roots. These inlays combine mainly bone and various woods, since these were the main materials for Hispano-Muslim furniture. Block inlay has its origins in Islamic Spain, and its technique consists of making a block by combining various woods to form a specific design, and then cutting sections that are inlaid into the furniture. In this way, mosaic plates or strips are obtained, like the ones we see here. Formally it is an ark raised on four claw feet, on which a wide skirt rests. Its front and sides are decorated with recessed square panels, alternating with molded surfaces with an architectural appearance. The chest remains closed, so it acts as a seat, and has a back with the same characteristics as the rest of the piece, culminating in a crest with a heraldic motif with the surname "Del Bosque". The chest was the most important container in Catalan houses since the 15th century. It was brought by the bride to the marriage, in fact, it was the patrimony that the bride's family gave to the groom. This was part of an exchange of wealth between the contracting families. Its ornamentation was a testimony of the social and economic level to which the new bride belonged.

Auction is over for this lot. See the results

You may also like

JOSEP MARIA TAMBURINI DALMAU (Barcelona, 1856 - 1932). "Jesus infant", 1907. Oil on canvas. Signed in the upper right corner. Work published in "J.M. Tamburini", Jaume Soler. Caixa de Catalunya Foundation, 1989. Reproduced on page 75. Measurements: 125 x 182 cm; 130 x 187 cm (frame). Painter and art critic, and outstanding figure of the Catalan modernism, Tamburini initiated his formation in the School of La Lonja of Barcelona, to later complete his studies in Paris, with L. Bonnat, and Rome. He collaborated as a cartoonist, art critic and poet with the magazine "L'Avenç", one of the most outstanding artistic publications of Catalonia at the turn of the century. He also wrote for "La Vanguardia". As a painter, he began his career in history painting and anecdotal realism, to later evolve along the lines of symbolism, strongly influenced by English pre-Raphaelism. Recognition came in 1888, when he won a silver medal at the Universal Exposition in Barcelona. He continued to participate in official exhibitions in Barcelona and Madrid, and was again awarded at the Barcelona Exhibition in 1898, where he received the Queen Regent's Extraordinary Prize. In 1911 he received the Prize of the King and Queen of Spain. Already as a mature painter, he worked on placidly fantastic, detailed and precious themes, as well as religious themes and some portraits. He was also a member of the Board of Museums of Barcelona, advisor to the Academy of Fine Arts, professor at the School of La Lonja and co-founder of the Artistic and Literary Society of Catalonia (1911). He is represented in the MACBA, the National Museum of Art and the Library of Catalonia, the Royal Academy of Sant Jordi, the Casa Lis Museum in Salamanca and the Fine Arts Museums of Valencia and Seville, as well as in numerous private collections.