Null Mirco Marchelli
RELIGIOUS GARDEN, 2009
tempera, fabric, ceramic and wax app…

Description

Mirco Marchelli RELIGIOUS GARDEN, 2009 tempera, fabric, ceramic and wax applied on wood, cm 37x43x10 on the back: signature, title and date Exhibitions Mirco Marchelli. Aristocratic, GlobArt Gallery, Acqui Terme, October 24 - November 28, 2009, Galeria Miquel Alzueta, Barcelona, November 3 - December 11, 2009, ibid. p. 67

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Mirco Marchelli RELIGIOUS GARDEN, 2009 tempera, fabric, ceramic and wax applied on wood, cm 37x43x10 on the back: signature, title and date Exhibitions Mirco Marchelli. Aristocratic, GlobArt Gallery, Acqui Terme, October 24 - November 28, 2009, Galeria Miquel Alzueta, Barcelona, November 3 - December 11, 2009, ibid. p. 67

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Estim. 30 - 50 EUR

Lot comprising three tin boxes, a ceramic mug with hunters, a polychrome ceramic religious subject, a circular tin box and a wood and metal coat stand (39 x 29 cm).

Starting price 200 EUR

2 facsimile editions. 2 facsimile editions. Contains: Great Libraries of the World. Treasures of the J. Paul Getty Museum. 2009. with 10 facsimile plates. 48 x 34 cm. Each mounted under passepartout and loosely inserted in OLdr. cassette with mounted medallion. Medallion. One of 1995 copies. - Masterpieces of the world. Part 1. with 7 plates after works of art. 50 x 37.5 cm. The plates loosely inserted in cloth bag together with commentary in OLdr. cassette. - 1 facs. with production-related small defect to cover. Overall very well preserved, almost fresh copies. This work is taxed. There is a 23.95% surcharge on the hammer price and 7% (books) or 19% VAT on the final invoice amount in the European Union. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.

Starting price 3800 EUR

Castello, il Genovese, Giovanni BattistaThe Adoration of the Shepherds. Early 17th century. Tempera and gouache on vellum. 12 x 9 cm. Framed under glass in surrounding brocade border and gilt carved frame of the period (frame with defects). - Two short, inconspicuous tears lower right. Overall extremely well preserved. Early Art - Drawings Castello, il Genovese, Giovanni Battista The Adoration of the Shepherds. Early 17th century. Tempera and gouache on vellum. 12 x 9 cm. Framed under glass in surrounding brocade border and gilt carved frame of the period (frame with defects). - Two short, inconspicuous tears lower right. Overall extremely well preserved. Provenance: Claridge Gallery, London (label verso). - Wilhelm Hack Collection (1899-1985), Cologne. - Giovanni Battista Castello (1547-1637), known as "il Genovese" to distinguish him from his contemporary namesake, the architect and painter "il Bergamasco", began his career in the field of religious goldsmithing, but soon devoted himself entirely to miniature art, which he helped to achieve a level of success and popularization that it had not known since the Middle Ages. Following his teacher Luca Cambiaso, Castello was summoned to Spain by Philip II, where he illuminated an important antiphonary for the king in 1584. This commission brought him instant fame in his homeland. The present work was probably used by the Genoese patriciate for private worship. The Adoration of the Shepherds. Early 17th century. Tempera and gouache on vellum. Framed in brocade border and gilded carved frame of the period under glass (frame with defects). - Lower right with two short, inconspicuous tears. Overall extremely well preserved. - Provenance: Claridge Gallery, London (label verso). - Collection of Wilhelm Hack (1899-1985), Cologne. - Giovanni Battista Castello (1547-1637), known as "il Genovese" to distinguish him from his contemporary namesake, the architect and painter "il Bergamasco", began his career in the field of religious goldsmithing, but soon devoted himself entirely to miniature art, which he helped to achieve a success and popularization that had not been seen since the Middle Ages. Along with his teacher Luca Cambiaso, Castello was summoned to Spain by Philip II, where he illuminated an important antiphonary for the king in 1584. This commission brought him instant fame in his homeland. The present work was probably intended for the Genoese patriciate for private religious devotion. This work is taxed. A premium of 23.95% will be added to the hammer price and the final invoice amount will be subject to 7% (books) or 19% VAT in the European Union. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.

Estim. 10 - 15 EUR

Ceramics - ALBIS (Jean d') & ROMANET (Céleste). La Porcelaine de Limoges. Paris, Sous le vent, 1980. In-4, cloth boards, white title, color printed dust jacket. Small tears, wetness at bottom of first cover. Numerous illustrations and list of main marks in-fine. Interior in very good condition.

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