Null Enrico Sirello
MONOCHROMATIC, 2007
pigments on lipari pumice plaster on can…

Description

Enrico Sirello MONOCHROMATIC, 2007 pigments on lipari pumice plaster on canvas, cm 20x20 signature on the back: signature, title and date The work is accompanied by authentication of the artist on photograph

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Enrico Sirello MONOCHROMATIC, 2007 pigments on lipari pumice plaster on canvas, cm 20x20 signature on the back: signature, title and date The work is accompanied by authentication of the artist on photograph

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Starting price 1000 EUR

The Mainz Gospels. Facsimile of the manuscript Ms. 13 of the Aschaffenburg Court Library. 2 vols. (facs. and comm.). With numerous col. and gilt miniatures. Miniatures, illustrations and book decoration. Lucerne, Faksimile Verlag, 2007. folio and 4°. OLdr. with inlaid, silvered and partly gilt metal plate and OLwd. with gilt-stamped cover and spine title (without case). The Mainz Gospels. Facsimile of the manuscript Ms. 13 of the Aschaffenburg Court Library. 2 vols. (facs. and commentary). With numerous col. and gilt miniatures. Miniatures, illustrations and book decoration. Lucerne, Faksimile Verlag, 2007. folio and 4°. OLdr. with inlaid, silvered and partly gilt metal plate and OLwd. with gilt-stamped cover and spine title (without case). One of 980 numbered copies. - With the commentary volume by Harald Wolter von dem Knesebeck. The metal plate on the binding follows the model of the Preetz Gospels from the noble ladies' convent of Preetz near Kiel. - One of the masterpieces of German book art of the 13th century, the manuscript was a gift from Henry III to the canons of Speyer. The splendid script of the gospel book, designed in gold ink, was to serve Gutenberg as a model for his printing typeface. - A very good copy. Facsimile of the manuscript Ms. 13 of the Aschaffenburg Court Library. 2 vols. (Facs. and Comm.). With numerous colored and gilded miniatures, illustrations and book decorations. Orig. leather with inlaid, silvered and partly gilt metal plate and orig. cloth with gilt title on cover and spine (without cassette). - One of 980 numbered copies. - With the commentary volume by Harald Wolter von dem Knesebeck. The metal plate on the cover follows the model of the Preetz Gospels from the convent of Preetz near Kiel. - One of the masterpieces of 13th century German book art, the manuscript was a gift from Henry III to the canons of Speyer. The magnificent script of the Gospels, designed in gold ink, that was to serve Gutenberg as a model for his printed type. - Very good copy.

Starting price 200 EUR

Orr, James Lee Byars et al, EricZero Mass. The Art of Eric Orr. Multiple. With 1 original handmade object ("The Sphere of Generosity") of fired clay by Byars and numerous col. Lund, Anders Tornberg Gallery/ AB Propexus, 1990. 8°. 320 num. Orig. brushed blue steel (somewhat fingerstained) and the multiple in polystyrene box and cardboard slipcase with title. Orr, James Lee Byars et al, Eric Zero Mass. The Art of Eric Orr. Multiple. With 1 original handmade object ("The Sphere of Generosity") made of fired clay by Byars and numerous col. Lund, Anders Tornberg Gallery/ AB Propexus, 1990. 8°. 320 num. Orig. brushed blue steel (somewhat fingerstained) and the multiple in polystyrene box and cardboard slipcase with title. One of 1000 copies. - Schraenen, 25th - The set also contains 1 p. with a ring printed from the blood of Eric Orr ("The Matter of O"), 1 monochrome red sheet of paper handmade by Yoshio Ikezaki using mummy skulls and 1 sheet with a tear deliberately caused by the artists. - Very good condition. With 1 orig. handmade object of fired clay by Byars as well as numerous col. illustrations. Orig. steel faced book together with the multiple inside styrofoam package housed in card slipcase. - One of 1000 unnumbered and unsigned copies. The set also consists of a page with a ring printed with the blood of Orr via a rubber stamp, 1 monochromatic red paper leaf handmade by Yoshio Ikezaki using kozo fibers and a powdered mummy's skull and 1 blank leaf with a vertical tear, as specified by the artists. - Pages partly with finger prints due to pigments of blue printed flyleaves and edges. This work is taxed. The hammer price is subject to a 23.95% surcharge and the final invoice amount is subject to 7% (books) or 19% VAT in the European Union. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.

Estim. 2 500 - 3 000 EUR

Equipo Crónica (Valencia, 1964 - 1981). "Nude descending the stairs", 1971. Silkscreen on paper, H.C. copy. Signed and justified. Publisher Gustavo Gili, Barcelona. Measurements: 100 x 70 cm. To the mythical "Nude descending the stairs" by Duchamp, Equipo Crónica places a band on the chest where its colors show the Spanish flag. In addition, they dispense with the original background and introduce their own context showing a palatial interior. Equipo Crónica, or Crónicas de la Realidad, was a group of Spanish painters active between 1964 and 1981. It was founded by Manolo Valdés, Juan Antonio Toledo, who soon left the group, and Rafael Solbes, whose death in 1981 put an end to the project. The historian and critic Tomás Llorens was also a member of the group. He explains the theoretical basis of the Equipo in a text entitled "La distanciación de la Distanciación" (The Distancing of Distanciation). Likewise, the three painters signed a manifesto in 1965, where they defined themselves as a working group with collective methods and supra-individual goals. Equipo Crónica moved away from the prevailing informalism to cultivate a figurative painting, closely linked to pop-art. Fed up with introspection, these artists went out into the street and observed the world around them, a society of incipient industrialization and tourists. Their style involved a unique blend of realism, criticism, pop, pictorial quotations, anachronisms and bittersweet pastiches. The group produced paintings, sculptures and engravings, and used to work in series, which allowed them to analyze the same subject with different variations. Equipo Crónica starts from a very simple language, with monochrome and repeated images, very close to contemporary media, especially newspaper photographs. There are works by Equipo Crónica in the IVAM in Valencia, the Reina Sofía Museum in Madrid, the MACBA in Barcelona, the Juan March Foundation and the Patio Herreriano Museum in Valladolid, among others. In 2007 an exhibition dedicated to Equipo Crónica was organized at the Museo de Arte Abstracto in Cuenca.

Estim. 30 - 50 EUR

PILATTE, contemporary school. Compositions (Cité retrouvée) Mixed media, oil, gold pigments on plaster on canvas, 2010-2011-2012. One composition 60 x 60 cm, the other 5 30 x 30 cm

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