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Savu Petra Dan (Romania / Israel, 1903-1986) - Breastfeeding, Oil on Canvas, 1970. Savu Petra Dan (Romanian / Israeli, 1903-1986) - Breastfeeding, Oil on Canvas, 1970. Signed and dated. 60x50cm. Savu Petra Dan - a painter who survived the Holocaust in Bergen-Belsen. The Jew Savu Petra Dan was born in 1903 in Bucharest, Romania. From 1926 to 1933 he studied at the Art College of Bucharest. Some years later he was engaged by King Carol II of Romania as his court painter and was awarded with the prize of state of the Ministry of Education and Cultural Affairs of Romania. In 1961 he emigrated to Israel and in 1974 he moved to Germany where he died in 1986 (Frankfurt am Main). Savu Petra Dan preferred oil on canvas paintings which were expressive in his early years, later they became more abstract and even surrealist. He also created portraits and compositions of landscapes but many of his works testify to deep sufferings and feelings, to the human struggle of life and death. Due to his own very traumatic experiences during the Second World War in the concentration camp Bergen-Belsen Savu Petra Dan created a series of impressionistic paintings titled - behind the barbed wire, please, don’t crucify me anymore, survivors of the concentration camp, mass grave and dictator. These large scale oil-on-canvas paintings are his very personal witnesses of the Holocaust. Source: www.savupetradan.com

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Savu Petra Dan (Romania / Israel, 1903-1986) - Breastfeeding, Oil on Canvas, 1970. Savu Petra Dan (Romanian / Israeli, 1903-1986) - Breastfeeding, Oil on Canvas, 1970. Signed and dated. 60x50cm. Savu Petra Dan - a painter who survived the Holocaust in Bergen-Belsen. The Jew Savu Petra Dan was born in 1903 in Bucharest, Romania. From 1926 to 1933 he studied at the Art College of Bucharest. Some years later he was engaged by King Carol II of Romania as his court painter and was awarded with the prize of state of the Ministry of Education and Cultural Affairs of Romania. In 1961 he emigrated to Israel and in 1974 he moved to Germany where he died in 1986 (Frankfurt am Main). Savu Petra Dan preferred oil on canvas paintings which were expressive in his early years, later they became more abstract and even surrealist. He also created portraits and compositions of landscapes but many of his works testify to deep sufferings and feelings, to the human struggle of life and death. Due to his own very traumatic experiences during the Second World War in the concentration camp Bergen-Belsen Savu Petra Dan created a series of impressionistic paintings titled - behind the barbed wire, please, don’t crucify me anymore, survivors of the concentration camp, mass grave and dictator. These large scale oil-on-canvas paintings are his very personal witnesses of the Holocaust. Source: www.savupetradan.com

Estimate 250 - 500 USD
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For sale on Monday 22 Jul : 19:00 (IDT)
netanya, Israel
Pasarel Ltd.
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Set of 4 studies on Balzac: Jean Paris, Balzac. Paris, Balland, 1986, 356p, paperback. Léon Levrault, Le Roman (évolution du genre). Paris; Delaplane, sd, 118p, paperback. Ferdinand Brunetière, Honoré de Balzac. Nelson, 1907, 283p, half-basane with corners, spines rubbed. Joelle Gleize, Honoré de Balzac - bilan critique. Paris, Nathan, 1994, 128p, paperback. Set of 5 studies on Balzac, published by GIRB (Groupe International de Recherches Balzaciennes): Balzac et la crise des identités. Edited by Emmanuelle Cullmann, José-Louis Diaz, Boris Lyon-Caen. 2005, 197p. Balzac avant Balzac. Edited by Claire Barel-Moisan and José-Luis Diaz. 2006, 197p. Balzac et le politique. Edited by Boris Lyon-Caen and Marie-Ève Thérenty. 2007, 235p. Balzac, l'aventure analytique. Edited by Claire Barel-Moisan and Christèle Couleau. 2009, 272p. Thinking with Balzac. Edited by José-Luis Diza and Isabelle Tournier. 2003, 350p. Paperback set, soft covers. New condition. Set of 8 studies on Balzac: Olli Vâlikangas, Les termes d'appellation et d'interpellation dans la Comédie humaine d'Honoré de Balzac. Helsinki, Société néophilologique, 1965. Lucien Maury, Opinions sociales et politiques de Balzac. Paris, Stock, 1941. F Vial & L Denise, Idées et doctrines littéraires du XIXe. Paris, Delagrave, 1918. Comte de Gobineau, Etudes critiques (1841-1848). Paris, Kra, 1927. Exemplaire HC sur rives. Georges Grappe, Dans le jardin de Sainte-Beuve. Paris, Jonquière, 1929. N°115 on riverbanks. Ramon Fernandez, Balzac. Paris, Stock, 1943. Hélène Altszyler, La Genèse et le plan des caractères dans l'oeuvre de Balzac. Paris, Alcan, 1928. Andrew Oliver & Stéphane Vachon, Réflexions sur l'autoréflexivité balzacienne. Center d'études du XIXe siècle, 2002.

Lot of 20 studies on Balzac: Barbéris, Mythes balzaciens. Paris, Colin, 1972. Chul Lee, Les scènes de la vie de campagne d'Honoré de Balzac. ANRT diffusion, 1995. Noahisa Usa, La Madone dans l'oeuvre d'Honoré de Balzac. ANRT Diffusion, 1996. Baron, Balzac occulte. L'âge d'homme, 2012. With dispatch from the author. Boussel, Les restaurants dans la comédie humaine. La Tournelle, 1950. Gillot, Balzac d'après sa correspondance avec l'Etrangère. Grenoble, Aubert, 1924. Houssa, Balzac and Colette. Extract from Revue d'histoire littéraire de la France, 1960. La Rabouilleuse with a preface by Bouteron. Boivin, sd. Gadenne, Trois préfaces à Balzac. Le temps qu'il fait, 1992. On fine paper. Didi-Huberman, La peinture incarnée followed by Le chef-d'oeuvre inconnu. Editions de Minuit, 1985. Kempf, Balzac Baudelaire Barbey d'aurevilly - sur le dandysme. Collection 10/18 Honoré de Balzac - A Paris. Editions complexe, 1993. Preface by Caillois. Barthes, S/Z. Editions du Seuil. Savant, Le vrai Vidocq. Hachette, 1957. Le Père Goriot, text and contexts. Magnard, 1986. Brunetière, Honoré de Balzac. Sd (Nelson editions). Bozzi, Balzac et les médecins dans la Comédie humaine. 1932. Yücel, Figures and messages in La Comédie humaine. 1972. Vacarie, La vertueuse faillite de César Birotteau. 1928. Honoré de Balzac, literary criticism. 1912. Lot of 7 books: Balzac en sa Touraine. CLD Normand & Cie, 1975. Unique edition of 1,200 numbered copies, full publisher's cloth, dust jacket. René Guise, Balzac - 1 la société. Hatier, 1972. René Guise, Balzac - 2 l'individu. Hatier, 1973. Balzac, Une ténébreuse affaire. Presses pocket, 1993. Commentary by Gérard Gengembre. Balzac, monographie de la presse parisienne. Paris, Pauvert, 1965. Jean Forest, Des femmes de Balzac. Universités de Montréal et Sherbrooke, 1984. Honoré de Balzac, mémoire de la critique. Paris-Sorbonne, 1999. Prefaces and notes by Stéphane Vachon. Lot of 12 books: G Jacques, "Le doigt de Dieu" by Honoré de Balzac. Louvain, 1970. L Frary, Selon Balzac. Paris, Nilsson, sd [imp. Arrault à Tours]. Half-percaline. Kurt Sulger, La cousine Bette, essay on Honoré de Balzac. Zurich, Ruegg, 1940. Franco Simone, Un romanzo esemplare di Balzac: Les Paysans. Firenze, Olschki, 1956. N Bourgeois, Balzac peintre d'histoire et écrivain regionaliste. Paris, Bloud & Gay, 1925. P Louis, Les types sociaux chez Balzac et Zola. Paris, éditeurs associés, 1925. P Abraham, Créatures chez Balzac. Paris, NRF Gallimard, 1931. Ex press service. Notes on Le Père Goriot. Longman York Press, 1984. G Gengembre, Honoré de Balzac, Le Lys dans la vallée. PUF, 1994. E Deschanel, Le mal qu'on a dit des femmes. Paris, Levy, 1858. Half-percaline. Prophetic, picturesque and useful almanac (for 1842?). Copy incomplete of the first leaf. Contains "Balzac et la chiromancie" by Adolphe Desbarrolles. L'épée et la plume, exhibition at Château de Saché in 2004. Lot of 7 volumes: Balzac, Journaux à la mec. Introduction, notes and commentary by Louis Jaffard. Around Balzac's unknown masterpiece. Ecole nationale supérieure des arts décoratifs, 1985. Le Balzac de Rodin. Catalog of the Saché exhibition, 1999. Littérature et société, collection of studies in honor of Bernard Guyon. DDB, 1973. 6 studies on Balzac. Marc Blanchard, La campagne et ses habitants dans l'oeuvre de Balzac. Paris, Champion, 1931. Doctoral thesis. Envoi de l'auteur à "Miss Hollingworth". Histoire véritable de la bossue courageuse [Francis Lacassin]. Ecrits sur le roman, anthology.

Lot of 12 volumes: Serval, Autour d'un roman de Balzac: les Chouans. Paris, conard, 1921. Congrès de Nantes 1969 - Stendhal et Balzac - la province dans le roman. Nantes, 1972. Conference proceedings. Congrès de Nantes 1971 - Stendhal et Balzac - la province dans le roman. Nantes, 1978. Conference proceedings. Catalog des ouvrages de H de Balzac conservés au département des imprimés. 1901. La femme et l'amour. Paris, Plon, 1947. Baron, Balzac cinéaste. Klincksieck, 1990. Takayama, Les oeuvres romanesques avortées de Balzac. Tokyo, Keoi Institute, 1966. Genealogie des personnages de la Comédie humaine. Paris Musées. Very interesting set reproducing the characters' coats of arms. Balzac, les nouvelles en BD. Ed. Petit à petit 2008. Revue d'histoire littéraire de la France. Armand Collin, 1961, no. 1. Article "Balzac et la caricature". Guichardet, Balzac archéologue de Paris. Sedes, 1986. Tours dans l'oeuvre de Balzac. Published by the city of Tours, 1999. Sophie de Korwin-Piotrowska, Balzac in Poland. Photocopy of the 1933 edition. Set of 3 Génesis magazines with articles on Balzac. Editions Jean-Michel Place. Numbers 4 of 1994, 11 of 1997 and 13 of 1999. Very good condition. Batch of 16 studies on Balzac's work, photocopied, A4 format, hardback (the dates given are obviously those of the originals): Lucette Finas, La toise et le vertige (on Balzac's Fausse maîtresse). 1986 edition. Alphonse Boulé, Une préface de la comédie humaine. Hennuyer, 1973. Marcel Bouteron, Balzac et les frères de la Consolation. Firmin Didot, 1940. Marcel Bouteron, Balzac et le Faiseur. Booklet. Fréquence des mots dans le chef d'oeuvre inconnu de Balzac. Cedric-CNAM. Albert de Bersaucourt, Balzac et sa revue parisienne. Mercure de France, 1913. M-Bénédicte Diethelm, de l'Héritière de Birague à un début dans la vie: esquisse de la route. Typescript of an article. Georges Ascoli, Balzac romancier. 1939. Lovenjoul, Les avatars d'une oeuvre de Balzac. Revue retrospective, 1892. Raffaelel de Cesare, Balzac ed Eugénie Grandet - ricerche sulla genesi dell'opera. Milano, Giovani di Silvestri, 1953. Jules Janin, un grand homme de province à Paris par M de Balzac. Revue de Paris, article published in 1839. Charles Gould, The present state of Balzac studies. French studies, article from October 1958. WH Helm, Aspects of Balzac. London, Eveleigh Nash, 1905. Bernanrd Guyon, Balzac et le feuilleton des journaux politiques. Gambier, 1935. Henri Prior, Balzac à Turin. Offprint from the Revue de Paris, 1924. Marthe Spitzer, Les juifs de Balzac. French Institute of the University of Budapest, 1939. Interesting set of documents. Set of 8 volumes: Bertaut, Le père Goriot de Balzac. Amiens, Malfère, 1928 (2 copies). Büchsenschütz, Balzac im Spiegel seines Briefwechsels. Marburg 1934. Mornet, Balzac - Eugénie Grandet. Paris, Larousse [extract from Histoire des Grandes oeuvres du XIXe]. Ulrike Lange, Der Selbstmord in Honoré de Balzacs Comédie Humaiune. Bonn, 1995. Revue des sciences humaines, numéro Balzac, fascicule 57-58, 1950. M Serval, Autour de Balzac - César Birotteau. Paris, Colin, 1931. Paris Romantique - Panorama des grands boulevards. Paris, Hervas, 1989.

Mordechai Levanon (1901-1968) - Safed, Oil on Canvas. Mordechai Levanon (1901-1968) - Safed, Oil on Canvas. Signed. 68x46cm. Lebanon was born under the name of Mordechai Veis in a village near the city of Najvard in Transylvania , the Austro-Hungarian Empire (now Oradea, in Romania). He began studying painting while still in Romania with his older brother, who was also a painter. In 1921 he immigrated to the Land of Israel and joined the Histadrut. Studied for a few months at Bezalel. Until 1925 he worked as an agricultural laborer in the Labor Brigade in the Galilee colonies, and later as a construction worker. From 1925 to 1927 he studied at a painting studiowith the painter Yitzhak Frankel (Fernel), and lived in the Mahloll neighborhood in Tel Aviv. After that he left all work and devoted himself to painting. As the son of a rabbi in a town in Transylvania, he knew the Holy Land from the stories of the Bible, and when he arrived in Israel, his spiritual perception of the place merged with the physical landscapes. In 1929, he was part of the Messad group and participated in exhibitions of the artists of Palestine. In 1938, he settled in Jerusalem. 1963 opened a studio in Safed and since then divided his time between it and Jerusalem. Presented solo exhibitions and participated in group exhibitions in Israel and abroad. Winner of the Dizengoff Prize for 1940 and 1961. He was married to Rachel nee Goldfinger and had two sons and a daughter. Died in Jerusalem in 1968 after a long illness.