Null CHANEL
Petit portefeuille Cambon en agneau noir, doublure en agneau fuchsi…

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CHANEL Petit portefeuille Cambon en agneau noir, doublure en agneau fuchsia Présence de l'étiquette d'authenticité Bon état (quelque trace sur le cuir)

107 .1

CHANEL Petit portefeuille Cambon en agneau noir, doublure en agneau fuchsia Présence de l'étiquette d'authenticité Bon état (quelque trace sur le cuir)

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Estim. 1 200 - 1 300 EUR

CHANEL. Cambon bag. In quilted lambskin leather with beige matelassé finish and black leather details. CC logo on the front. Short non-adjustable double drawstring handles knotted at the base for shoulder bag. Black interior. With identification number. Presents marks of use. Measurements: 28 x 16 x 10 cm. The iconic "Cambon" model is available in several color combinations. Its functional and cosmopolitan design makes it a completely fashionable bag, capable of adapting to any day-to-day situation.

Estim. 160 - 220 EUR

2 Bottles NAVARRA COLECCION 125 RESERVA Year : 2000 Denomination : Bodegas Julian Chivite ------------------ 1 Bottle NAPA VALLEY PINOT NOIR Year : 1986 Appellation : Robert Mondavi Remarks : (e.t.h; c.l.s) ------------------ 1 Bottle SANCERRE White Year : 2000 Appellation : Vacheron Remarks : (light e.t.h to e.l.a) ------------------ 1 Bottle BONNEZEAUX Year : 1990 Appellation : Domaine des Petits Quarts Remarks : (light e.t.h) ------------------ 1 Bottle PULIGNY-MONTRACHET LES FOLATIERES (1° Cru) Year: 1984 Appellation : Domaine Charles Allexant et Fils Remarks : (e.t.a; clm.a; c.l.s)

Estim. 50 - 100 EUR

Lot of eleven sports-themed CARICATURES and ILLUSTRATIONS in ink and watercolor on paper, Football, Rugby, Athletics, Polo, Rowing, Golf, Boxing, some signed Hazan and stamped New Youth 26 rue Cambon, 1930s to 1950s. On à 50. On à 50. A black-and-white lithograph of Le marchand de fleurs signed Mario PEZILLA, circa 1900, the magazine Visages du monde n° 94 petits maîtres français du XIXe and a booklet on Camille RENAULT by Jean-Hugues SAINMONT, ed. Collège de Pataphysique 1928 (Stains).

Estim. 1 000 - 1 500 EUR

André MARE (Argentan 1885 - Paris 1932) The Sleeping Hunter, sketch Original oil on canvas 60 x 73 cm Stamped on the back Provenant de l'atelier André Mare Handwritten on the stretcher: André Mare - Sketch for the painting "Le Chasseur endormi" in the Musée du Petit Palais, Paris. Bibliography : Michel Charzat, La jeune peinture française 1910-1940, Une époque, un Art de vivre, Paris, Hazan, 2010, page 182, described and reproduced "People always talk about me as a decorator, but I'm first and foremost a painter": André Mar is indeed known as one of the main creators of Art Deco. Born in Argentan (Orne) in 1885, he studied with his school friend Fernand Léger at the Académie Julian. Mare became a bookbinder and interior decorator. His "Cubist House" caused a stir at the Salon d'Automne in 1912. After the Armistice, he and Louise Süe founded the Compagnie des Arts français (1919-1928), which created a "1925" style. But André Mare "had painting under his skin". He began exhibiting at the Indépendants in 1906. Influenced first by Impressionism, then by Fauvism, he joined Segonzac's Bande noire in 1910. Through contact with the painters of the Section d'Or, he turned to Cubism, which he chose to illustrate his Carnets de Guerre, an exceptional account of the lives of the Poilus. His sketches are similar to those of Léger, Dufresne and above all La Fresnaye (Le Sénégalais mort). In the aftermath of the war, he was obliged to subordinate his activity as a painter to that of a decorator. His pictorial art was henceforth inspired by decorative cubism (La Dactylo. Musée de Bernay), then evolved towards a personal style: portraits, horses, wet, green landscapes of his Normandy region. His palette was cold, using a range of greens and grays. Occasionally, the influence of his friend La Fresnaye reappears (Le Chasseur endormi, 1929). In 1928, he left the Compagnie des Arts Français to devote himself fully to painting (Galerie Druet exhibition, 1929). He died in 1932 as a result of gassing during the Great War. Some of his works can be seen in the museums of Bernay, Alençon and Troyes (Lévy collection). - Michel Charzat, La Jeune peinture française, 1910-1940 une époque, un art de vivre, Paris, Hazan, 2010

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