Null CARYBE (Hector Julio Paride BERNABO dit) (1911-1997): MUSICIANS AND DANCERS…

Description

CARYBE (Hector Julio Paride BERNABO dit) (1911-1997): MUSICIANS AND DANCERS - LANDSCAPE WITH PALM TREES. Two lithographs in black, signed in the plate lower right and dated 61. Sight: 51 x 35 cm. Folds, discoloration.

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CARYBE (Hector Julio Paride BERNABO dit) (1911-1997): MUSICIANS AND DANCERS - LANDSCAPE WITH PALM TREES. Two lithographs in black, signed in the plate lower right and dated 61. Sight: 51 x 35 cm. Folds, discoloration.

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Estim. 150 - 300 EUR

A collection of two classics on letterpress vignettes: 1. BOPPE (Auguste) and BONNET (Raoul): Les vignettes emblématiques sous la Révolution. 250 reproductions of letterheads. With the collaboration of M. Raoul Bonnet. Paris, Nancy, Berger-Levrault, 1911. One volume. 24.5 by 32 cm. VIII-181-(3) pages. Modern full cloth, black title page, cover preserved. Good condition, a few discreet scattered foxings. Sought-after first edition. Illustrated with 253 in-text figures. Edition of 500 copies. One of 480 copies on wove paper (N°76). 2. CHAMPFLEURY (Jules-François-Félix Husson, dit Fleury, dit): Les vignettes romantiques. Histoire de la littérature et de l'art 1825-1840. 150 vignettes. Célestin Nanteuil, Tony Johannot, Devéria, Jeanron, Edouard Nay, Jean Gigoux, Camille Rogier, Achille Allier. Suivi d'un catalog complet des romans, drames, poésies, ornés de vignettes, de 1825 à 1840. Paris, E. Dentu, 1883. One volume. 21.5 by 31 cm. 1 portrait of Champfleury, from the Galerie contemporaine, based on a Nadar photograph (photoglyptie), added at the beginning of the volume-VIII-438 pages + 14 uncensored leaves (Champfleury's artistic works) + 10 plates h.t. Full damask silk binding with flaps, basane title-piece on spine, cover boards preserved. Spine faded, scattered brown spots. Numerous in-text illustrations. First edition. "Limited edition". A vignette by T. Johannot is in double condition with a print on Chine.

Estim. 300 - 400 EUR

North America - CREVECOEUR (Michel Guillaume Jean de, dit J. Hector St John). Letters from an American farmer addressed to Wm. S... on Esq.r. from the year 1770 to 1786. Paris, Cuchet, 1787. 3 vol. in-8 marbled calf, ornate ribbed spine, title and greevel pages, red tr. (period binding). Rare edition, the most complete, of which the 3rd volume is almost entirely in the original edition. Illustrated with 3 title vignettes, 4 plates and 5 large folding maps. Spellings otherwise a fine copy. Originally from Normandy, Saint-John de Crèvecoeur (1735-1813) embarked for New France at the age of 20, where he served as a cartographer in Montcalm's army during the Seven Years' War. He traveled extensively, taking notes and working as a surveyor, before becoming a farmer, first in Ulster County and then in Orange County, New York, where he took citizenship and adopted the name "J. Hector St John". Leading a prosperous life on his farm, he began writing in 1770 about life in the American colonies and the emergence of an American society. The Revolution forced him to leave the country in 1780, and after a perilous 2-year journey (during which he published Letters from an American Farmer in London), he managed to return to France for a short time, returning to America in November 1783 as French consul. In 1784, he published this much expanded and more literary French edition of his Letters from an American Farmer.

Estim. 2 000 - 3 000 EUR

CHINA QING DYNASTY (1644-1911) Small bronze incense burner with "goldsplash" decoration Slightly flared tubular body, resting on three small feet and with two small handles. The whole imitates bamboo. H. 6.5 cm; D. 7.8 cm

Estim. 2 000 - 3 000 EUR

Joaquim Vicens Gironella (1911-1997) Les Anonymes circa 1960 Carved cork bas-relief monogrammed lower left 34 x 66 cm Provenance: > Galerie Objet Trouvé, Paris (acquired 2007) > Private collection, Paris This work is accompanied by a certificate of authenticity from Objet Trouvé Joaquim Vicens Gironella (Spanish) was born in Catalonia, near Gerona, into a family of artisan cork makers. He belongs to the historic circle of the first artists exhibited in 1948 by Jean Dubuffet in the Foyer de l'Art Brut (basement of the René Drouin gallery), along with Aloyse Corbaz, Adolf Wölfli, Jeanne Tripier... "The movement of his creations is signed d'Espagne: tempestuous dance, brutal veracity, tragic grotesqueness, respect for ugliness, philosophical and serious eroticism, blood and death" Jean Dubuffet in 1948 about the artist.

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