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Temple bell in bronze decorated with dragon figures, its support in c…
Description

CHINA Temple bell in bronze decorated with dragon figures, its support in carved and blackened wood decorated with flowers. Twentieth-century work. Dimensions: 25 x 23 x 10 cm Lots may be collected by appointment on July 25, 2024 (Métro: Sèvres-Lecourbe or Pasteur). [Free shopping until September].

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CHINA Temple bell in bronze decorated with dragon figures, its support in carved and blackened wood decorated with flowers. Twentieth-century work. Dimensions: 25 x 23 x 10 cm Lots may be collected by appointment on July 25, 2024 (Métro: Sèvres-Lecourbe or Pasteur). [Free shopping until September].

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A LARGE BRONZE BONSHO BELL FOR THE ENMEI-IN TEMPLE, DATED 1807 A LARGE BRONZE BONSHO BELL FOR THE ENMEI-IN TEMPLE, DATED 1807 Japan, dated 1807 Well cast in barrel form, decorated in high relief with horizontal and vertical lines, bands of bosses, and raised disks, surmounted by a twin dragon loop handle topped by a tama jewel. The side engraved with an inscription dating the bell to the 4 th year of Bunka (corresponding to 1807), naming the devotees who commissioned the bell, and identifying the temple for which it was made. HEIGHT 52 cm WEIGHT 18.6 kg Condition: Presenting very well, with wear, casting flaws, old repairs with remnants of soldering, and small losses near the handle. The earliest bells date to around 600 AD, although the general design is of much earlier Chinese origin and shares some of the features seen in ancient Chinese bells. Their penetrating and pervasive tone carries over considerable distances. The sound of the bell is thought to have supernatural properties. It is believed, for example, that it can be heard in the underworld. In Japanese ceremonies, hanging bells are used for signaling during the prayer and for calling Buddhists to worship. In China, similar bells were employed in ensembles, where they represented the yin, or "receptive" principle, and were sounded after the beat of a large drum (yang, or "creative" element). The bonsho incorporates many symbolic motifs found in the Far East. The suspension loop (ryuzo) is formed by two dragon heads and a flame; the upper third contains nipples (nyu), symbols of fertility; and the barren field below (ikenomachi) provides a place for poetry or iconography. The chrysanthemum, a symbol of longevity and happiness, forms the striking surface (shuza). The bonsho may occasionally be heard in the kabuki theatre's off-stage ensembles.