Ferdinand Alexander Porsche 'Butzi'
MIKADO FOR ARTEMIDE
pendant spotlight with m…
Description

Ferdinand Alexander Porsche 'Butzi' MIKADO FOR ARTEMIDE pendant spotlight with metal frame and adjustable end h cm 21 diam cm 12 present label with manufacturing and design indications we recommend its revision

78 

Ferdinand Alexander Porsche 'Butzi'

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Kunz Meyer-Waldeck, Mystisches Seeufer summer scene by a clear forest pond in a rocky landscape, in front of a cave on the shore a boyish faun gazes at the play of two mermaids in the deep emerald green lake, glazed, partly slightly impasto myth painting with very beautiful light and finely tuned colours, oil on canvas, c. 1900, signed and inscribed "Kunz Meyer München" at lower left, fragmentary label on the reverse of the stretcher with mostly illegible handwritten additions "... Establishment and dispatch centre for works of art ... Name of the artist Kunz Meyer ..." as well as the brand stamp "Gallerie [sic.] Arthur v. Franquet (mit Krone und steigendem Braunschweiger Löwen)", provenance: from the estate of the Brunswick manufacturer, art collector and patron Paul Friedrich Arthur von Franquet (1854 Brunswick to 1931 Brunswick), who was a friend of Edvard Munch, among others, and supported him with numerous purchases, minor craquelure, restored, framed in Art Nouveau gilt stucco moulding, folded dimensions approx. 88.5 x 61 cm. Artist information: actually Conradin Karl Ferdinand Meyer, called Kunz Meyer and signed as "Meyer-Waldeck" from 1914, Baltic German painter, illustrator, sculptor and pedagogue (1859 Mitau/Kurland until 1953 at Schloss Neuburg/Inn), childhood in St. Petersburg, 1874 moved to St. Petersburg, 1874 moved to Neuburg/Inn. Petersburg, moved to Heidelberg in 1874, later a pupil at Gotha grammar school until 1879, studied at the Munich Academy under Alexander Strähuber and Johann Leonhard Raab from 1879-87 and was a master student of Wilhelm von Lindenschmit the Younger, travelled through Italy in 1885-86, freelance in Munich from 1888, worked in Bremen from 1891-92, spent time in Portugal in the 1890s, director of the Texas Art League's art school in Dallas from 1908-10, returned to Germany in 1910 and was appointed royal professor, exhibited at the world exhibitions in Amsterdam and St. Louis as well as the 1888-1931 exhibitions in Amsterdam and St. Louis. Louis as well as the exhibitions in the Munich Glaspalast from 1888 to 1931 and the Great German Art Exhibition in the House of German Art in Munich in 1937, received various honours, such as the Munich Gold Medal in 1895, the bronze medal at the World Exhibition in St. Louis in 1904, the Bavarian Order of St. Michael 4th Class, the Bavarian Order of St. Michael 4th Class and the Bavarian Order of St. Michael 4th Class. Michaelsorden 4th class, the Knight's Cross 1st class of the Saxon Albrecht Order, the Knight's Cross of the Order of Orange-Nassau and in 1917 the Great Golden State Medal Salzburg, member of the Luitpold Group and the Munich Artists' Co-operative, active in Munich, sources: Thieme-Becker, Vollmer, Dressler, Boetticher, register of the Munich Academy, Bruckmann "Münchner Maler des 19./20. Jh.", Saur and Internet.

Emil Rau, Sommerabend auf der Alm Alm with green and blooming meadows and two huts, the light of the already low sun still bathes the mountain massif in the background in warm light, landscape study with concise brushstrokes in friendly colours, oil on canvas mounted on cardboard, around 1920, signed lower right "E. RAU" , retouches, frame of the time, folded dimensions approx. 50 x 64 cm. Artist information: actually Carl (Karl) Emil Rau, German illustrator, portrait and genre painter (1858 Dresden to 1937 Munich), initially to take over the family business of the Dresden "Lithographische Anstalt J.H.G. Rau und Sohn" and destined to become a lithographer, first artistic instructions from his father, the court lithographer Carl Emil Heinrich Rau, studied at the Dresden Academy from 1875-79 under Leon Pohle from 1877 and Ferdinand Wilhelm Pauwels from 1878279, from 1879 at the Munich Academy under Carl Theodor von Piloty, Wilhelm von Lindenschmit den Jüngeren and Alexander Wagner, worked freelance in Munich from 1883, influenced by the Defregger circle, worked as an illustrator for the magazines "Jugendlust", "Gartenlaube" and "Fliegende Blätter", member of the Münchner Künstlergenossenschaft, the "Gesellige Vereinigung bildender Künstler Münchens" and the Reichsverband Bildender Künstler Deutschlands, supplied the Munich Glaspalast, active in Munich, source: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", Dressler, student lists of the Dresden Academy, matriculation list of the Munich Academy, Bruckmann "Münchner Maler des 19./20. Jh.", Bénézit, Müller-Singer, Info Cornelia Oelwein and Werner Merkl as well as Internet.