Null Paolo Rizzatto
COSTANZINA FOR LUCEPLAN, 1992
abat-jour with metal structure…

Description

Paolo Rizzatto COSTANZINA FOR LUCEPLAN, 1992 abat-jour with metal structure and blue polycarbonate h cm 50 base 14x14 cm on the structure: engravings with indications on manufacture and design on the bottom engraved LUCEPLAN to be overhauled

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Paolo Rizzatto COSTANZINA FOR LUCEPLAN, 1992 abat-jour with metal structure and blue polycarbonate h cm 50 base 14x14 cm on the structure: engravings with indications on manufacture and design on the bottom engraved LUCEPLAN to be overhauled

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Estim. 160 - 240 EUR

Mersad Berber, portfolio "Sarajevo Poezija Grafika" elaborately designed portfolio with printed slipcase, including cover sheet, hand-signed offset print, twelve full-page colour silkscreens and 15 pages of designed text, published in an edition of 1.000 copies in 1973, number stamp "0072" on the inside of the portfolio, portfolio and sheets in very good condition, cardboard slipcase with minimal signs of wear, sheet dimensions approx. 51.5 x 38.5 cm. Artist info: Bosnian painter, graphic artist and carpet designer (1940 Bosanski Petrovac to 2012 Zagreb), 1941 family fled to Banja Luka, studied at the Academy of Fine Arts in Ljubljana under Riko Debenjak, 1961 first participation in the Ljubljana Arts Biennial, 1969 participation in the São Paulo Biennial, from 1979 lecturer at the Academy of Arts in Sarajevo, 1992 fled to Croatia due to the Yugoslavian war, source: Wikipedia.

Estim. 1 500 - 2 500 EUR

MOFEM Model: Abat-jour Years: 30 Case: chromed metal, marble base Dial: silvered, alarm hand Movement: manual mechanical Dimensions: 13 cm, height 28

Estim. 1 500 - 2 500 EUR

MOFEM Model: Abat-jour Years: 30 Case: chromed metal, marble base Dial: silvered, alarm hand Movement: manual mechanical Dimensions: 13 cm, height 28

Estim. 2 000 - 2 200 EUR

ANDREA BRANZI (Florence, 1938-Milan, 2023) for Zanotta. Niccola armchair, 1992. Steel structure. White leather and leather straps. Measurements: 103 x 56 x 81 cm. The uniqueness of the Niccola armchair undoubtedly lies in the light and volatile aspect of its structure. Its apparently cantilevered seat - supported by a slat at the lower front part - is supported laterally by the tubular steel structure, while the backrest, with its disparate geometric shapes, is inclined in kitsch style. A markedly curved structure crowns the seat in the manner of a crest. Andrea Branzi, architect and designer, graduated in Florence in 1967, lives and works in Milan. From 1964 to 1974 he was a partner of Archizoom Associati, protagonists of the Florentine radical movement, and one of the most respected voices of the radical architecture movement. A prominent member of the Alchimia studio, founded in 1976, from 1981 he participated in the experience of the Memphis group. In 1982, Branzi opened his own studio to dedicate himself to architecture, urban planning, interior design and industrial design. In 1983 he was one of the founders of the Domus Academy in Milan, the first international school specializing in industrial design, design management and fashion. Branzi has collaborated with several Italian architectural magazines, such as Interni, Domus, Casabella and MODO. In 1994 he received the ADI Compasso d'Oro Lifetime Achievement Award.

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