Daniel Arsham - Eroded DeLorean, 2021

Eroded DeLorean is an edition based on Ar…

Description

Daniel Arsham - Eroded DeLorean, 2021 Eroded DeLorean is an edition based on Arsham's 2018 lifescale sculpture of the 1981 DMC DELOREAN sports car. Featured in the cult-classic, Back to the Future film trilogy, this car's fantastical history melds with the eroded nature of the Future Relic Series. With gull-wing doors that open, the Eroded DeLorean can be displayed with the doors open or closed. Each edition is 31 cm in length and weighs 2.8 kg. Eroded DeLorean comes in Arsham studio designed housing with die-cut foam, sealing label, and a pair of white art handling gloves. This is an edition of 500 pieces, and each Eroded DeLorean includes an Arsham Editions holographic label verifying its edition number and authenticity.

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Daniel Arsham - Eroded DeLorean, 2021 Eroded DeLorean is an edition based on Arsham's 2018 lifescale sculpture of the 1981 DMC DELOREAN sports car. Featured in the cult-classic, Back to the Future film trilogy, this car's fantastical history melds with the eroded nature of the Future Relic Series. With gull-wing doors that open, the Eroded DeLorean can be displayed with the doors open or closed. Each edition is 31 cm in length and weighs 2.8 kg. Eroded DeLorean comes in Arsham studio designed housing with die-cut foam, sealing label, and a pair of white art handling gloves. This is an edition of 500 pieces, and each Eroded DeLorean includes an Arsham Editions holographic label verifying its edition number and authenticity.

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Music - international composers and musicians - Montserrat CABALLÉ (1933-2018), two signed photographs, one dedicated to Gérard Leman - Arthur RUBINSTEIN (1887-1882), two cards from his secretary refusing to send his photo, with autograph - Jordy SAVALL (1941-), montage card dedicated to Gérard Leman - Nelson FREIRE (1944-2021), one autographed photograph and one autographed montage card - John WILLIAMS (1932-), four signed photographs - Barbara STREISAND (1942-), one photograph signed - Mtsislav ROSTROPOVITCH (1927-2007), an Orchestre National de Lille program dedicated to Gérard Leman - Joaquín RODRIGO (1901-1999), four visiting cards with mailings; a small signed greetings card; catalog of Joaquín Rodrigo's works; a signed program - Maria João PIRES (1944-), one signed mounting card, with mailing; a handwritten letter from his secretary - Luciano PAVAROTTI (1935-2007), three signed montage cards; three signed photo cards, one of which is dedicated to Gérard Leman - Ennio MORRICONE (1928-2020), one photograph signed - Jonas KAUFMANN (1969-), three signed photo cards; one card sent by his secretary - Barbara HENDRICKS (1948-), one CD signed; three cards signed, including one dedicated to Gérard Leman; three photographs signed, including two dedicated to Gérard Leman - Renée FLEMING (1959-), three signed cards including two dedicated; three dedicated photographs; four typed letters from her secretariat - Claudio ABBADO (1933-2014), a signed photograph; a La Scala program dedicated to Gérard Leman - Daniel BARENBOIM (1942-), one signed photographic card; two signed La Scala programs - Pierre BOULEZ (1925-2016), a program from the 2004 Bayreuther Festspiele, signed - Plácido DOMINGO (1941-), three signed photographs and one signed card

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A Pende Axe (Adze / Sceptre) Ceremonial axe (sceptre) Pende / Mbuun / Mbala, DR Congo Ohne Sockel / without base Wood, iron. H 38,5 cm. Provenance: Gérald Minkoff (1937-2009) and Muriel Olesen (1948-2020), Geneva. Ceremonial weapons are characterized by careful manufacture and decorative design, e.g. the ornamentation with valuable materials such as copper, bronze, ivory or fur. Their original function is thus limited, so that their use as a weapon of war is no longer the main focus. Instead, they signaled the wearer's social status and power, making them more like cult, ceremonial, dignity and status weapons that were also used in barter. Further reading: Ethan Rider (2021). 100 African Blades from 55 Collections. San Francisco: J. M. Fogel Media. ----------------------------------------------------- Gérald Minkoff and Muriel Olesen Muriel Minkoff-Olesen (1948- 2020) completed her training at the School of Design in Geneva. Gérald Minkoff (1937-2009) was a trained anthropologist and biologist. Both achieved fame as artists and from their meeting in 1967, the emblematic couple of contemporary art were inseparable. The travel-loving Olesen-Minkoff duo explored life like curious nomads, roaming the globe from Africa to Asia, Oceania, America and Patagonia. As artists and experienced collectors of contemporary art, they understandably had a keen sensitivity to the aesthetics and concepts of non-European art. The couple's Geneva apartment, perhaps their most beautiful joint work, thus became a place where the works of close friends such as Daniel Spoerri, Arman and Man Ray, as well as their own photographs, lived together with almost a thousand objects from Africa, Oceania, Asia and South America. CHF 100 / 200 Weight in grams: 275 Condition: The condition of this lot (wear, signs of use, tears, any other detractions and the signs of age, etc. The condition of this lot (wear, tears, possible other impairments and signs of age, if applicable) can be seen in the photos we have uploaded for your documentation. Please do not hesitate to contact Hammer Auctions with any questions regarding this lot ([email protected]). The statements regarding the condition of the items made for the convenience of interested parties are opinions only and should not be treated as statements of fact. Hammer Auctions accepts no responsibility for any errors or omissions. In the rare event that the item does not match the description in the catalog, Hammer Auctions is here to help. Buyers may return the lot for a full refund provided Hammer Auctions has been notified within 5 days of receipt of the lot.

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