Theodoru & Kong Andri - "Klown" Kranyus

Vinyl Art Toy with 8 points of articula…

Description

Theodoru & Kong Andri - "Klown" Kranyus Vinyl Art Toy with 8 points of articulation Designed by Theodoru, customized by Kong Andri Publisher: Martian Toys Packaging: Window box Height: 20 cm Vinyl Art Toy featuring 8 points of articulation Designed by Theodoru, customized by Kong Andri Editor: Martian Toys Packaging : Window Box Height: 20 cm "Kranyus" was designed by Theodoru. Teo is an Illustrator, character designer and 3D artist living in Vienna, Austria. Teo manages to capture an aesthetic that is both reminiscent of early last century while the use of digital techniques breathes new life into our favorite phantoms of the past.

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Theodoru & Kong Andri - "Klown" Kranyus

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Estim. 6 000 - 8 000 EUR

INNER MONGOLIA, DOLONNOR 18th CENTURY Gilded bronze bust depicting a bodhisattva, possibly Maitreya, dressed in a monastic robe covering both shoulders, his torso adorned with numerous jewels enhanced by inlays of hard stones, his hair raised in a high knotted bun topped with a jewel. With metal base. H. 27 cm A statue of Tara with a bun of the same type and similar stylistic features sold by Christie's Hong-Kong, November 30, 2020, lot 3020. An 18th-century Vajrasattva statue with many similarities illustrated in the Himalayan Art Database Ressources database (no. 24194).

Estim. 5 000 - 6 000 EUR

Luohan head; China, Qing Dynasty, XVII-XVIII centuries. Sandstone. Work exhibited at Feriarte 2007. Presents certificate of purchase issued by Chine Gallery, Hong Kong. Measurements: 37 x 36 x 17,5 cm; 53 x 32 x 39 cm (with base). Head carved in sandstone representing joy. In traditional Buddhist belief, the luohan is a disciple who has attained enlightenment through intense personal effort. From the 9th century onward, the luohan cult and its depiction in art evolved mainly in the context of the Chan (Zen), or "meditation", sect of Buddhism. Under the Qing, inherited art forms flourished and innovations occurred at many levels and in many types. High levels of literacy, a successful publishing industry, thriving cities, and the Confucian emphasis on cultivation nurtured a lively and creative set of cultural fields. uring this period, the European tendency to imitate Chinese artistic traditions, known as chinoiserie, also gained great popularity in Europe due to increased trade with China and the broader current of Orientalism.

Estim. 2 000 - 4 000 EUR

SIMON BIRCH (BORN 1969): CITIES ON THE MOVE-I SIMON BIRCH (BORN 1969): CITIES ON THE MOVE-I Hong Kong, c. 2004. Oil on canvas. Expressively painted with a barefoot woman caught mid-stride, the shadows and colors rendered to enhance her toned body as she gracefully moves forward. Inscriptions: To the bottom-right signed, ‘Birch’. The reverse with an abstract seal. Provenance: Gajah Gallery, Singapore, 2004. Austrian private collection, acquired from the above. A copy of the certificate of authenticity, stating that Gajah Gallery sold the present lot on 4 August 2004, accompanies this lot. Condition: Very good condition with minor surface wear. Dimensions: Size 200.5 x 115 cm Simon Birch was born in Brighton, England in 1969, and has lived and worked in Hong Kong for over twenty years. Birch has won the 2007 Louis Vuitton Asian Art award and is represented internationally by London gallery, Ben Brown Fine Arts. His work has been featured and reviewed in many international publications, including Artforum, The Guardian, The International Herald Tribune, Time Out and the New York Times. Birch has had solo exhibitions in Beijing, Miami, and Singapore and has participated in group shows at the Hong Kong Museum of Art and the Museum of Contemporary Art, Tokyo, and has been included in the Los Angeles Museum of Contemporary Art’s (LACMA) permanent collection. Auction result comparison: Type: Closely related Auction: Sotheby’s Hong Kong, 22 December 2021, lot 18 Price: HKD 138,600 or approx. EUR 17,500 converted and adjusted for inflation at the time of writing Description: Simon Birch, Untitled Expert remark: Note the size (216 x 174.8 cm).

Estim. 300 - 600 EUR

A CIZHOU TIGER-FORM STONEWARE PILLOW A CIZHOU TIGER-FORM STONEWARE PILLOW China, style of the Jin dynasty (1125-1234), but dating to the Qing dynasty (1644-1912). Finely modeled with its head resting upon the front paws and painted with bold brown stripes over a biscuit glaze covering the body, with a broad head, short ears, wide snout, and mouth slightly ajar, the limbs tucked below the body, the tail wrapped around the launches. The underside unglazed. Provenance: The collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. István Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe. Condition: Very good condition with minor wear, light surface scratches, few tiny nicks, and firing flaws including uneven glazing. Literature comparison: Full-sized tiger-shaped pillows include one illustrated in Song Ceramics, The Muwen Tang Collection Series, Hong Kong, 2012, pp.428-429, no.179; another exhibited at the Hong Kong Museum of Art, illustrated in Song Ceramics from the Kwan Collection, Hong Kong, 1994, pp.362-363, no.163. Weight: 3,084 g Dimensions: Length 36.3 cm Auction result comparison: Compare a related 'Cizhou' tiger-form pillow, dated to the Jin dynasty, at Sotheby’s, Inspired: Chinese Art From The Collection Of Gerson And Judith Leiber, 20 March 2018, New York, lot 446 (sold for USD 7,500).

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