Null Aiiroh - Enjoy, 2018

Spray, stencil, acrylic, resin & collage on Dibond. U…
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Aiiroh - Enjoy, 2018 Spray, stencil, acrylic, resin & collage on Dibond. Unique artwork, hand signed by the artist, comes with COA. Very good condition, 150 x 200 cm Spray, stencil, acrylic, resin & collage on Dibond. Unique artwork, hand signed by the artist, comes with COA. Very good condition, 150 x 200 cm

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Aiiroh - Enjoy, 2018 Spray, stencil, acrylic, resin & collage on Dibond. Unique artwork, hand signed by the artist, comes with COA. Very good condition, 150 x 200 cm Spray, stencil, acrylic, resin & collage on Dibond. Unique artwork, hand signed by the artist, comes with COA. Very good condition, 150 x 200 cm

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JAUME PLENSA (Barcelona, 1955). "Twins", 2018. Etching in aquatint. Signed. Measurements: 100 x 71 cm; 113 x 83 cm (frame). Jaume Plensa studied at the Escuela de La Llotja and the Superior de Bellas Artes de Sant Jordi, both in Barcelona. He excelled in sculpture, drawing and engraving. His work focuses on the relationship between man and his environment, often questioning the role of art in society and the position of the artist. He currently lives in Paris, and has recently been awarded an honorary doctorate degree by the School of the Art Institute of Chicago. Plensa began his career working with wrought iron mixed with polyester. Between 1983 and 1984 he began to mold iron with the casting technique, and developed a sculptural concept based on zoomorphic elements. His work evolved gradually, and he is now considered a precursor of Spanish neo-expressionism. In the nineties he introduced modifications in his work, both materially and formally, and began to use different materials such as scrap metal, polyester and resins. During these years he elaborated series of walls, doors and architectural constructions, seeking to give space an absolute protagonism. Between 1999 and 2003 Plensa became one of the pillars of world scenography, reinterpreting with "La Fura dels Baus" four classical operas by Falla, Debussy, Berlioz and Mozart, and alone a contemporary theatrical production, "La pareti della solitudine", by Ben Jelloun. He has had solo and group exhibitions all over the world, including a retrospective at the Museo Nacional Centro de Arte Reina Sofía in 2000. In June 2008 he inaugurated in London, at the BBC headquarters, his work "Breathing", a monument dedicated to journalists killed in the exercise of their profession. Throughout his career he has received numerous distinctions, such as the Medal of the Knights of Arts and Letters in 1993, awarded by the French Ministry of Culture or the National Prize for Plastic Arts in 1997, from the Generalitat of Catalonia. Considered one of the leading representatives of the new Spanish art of expressionist tendency, his work is present in the best national and international galleries and art fairs, as well as in the main museums of Europe and the United States, such as the MOMA in New York, the Kemper in Kansas, the Museo Patio Herreriano in Valladolid, the Palazzo Forti in Verona, the MACBA or the Museo Reina Sofía in Madrid.

"VILLASIERRA" MARIO VILLARROEL (Venezuela, 1970). "Fragile-yellow series", 2021. Resin. Signed on the metal base. Measurements: 70 x 24 x 28 cm. About this work the author commented "2020 was the year in which we broke, life changed us. This new series of works, "Fragile" show the scars that the pandemic has left on us. But at the same time they reflect how we have been able to put ourselves back together, to transform ourselves and become better human beings. These violins are different, stronger, better and each one of them is a unique piece of art" . Villasierra is the archetypal case of a self-taught artist who explored other fields before devoting himself to art full time. A lawyer by training, he also ventured into the world of motorcycles, making and customizing them, which became a new field of work where he explored his creativity and fostered his interest in mechanisms beyond their primary function. His artistic production began in the 1990s and since then he has produced a considerable body of work. Some of it demonstrates his interest in recycling, in giving a second chance and function to discarded objects. With this idea in mind, she goes on excursions to antique markets and accumulates an unimaginable treasure trove. From this approach and his love for music, musical instruments found a place in his work. A good example is one of his most acclaimed series, The Second Life, which he developed mainly between 2016-2018. Among the instruments used in this series are violins. Villasierra explained that the first was inspired by a political act of resistance in his native country. In 2017, a young violinist, Wuilly Arteaga, confronted the Venezuelan army, alone with his violin, during a revolt. This act of bravery moved Villasierra, who took an old violin and painted it in the colors of the flag as a tribute to the musician's bravery and as a wake-up call to what was happening in his country. To create these works he visits the music departments of public art schools and takes the discarded violins in exchange for new ones that he buys and donates to the schools. Thus, the old ones become part of his work, while the new ones he replaces in the hands of the children.

"VILLASIERRA" MARIO VILLARROEL (Venezuela, 1970). "Lacerations", 2023. Mixed media (resin, marble dust and oil) on canvas. Framed with museum glass. Signed and dated in the lower right corner. Measurements: 150 x 110 cm; 175 x 135 cm (frame). Villasierra is the archetypal case of a self-taught artist who explored other fields before devoting himself to art full time. A lawyer by training, he also ventured into the world of motorcycles, making and customizing them, which became a new field of work where he explored his creativity and fostered his interest in mechanisms beyond their primary function. His artistic production began in the 1990s and since then he has produced a considerable body of work. Some of it demonstrates his interest in recycling, in giving a second chance and function to discarded objects. With this idea in mind, she goes on excursions to antique markets and accumulates an unimaginable treasure trove. From this approach and his love for music, musical instruments found a place in his work. A good example is one of his most acclaimed series, The Second Life, which he developed mainly between 2016-2018. Among the instruments used in this series are violins. Villasierra explained that the first was inspired by a political act of resistance in his native country. In 2017, a young violinist, Wuilly Arteaga, confronted the Venezuelan army, alone with his violin, during a revolt. This act of bravery moved Villasierra, who took an old violin and painted it in the colors of the flag as a tribute to the musician's bravery and as a wake-up call to what was happening in his country. To create these works he visits the music departments of public art schools and takes the discarded violins in exchange for new ones that he buys and donates to the schools. Thus, the old ones become part of his work, while the new ones he replaces in the hands of the children.