Null Sol LeWitt - Composition, 1997

Portfolio of 12 original color lithographs …

Description

Sol LeWitt - Composition, 1997 Portfolio of 12 original color lithographs on wove paper Hand-signed by the artist and numbered on the colophon Limited edition of 70, 1997 Very good condition 27.9 x 27.7 cm Set of 12 original color lithographs on wove paper Hand-signed by artist and numbered on colophon Limited edition of 70 ex, 1997 Very good condition 27,9 x 27,7 cm

65

Online

Sol LeWitt - Composition, 1997 Portfolio of 12 original color lithographs on wove paper Hand-signed by the artist and numbered on the colophon Limited edition of 70, 1997 Very good condition 27.9 x 27.7 cm Set of 12 original color lithographs on wove paper Hand-signed by artist and numbered on colophon Limited edition of 70 ex, 1997 Very good condition 27,9 x 27,7 cm

Auction is over for this lot. See the results

You may also like

Estim. 400 - 600 EUR

École belge 20e. Estampes, lithographies en couleurs: portfolio "Bonjour Brel" illustré par des lithographies en couleurs de Carcan, Folon, Landuyt, Mara et Somville, justification de tirage 79/99. Préface d'André Delvaux, relief de couverture de R. Moretti, édité par Paul Ide, Artide Gallery s.a. Bruxelles. Dim.: (portfolio) +/- 80x60 cm.

Estim. 150 - 200 EUR

Victor VASARELY (1906-1997). "Composition géométrique", lithograph, signed in pencil and dated 57 lower right, numbered 13/150 lower left (64 x 45 cm à vue)

Estim. 100 - 200 EUR

12 bottles CHÂTEAU MONTUS Cuvée Prestige Madiran 1997 75cl CBO

Estim. 7 000 - 8 000 EUR

SOL LEWITT (Connecticut, 1928 - New York, 2007). "Not straight lines", 2003. Set of 6 etchings, issue 19/20. Hand signed and numbered by the artist. Measurements: 25 x 25 cm (u.c.); 41 x 41 cm (frames). In the "Not Straight Lines" series, LeWitt develops parallel irregular lines that play with the ambiguity between improvisation and meticulous study of patterns. Using minimalist techniques, LeWitt creates compositions that may appear simple at first glance, but reveal a complexity in the interplay of forms and spaces. LeWitt dedicated his entire oeuvre to delving conceptually and graphically into the exploration of patterns and systems through geometry and repetition. The broken lines convey a sense of fluidity and energy that we visually associate with the pulse of the hand and the emotions involved in creation. These lines thus become a kind of seismograph, a device metaphorically associated with creative intuition. An artist linked to several movements, among them conceptual art and minimal, Sol LeWitt expressed himself mainly through painting, drawing, photography and structures. Born into a Jewish family of Russian immigrants, after receiving a BFA from Syracuse University in 1949 he began a series of trips around Europe, where he was influenced by the great masters of painting. Settling in New York in the fifties, he focused his interest on graphic design, working for Seventeen Magazine. During the following decade the artist worked at the MoMA in New York, another experience that would mark the development of his work. During these years, LeWitt became one of the main representatives of conceptual art, which emphasizes that the idea, and not its physical form, is fundamental. He was one of the pioneers of this movement, as well as one of its most prominent theoreticians, and his work has also been related to minimalism. From 1965 LeWitt will be the subject of hundreds of solo exhibitions in museums and galleries around the world. His works include two- and three-dimensional works, from wall paintings (more than 1,200) to photographs, drawings and sculptures of all kinds, including towers, pyramids, geometric forms and progressions. Sol LeWitt frequently used open, modular structures based on the cube, a key form in the development of his language. In 1978, the Museum of Modern Art in New York dedicated his first retrospective exhibition to him. LeWitt is currently represented in that museum, as well as in the Guggenheim in New York and Bilbao, the Kunstmuseum in Basel, the Palazzo Forti in Verona, the SMAK in Ghent, the Tate Gallery in London, the Hirshhorn Museum and Sculpture Garden and the National Gallery in Washington, the Metropolitan in New York and the National Gallery of Australia, among many others.

Online payments are secured by Ingenico and encrypted transactions.

Each lot has been authenticated and appraised by an Auction House.

Consult our FAQ or contact us

Composed of several subsidiaries, the Drouot Group is a major player in the art market. Hôtel Drouot, located in the heart of Paris, has been the world's largest public auction center since 1852. 15 salerooms are available to more than 70 auction houses. The emulation generated by an annual offer of 230,000 artworks from 21 major specialities - from Antiquity to street art - attracts some 3,000 visitors every day. The Group's digital platform, Drouot.com, offers digital sales - Live auctions (live broadcasting and participation in auctions), Online-only auctions (dematerialised auctions) and Buy Now sales (sales of lots at fixed prices). Nearly 2 million items are offered annually by 600 auction houses. Auction news is reported every week in La Gazette Drouot, the leading weekly magazine for the art market and culture published by Auctionspress.

More about Drouot

Drouot certified auction houses

Contacts

HÔTEL DROUOT

9, rue Drouot 75009 Paris, France

+33 (0)1 48 00 20 00

[email protected]

DROUOT.com

[email protected]