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Domingo Martínez Aparici (Valencia, 1822-Madrid, 1892) and French School, 19th century. The Supper at Emmaus and The coin of 100 florins or Christ preaching. Pair of etchings on paper. One after the work by Titian Vecellio di Gregorio (Pieve di Cadore, Italy, 1490-Venice, Italy, 1576) in c.1530 and preserved in the National Gallery, London, UK. Another after engraving by Rembrandt Harmensz Van Rijn (Leyde, 1606-Amsterdam, 1669) in c.1646-1650, preserved in the Rijkmuseum, Amsterdam, Netherlands. 47 x 60 cm. and 31 x 42 cm.

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Domingo Martínez Aparici (Valencia, 1822-Madrid, 1892) and French School, 19th century. The Supper at Emmaus and The coin of 100 florins or Christ preaching. Pair of etchings on paper. One after the work by Titian Vecellio di Gregorio (Pieve di Cadore, Italy, 1490-Venice, Italy, 1576) in c.1530 and preserved in the National Gallery, London, UK. Another after engraving by Rembrandt Harmensz Van Rijn (Leyde, 1606-Amsterdam, 1669) in c.1646-1650, preserved in the Rijkmuseum, Amsterdam, Netherlands. 47 x 60 cm. and 31 x 42 cm.

Estimate 220 - 280 EUR

Starting price 100 EUR

* Not including buyer’s premium.
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Sale fees: 23 %

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For sale on Thursday 18 Jul : 16:30 (CEST)

barcelona, Spain

Lamas Bolano Subastas
+34934151766

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ROBERTO DOMINGO FALLOLA (Paris, 1883 - Madrid, 1956). "At the racecourse in Paris". Oil on paper. Signed and located in the lower right corner. The frame has slight flaws. Measurements: 23 x 31 cm; 48 x 57 cm (frame). Domingo began his artistic training in Paris with his father, the painter Francisco Domingo Marqués. There he also knew first hand the French impressionism. In 1906 he moved to Madrid and entered the San Fernando Academy of Fine Arts, where he was a disciple of Antonio Muñoz Degraín. He took part in national and foreign exhibitions, obtaining the third medal in the National Exhibition of Fine Arts in 1908, second in the 1910 edition and first in 1915. In 1911 he had a solo exhibition in Rome, at the Fine Arts Pavilion. He also showed his work continuously in several Spanish and London galleries, such as Baillie and Tooth. A costumbrist painter, he specialized in bullfighting themes, which brought him great fame and prestige. His work is characterized by the expressiveness of the stain and the stroke, capturing the reality through a sensitivity that connects with the tradition of Goya, Lucas and Alenza. The spontaneity, fluidity and dynamism of his work is largely due to his ability to memorize reality in his retina and then transfer it to the painting with his own nuance, simplifying the lines and diluting the colors. This vibrant emotion was also appreciated by great international artists of the time, such as John Singer Sargent and Gerald Kelly, who were among his clients. Roberto Domingo is represented in the Prado Museum, the Fine Arts Museum of Granada, the Provincial Museum of Cadiz, the Municipal Museum of Madrid, the Bullfighting Museum of Las Ventas in Madrid, La Maestranza in Seville, Valencia and Viana de Cega (Valladolid), the Drawing Museum of Castillo de Larrés (Huesca) and the Havana and Hemingway Museums of Cuba, among many others.

Lot 91

Estim. 200 - 300 EUR

ROBERTO DOMINGO FALLOLA (Paris, 1883 - Madrid, 1956). "Racing day in Paris", 1909. Ink on paper. Signed, dated and placed in the lower corner. It has some flaws in the paper and in the frame. Measurements: 22 x 26 cm; 36 x 39 cm (frame). Domingo began his artistic training in Paris with his father, the painter Francisco Domingo Marqués. There he also got to know first hand the French impressionism. In 1906 he moved to Madrid and entered the San Fernando Academy of Fine Arts, where he was a disciple of Antonio Muñoz Degraín. He took part in national and foreign exhibitions, obtaining the third medal in the National Exhibition of Fine Arts in 1908, second in the 1910 edition and first in 1915. In 1911 he had a solo exhibition in Rome, at the Fine Arts Pavilion. He also showed his work continuously in several Spanish and London galleries, such as Baillie and Tooth. A costumbrist painter, he specialized in bullfighting themes, which brought him great fame and prestige. His work is characterized by the expressiveness of the stain and the stroke, capturing the reality through a sensitivity that connects with the tradition of Goya, Lucas and Alenza. The spontaneity, fluidity and dynamism of his work is largely due to his ability to memorize reality in his retina and then transfer it to the painting with his own nuance, simplifying the lines and diluting the colors. This vibrant emotion was also appreciated by great international artists of the time, such as John Singer Sargent and Gerald Kelly, who were among his clients. Roberto Domingo is represented in the Prado Museum, the Fine Arts Museum of Granada, the Provincial Museum of Cadiz, the Municipal Museum of Madrid, the Bullfighting Museum of Las Ventas in Madrid, La Maestranza in Seville, Valencia and Viana de Cega (Valladolid), the Drawing Museum of Castillo de Larrés (Huesca) and the Havana and Hemingway Museums of Cuba, among many others.

Lot 387

Estim. 3 000 - 3 500 EUR

Valencian School of the 19th century, circle of Sorolla y Bastida, Joaquín (Valencia, 1863-Madrid, 1923), Christ with Mary Magdalene and Mary, Valencian school of the 19th century Oil on panel from the 19th century. Measurements: 81 x 65 cm. Framed: 112 x 95 cm. Origin: Valencian private collection.

Lot 3094

Estim. 750 - 850 EUR

Attributed to Antonio Pérez Rubio (Navalcarnero, 1822-Madrid, 1888) The adventures of Don Quixote and Sancho Panza. Oil on canvas. 33 x 45 cm.

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