Null Joan Martí Aragonés (Barcelona, 1936-Sant Cugat del Vallès, Barcelona, 2009…
Description

Joan Martí Aragonés (Barcelona, 1936-Sant Cugat del Vallès, Barcelona, 2009) Sketch of H.M. Juan Carlos on board the Bribón. Color pencil drawing on paper. Signed, titled and dated 1990. 50 x 40 cm.

3204 

Joan Martí Aragonés (Barcelona, 1936-Sant Cugat del Vallès, Barcelona, 2009) Sketch of H.M. Juan Carlos on board the Bribón. Color pencil drawing on paper. Signed, titled and dated 1990. 50 x 40 cm.

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FRANCESC SERRA CASTELLET (Barcelona, 1912 - Tossa, Girona, 1976). "Female nude". Oil on tablex. Presents sketch on the back. Signed in the lower right corner. Measurements: 60 x 83 cm; 74 x 97 cm (frame). Painter and draftsman, Francesc Serra spent his youth in Granollers, Barcelona. Although he passed fleetingly through the School of La Lonja in Barcelona, he is basically a self-taught author. He had his first exhibition in 1932, at the Sala Parés in Barcelona, and participated in the Salones de Primavera between 1934 and 1936. In 1936 and 1937 he was a special guest of the Carnegie Institute of Pittsburgh, United States. He continued to hold individual exhibitions in Barcelona, mainly at the Sala Gaspar. A great admirer of Degas, he was especially influenced by his favorite theme, the feminine. Sporadically he also tackled other themes, such as the urban landscape, of which the series of Paris, presented in 1951, is worth mentioning. Likewise, with his portraits of the lead mine he approached the sensitive realism of Ingres. He won several awards, including the Sant Jordi of Barcelona (1953) and the first medals at the National Exhibitions of Madrid (1957) and Barcelona (1960). He collected several unpublished drawings under the title "Dibujos de Serra" (1973), with a prologue by Santos Torroella. Determined defender of realism in art and of traditional figuration against the avant-garde, he published the essay "La aventura del arte contemporáneo" (1953), with a prologue by Rafael Benet. He is represented in the Museums of Modern Art of Madrid and Barcelona and in the Museums of Fine Arts of l'Empordà and Sabadell.

MARTÍ LLAURADÓ MARISCOT (Barcelona, 1903 - 1957). "Girl sleeping". Stone sculpture of Montjuïc. Signed on the left side. Presents marks of use and wear; some chipping. Measurements: 30 x 110 x 45 cm. The sleeping young woman is represented in this sculpture with a veristic intention, seeking in her the beauty that is born not from perfection but from the singularity and fragility of the body at rest. This is a work of quality by Martí Llauradó Mariscot, made with Montjuïc stone, a compact and resistant stone from the mountain of the same name, which has been used over the centuries in important sculptures and constructions in the city of Barcelona, including part of Gaudí's work. The sculptor Martí Llauradó worked during his youth with Joan Borrell and Joan Rebull, from whom he received important influences. In 1929 he made his debut with his first individual exhibition in Barcelona, together with Joan Commeleran. From then on he continued exhibiting his work and taking part in contests, and in 1933 he was awarded in the Exhibition of the Nude of the Artistic Circle of Barcelona. The following year he obtained the first medal at the National Exhibition of Fine Arts in Madrid. In the post-war period he obtained other important awards in cities such as Seville (for religious art), Madrid and Barcelona, and was invited to participate in two editions of the Venice Biennale. Llauradó was a leading figure of the young generation of postnoucentisme, and tempered the stylized idealism of the noucentistes with an accentuation of realism. He is currently represented at MACBA.