Null Alfredo Opisso Cardona (Barcelona, 1907-Mataró, Barcelona, 1980)
Young musi…

Description

Alfredo Opisso Cardona (Barcelona, 1907-Mataró, Barcelona, 1980) Young musicians. Charcoal and pastel drawing on paper. Signed. 60 x 33 cm.

3090

Alfredo Opisso Cardona (Barcelona, 1907-Mataró, Barcelona, 1980) Young musicians. Charcoal and pastel drawing on paper. Signed. 60 x 33 cm.

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ARMANDO CARDONA TORRANDELL (Barcelona, 1928 - Sant Pere de Ribes, Barcelona, 1995). Untitled, 1957. Acrylic on board. Signed and dated on the back. Measurements: 38x 46 cm; 43 x 51 cm (frame). Cardona Torrandell began his training in the humanities, to later delve into painting. His work, plastic testimony of the current world, is characterized by variegated compositions, full of human faces, calligraphic elements and inscriptions, which define his personal iconography. He organized his work in cycles: "Retablos de la gente" (1956), "Barcas" (1956), "Máquinas" (1957), "Paisajes Concretos" (1960), "Universo concentracional" (1965), "Numancia" (1972), "Naufragios" (1979), etc. He also dedicated some tribute works to Sartre, Antonio Machado, Ungaretti and Lluís Companys. In 1965 he did the scenography for "Ronda de muerte a Sinera", by Espriu-Salvat, and the following year for "La buena persona de Sezuan", by Brecth. He also collaborated with the Sitges Theater Festival. He was associated with the Parpalló Group, and was part of Crónica de la Realidad and Intrarealismo. In 1971 he was awarded the Ynglada-Guillot drawing prize. Cardona Torrandell is currently represented in the Victor Balaguer Museum in Vilanova i la Geltrú, the Vila Casas Foundation, the Rafael Zabaleta Museum and other public and private collections.

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PATRICIA DAUDER (Barcelona, 1973). "Untitled (Verd-vermell)".2008. Colored pencils on paper. With label on the back of the gallery Projectes D. Measurements: 91 x 124 cm. With a suggestive language close to minimalism and lyrical abstraction, Dauder experiments with form and matter as a reflection on the passage of time and the idea of space. Presence and absence, the whole and the fragment, the mass and the void, the residue and the trace, are concepts that resonate in her proposals. Trained in Fine Arts at the University of Barcelona and with stays in Holland, New York and Prague, she lives and works in Barcelona. She uses different media: drawing, sculpture, textiles, film and photography. In her work, of a markedly processual character, travel plays a prominent role, as well as the culture of the sea and the idea of nature. The artist claims more direct and essential forms of relationship with the natural environment, a claim that is embodied both in her travels and in her chromatic choices, in her physical and artisanal relationship with materials (paper, graphite, cardboard, fabrics, plaster, wood, air, earth). Dauder creates and destroys, traces and erases, adds and eliminates, until he molds refined pieces with an abstract appearance that, in their ambiguity, end up projecting multiple associations and iconographies. Since the late 1990s, his work has been exhibited in venues such as the Museu de l'Empordà in Figueres (2008), Fundació Suñol in Barcelona (2009), Museu de Serralves in Porto (2012), MARCO in Vigo (2015) and National Gallery in Prague (2018). His work can be found in collections such as the Centro Andaluz de Arte Contemporáneo in Seville, Coleçao Fundaçao Serralves in Oporto, Colección CAM de Arte Contemporáneo in Alicante, Fundació Vila Casas in Barcelona, Centro Galego de Arte Contemporánea in Santiago de Compostela, Chartwell Collection in Auckland, New Zealand and MACBA in Barcelona, among others.

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Juan CARDONA (Barcelona 1877- 1958) A pair of illustrations: Confidences, Palabres sur le banc Watercolor over black pencil. Both are signed lower right and the other is captioned in pen and brown ink at the bottom. 33.5 x 24.8 cm

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