Null View of Landscape with Forest, Table, signed Guell, 19th century
Oil on pan…
Description

View of Landscape with Forest, Table, signed Guell, 19th century Oil on panel, measurements: 40 x 32 cm, framed measurements: 50 x 42 cm

1155 

View of Landscape with Forest, Table, signed Guell, 19th century Oil on panel, measurements: 40 x 32 cm, framed measurements: 50 x 42 cm

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Nocken, Wilhelm TheodorLandscape with mountain lake in the high Alps. Circa 1880. Oil on canvas. 27 x 40 cm. Signed. Framed in gold-colored stucco frame. - Slightly soiled. Small, brownish stains to the painting surface in places. Overall good. Idyllic mountain landscape with lovingly elaborated forest landscape in harmonious coloring. Deutsch - Düsseldorfer Malerschule Nocken, Wilhelm Theodor Landscape with mountain lake in the high Alps. Circa 1880. oil on canvas. 27 x 40 cm. Signed. Framed in gold-colored stucco frame. - Slightly soiled. Small, brownish stains to the painting surface in places. Overall good. Idyllic mountain landscape with lovingly elaborated forest landscape in harmonious coloring. Wilhelm Theodor Nocken studied landscape painting under Johann Wilhelm Schirme at the Düsseldorf Academy of Art from 1847-1851, during which time he received a one-year scholarship. He completed his studies in 1851 and from then on exhibited regularly. His works are artistically recognizable due to their motifs, which focus on Bavarian and Tyrolean mountain views, lovingly used staffage figures, dramatic lighting and, finally, the perspective of the distant view. Oil on canvas. Signed. Framed in gold-colored stucco frame. - Slightly soiled. Small, brownish stains isolated on the painting surface. Good overall. Idyllic mountain landscape with lovingly depicted forest landscape in harmonious coloring. - Wilhelm Theodor Nocken is a representative of the Dusseldorf Painting School. His works show a distinct style and feeling due to their motifs which focus on Bavarian and Tyrolean mountain views, lovingly used staffage figures, dramatic lighting and, finally, the perspective of the distant view.